Thomas Faed RA, HRSA (Scottish 1826 - 1900), pencil

Lot 67 Thomas Faed Scottish (1826-1900) The Response oil on canvas signed lower right sight: 16 x 14 inches Provenance: A private Manhasset, NY Collection Acquired in 1999 from Days Gone By Antiq

Attributed to Thomas Faed, R.S.A. (1826-1900, Scottish), "Fair Warbler, Sings't Thou Thus by Break of Day," oil on canvas, faint and partial signature lower right, framed, H.- 36 in., W.- 28 in.

exceptional pre raphaelite painting attributed to Thomas Faed (1826-1900) superbly rendered!!retaining presumably it's original frame! Possibly depicting "Evangeline" Previous conservation present.Age

Thomas Faed (1826-1900) Oil on Canvas, Signed Genre scene of parents with baby in bassinet. Oil on canvas. Thomas Faed; Signed "T. Faed." Dimensions: 17.5" x 13.5"; In Giltwood frame: 25" x 21" EF/B15

Thomas Faed (United Kingdom, 1826-1900) oil on canvas landscape genre scene titled Maternal Joy, depicting a girl watching tenderly as a boy feeds baby birds in a nest. Signed faintly lower right T. F

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: The Choice MEDIUM: oil on canvas CONDITION: Relined. Some inpainting mostly along edges. Some craquelure. Normal wear to frame. ART S

ARTIST: Thomas Faed (United Kingdom, Scotland, 1826 - 1900) NAME: The Response (titled on verso) MEDIUM: oil on canvas CONDITION: Some craquelure. Very minor inpainting. Some damages to frame. SIGHT S

ARTIST: ATTRIBUTED TO Thomas Faed (United Kingdom, Scotland, 1826 - 1900) TITLE: Parents with Baby YEAR: 1860 MEDIUM: oil on canvas CONDITION: Relined. Few minor paint losses. Minor stable craquelure.

Screenprint, Artist's Proof, signed and inscribed in pencil, published by Editions Alecto, London, printed by Kelpra Studios, London(37.5cm x 25cm (14.75in x 10in))

Screenprint, Artist's Proof, signed and inscribed in pencil, published by Editions Alecto, London, printed by Kelpra Studios, London(37.5cm x 25cm (14.75in x 10in))

Etching and chine coll‚, 2/12, signed, dated, titled and numbered in pencil to margin, published by Edinburgh Printmakers, with their blindstamp(the sheet 66cm x 50cm (26in x 19.75in), unframed)

Signed and dated in pencil lower left, oil and felt tip on paper(16cm x 13cm (6.25in x 5in))Exhibited: Gimpel Fils, LondonNote: Few British artists of the 20th century are quite as intriguing as Alan

(Scottish, 1825-1900) Sir Walter Scott and His Literary Friends at Abbotsford, 1849, not apparently signed, watercolor and body color on paper wrapped on panel stretcher with remnants of red wax seals

Signed and inscribed with date and title verso, oil on canvas(75cm x 95.5cm (29.5in x 37.5in))Note: This work is being sold on behalf of the charity Art in Healthcare to support their charitable aims.

Inscribed with title lower edge, signed and dated 2005 and inscribed with title verso, oil on canvas(122cm x 152.4cm (48in x 60in))Note: Few British artists of the 20th century are quite as intriguing

Gouache and watercolour on two conjoined pieces of paper(41cm x 103cm (16in x 40.5in))Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davi

§ EDUARDO PAOLOZZI K.B.E., R.A., H.R.S.A. (SCOTTISH 1924-2005) MOONSTRIPS EMPIRE NEWS - VOLUME 1, The portfolio of 100 prints, 233/500, eight of which are screenprints signed and numbered in pencil

Oil on wooden panel(48cm x 62cm (19in x 24.5in))Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world ?scen

Signed and dated and inscribed with title verso, oil on board(37cm x 31.5cm (14.5in x 12.5in), unframed)Exhibited: Gimpel Fils, LondonNote: Few British artists of the 20th century are quite as intrigu

Signed, oil on canvas (Dimensions: 91cm x 130cm (36in x 51.25in))(91cm x 130cm (36in x 51.25in))

Signed and dated upper left, gouache on paper(33cm x 38cm (13in x 15in))Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated out

Inscribed 'E.P.' in felt pen verso, cast plaster moulding(14cm x 12cm x 8cm (5.5in x 4.75in x 3in))

Plaster mounted on wooden stand(50cm x 20cm x 20cm (19.75in x 8in x 8in), including stand)Provenance: Purchased from the Paolozzi Foundation c. 2006

§ DAVID MACH H.R.S.A., R.A. (SCOTTISH b.1956-) TARTAN ARMY I - M8 PROJECT, 1994 Photographic collage(59cm x 81cm (23in x 32in))Exhibited: The Jill George Gallery, London