TWO GEORGIABELLE CLARK (OH/IN) WATERCOLORS

Joseph Clayton Clark (1856-1937), two drawings of characters from Charles Dickens stories, of which he is will known. The first is an original ink and watercolor of David Copperfield and second is a o

Manjiro Terauchi LAKE VIEW PAGODO; CHERRY BLOOSOM BRIDGE, two watercolors on paper, signed lower right or lower left, 13 ¼ x 20” & 20 x 13 ½”, H. Takemura & Co. labels on verso; Together with H.

NEW ORLEANS JAZZ SCENES, 1981, six watercolors, two on paper, three on board, one on paper mounted to board, all signed and dated, five 25 3/4 x 40" to 30 x 40", one 20 1/4 x 15". (6)

SEAGULLS, MAPLETON; HOUSE; PROVO CANYON; UNTITLED, four watercolors on paper, each signed lower right, three with titles or sketches on verso, sheets 14 x 20”, 12 x 16” & two 11 ½ x

MEA SHARIM, JERUSALEM; JERUSALEM, NAHLET ISSAAC QUARTER, two watercolors on paper, each signed in English and Hebrew, sights 10 x 14”, both framed, both with Israel Art Center labels on back of fram

LOS BURROS EN EL TEATRO, 1990; ESPIRITUS, 1985, two watercolors on paper, each signed and dated lower right, 11 x 15" & 10 1/4 x 14". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts

SUCCULENT LAYERS; NASTURTIUMS; FLEMISH INTERIORS, three watercolors on paper, the first two signed and all three titled in pencil, 16 x 12 ½”, 9 ¼ x 12 ¾” & 16 &frac12

UNTITLED MAN WITH TWO WOMEN NY, 1990; MAN AND TWO WOMEN WITH APPLES NY, 1990; WOMAN JUGGLING APPLES NY, 1990; WOMAN AND TWO HORSES NY, 1990, four watercolors on paper, each signed and dated, sheets 11

CALIFORNIA LANDSCAPES, seven watercolors on paper: two signed and five studies of which two are dated 38 and one dated 33 and one dated 39, sheets 15 x 11” to 8 x 10”, all in good studio condition

DESERT KNOWER; DESERT VIEW, two watercolors on paper, both signed in pencil lower right, both titled in pencil, 13 x 12 ½” & 12 ½ x 16 ¼””, frames 20 ¼ x

ASUSTANDO AL SAN RUDO; SE LE BOLTEO AL NAHUAL, 1988, two watercolors on paper, each signed and dated, 15 x 11". Leovigildo studied at Maximino Javier’s Rufino Tamayo Fine Arts Workshop. (2)

SELF-PORTRAIT AS SOLDIER, FRANCE 1944; THE FIRST MACHO; MAYOR DALEY, CHICAGO, 1968, three watercolors, the first on card, later two on paper, each signed, sizes 24 x 12", 14 x 8 " & 11 x 8 ", Macho wi

LANDSCAPES, two watercolors on one sheet of paper, one side signed lower right, 15 x 21 ”, each side matted, a few small surface scuffs on verso, otherwise in good studio condition.

Henry Fukuhara MISSIONS, two watercolors on paper, each signed lower center, sheets 13 x 19", small amount of tape residue on verso; Tom Fong YOSEMITE VALLEY, watercolor on paper, signed lower right,

FATHER & SON; VIEW OF THE SEA, two watercolors on paper, each signed lower right, sights 10 x 14 ”, both framed with glass, both in apparently good studio condition. (2)

VIEW OF A TOWN; WOODED LANDSCAPE, two watercolors on paper, each signed lower right, sheets 18 x 24” & 24 x 18”, latter framed with glass 29 ½ x 23 ½” and New York framers

ELEPHANTS, two watercolors or ink prints on paper, each signed, frames 27 ½ x 36 ½” to 27 x 21 ¼” with glass. (2)

UNTITLED, two watercolors on paper, each signed lower right, sights 5 ½ x 8 ¼”, frames 15 x 18 x 2”. (2)

LANDSCAPES, two watercolors on paper, each signed lower left, frames 10 x 7” & 7 x 10 ½” with glass. (2)

SKY OPENING; GARDEN STATUES, two watercolors on paper, each signed and titled in pencil, 13 x 19” & 12 ½ x 15 ¾”, frames 20 ¼ x 26 ¼” & 20 ¼ x 24 &

GENTLEMEN’S ATTIRE, a pair of watercolors on paper, each signed Monica 1939 in pencil lower right, sheets 11 x 8”, frames 17 ½ x 14” with glass. (2)

Josef Streyc FROHE OSTERN (Happy Easter), 1943 & 1944, two watercolors on paper ,one with blind stamp lower left, 10 ½ x 16 ½” & 11 ¾ x 17 ½”; Edwin Heine (1860

UNTITLED, ink and watercolor on paper, signed and dedicated in pencil, 11 x 15”; VOYAGE TO THE EAST, color etching with intaglio, signed and titled and numbered 1/20 in pencil, sheet 29 ½ x

MOONLIT DOLPHINS, 1992, offset color lithograph with two original watercolor remarques, signed in pencil by both artists and numbered A/P 1/95 (artist’s proof), image 21 x 15”, full margin