Tuvia Beeri (1929-2022) Czechoslovakia

Landscape, Aquatint, 20 x 16 cm / 24 x 20 cm, Signed and numbered “67/95"

Modern abstract black & white etching by Tuvia Beeri (Czechoslovakia). [Art: 10 1/2 x 9 inches; Frame: 16 1/2 x 14 1/2 inches].

Tuvia Beeri (b.1929) - Color Etching. Signed (pencil). 32.5x27.5cm.

Tuvia Beeri (b.1929) - Color Etching. Signed (pencil). 16x18cm.

Frame: 22.5"x27.5" Image and frame are in good condition.

"Paysage" by Tuvia Beeri, 1990 Signed Etching. Paper size is 7.5 x 5.75 inches, with an image size of 5 x 3.75 inches. The Etching is from an unknown edition size. and is not framed. The condition was

Original Abstract Artist's Proof lithograph (etching-aquatint). Signed in pencil lower right, says "To Irving with pleasure and friendship" in the middle. Titled "Composition 4" on verso. Image size:

Claes Oldenburg (1929-2022) Profiterole, 1989-1990 Cast aluminum and brass multiple with latex paint hand-coloring, incised initials, titled, dated and numbered 40/75, with the blindstamp on the under

Claes Oldenburg (American, 1929-2022) - Self-Portrait Initialed ‘C.O.’ and dated 1956 bottom right, ink and wash on paper. 10 ¾ x 8 3/8 in. (27.3 x 21.3cm) Provenance The Artist. Coll

CLAES OLDENBURG (American 1929-2022) A PRINT, "Arched Soft Screw as Building," 1976, lithograph on Arches wove paper, signed in pencil L/R, "Oldenburg," numbered L/L, "30/35," published by Gemini G.E.

Claes Oldenburg (1929-2022) Picasso Cufflink, from Homage to Picasso (Axsom & Platzker 113), 1974 Lithograph in colors on Arches paper, signed in pencil, dated and numbered 72/90 (there were also 15 a

Claes Oldenburg (American 1929-2022) Untitled (Geometric Mouse) (from Notes), 1968 9-color lithograph signed, dated, and numbered 59/100 in pencil 20 1/2 x 14 1/2 inches. Property from the Estate of D

Claes Oldenburg (1929-2022): Untitled (Kneeling Building), from Notes Lithograph in colors on wove paper, 1968, signed and dated in pencil, numbered T.P.I. (of III; the edition was 100 plus 15 ar

Claes Oldenburg (1929-2022): Soft Sax (Black and White) Lithograph in black on wove paper, 1992, signed with initials and numbered 24/30 in pencil, with label from Brooke Alexander, NY and Albright Kn

Claes Oldenberg (1929-2022): Soft Saxophone (Black & White) Lithograph in black on wove paper, 1992, signed with initials and numbered 22/30 in pencil. 35 x 44 in. (sheet), unframed. Brooke Alexande

Claes Oldenburg (American, 1929–2022) Geometric Mouse -- Scale D, 1971 edition sculpture composed of die-cut laminated photo-offset lithograph printed paper, stainless steel wire and chains, and

Claes Oldenberg (1929-2022): Sketch for a Sculpture in the Form of a Steel Tack Etching and aquatint in colors on wove paper, 1981, signed and numbered 43/100 in pencil. 22 x 17 3/4 in. (sheet), 26 x

CLAES OLDENBURG (American, 1929-2022)Geometric Mouse Pyramid as an Image of the Electoral System, Doubled1976, lithograph in colorssigned Oldenburg lower right, and numbered 4/50 lower left

Claes Oldenburg (1929-2022) ALPHABET IN THE FORM OF AN ICE CREAM BAR (AXSOM/PLATZKER 69) Color offset lithograph poster, 1970, on wove paper, signed with initials in pencil, from the edition of approx

Claes Oldenburg (1929-2022) Double Punching Bag (Axsom & Platzker 48), 1967 Lithograph in colors on Arches paper, signed in pencil and numbered 79/80, published by HKL Ltd., Boston/New York, printed b

Claes Oldenburg (American, 1929-2022) Rolling Collar and Tie, 1995 lithograph signed and numbered 49/52 in pencil 38 x 27 1/2 inches.

Claes Oldenburg (American, 1929-2022) Notebook Torn in Half (State II), 1997 lithograph initialed and numbered 7/20 in pencil 19 1/4 x 17 1/2 inches.

Claes Oldenburg (1929-2022) Geometric Mouse, Scale D 'Home-Made' (Axsom & Platzker 73, Gemini 295), 1971 Offset lithograph on five elements of white smooth paper laminated to die-cut gray, smooth card

Claes OLDENBURG (Swedish-American, 1929-2022): "Striding Figure". Color screenprint on Fabriano wove paper, 1971. From "Conspiracy: The Artist as Witness" portfolio. Published by "The Center for Const