Wheat, Gladys (1889-1976) etching "White Peacock"

Gladys Wheat (1889-1976) etching "White Peacock" good condition, pencil signed lower right, image: 6x7.25. Gladys Wheat was an artist and educator perhaps best remembered for her role as a professor o

Gladys Wheat (1889-1976) etching "Ozark Cabin" good condition, pencil signed lower right, image: 4x6. Gladys Wheat was an artist and educator perhaps best remembered for her role as a professor of art

Title: Upsurge. Gladys Mock (1891-1976) Etching, handcolored, undated. Edition 20. Signed and titled in pencil. Inscribed "8/20." Image size 14 7/8 x 17 1/2" (37.9 x 44.5 cm). Gladys Mock was an Am

Rufino Tamayo (Mexican, 1849-1991), Torre Blanca (White Tower), 1976, embossed etching in colors, pencil signed lower right, edition 34/75, sheet: 30"h x 22"w, overall (with frame): 35.25"h x 28.5"w

Gladys Mock (American 1891-1976)- ''Wings of Flight''- etching, signed and titled in pencil. 6 7/8 x 9 7/8''

Clare ROJAS (American, b. 1976): "Tulips". Color sugarlift and aquatint etching on Somerset white paper, 2009. Signed, dated, and inscribed AP 8, aside from the edition of 40. With the publisher's bli

John William Orth (1889 - 1976) Second quarter of the 20th century. The rendering of yellow and white roses arranged in an orange porcelain vase is signed by the artist lower right front. Board measur

Elizabeth White, 1883 - 1976, American (Sumter, SC), "Moonlight, Pawley's Island", Pencil Signed LR, Etching, 7" x 5", Matted

Adolphe Appian (French, 1818-1898) black and white etching on paper, Before the Rain, Villeneuve (Avant la Pluie, Village de Villeneuve), 1889. Signed and dated in the plate upper left. Marked, CH Del

Clare ROJAS (American, b. 1976): "Bleeding Hearts". Color sugarlift and aquatint etching on Somerset white paper, 2009.Signed, dated, and inscribed AP 8, aside from the edition of 40. With the publish

Alexander Calder (American, 1898–1976), "Black Ground with Red and White Shapes" Etching and aquatint. Signed and numbered 87/90. Sight: 12 1/4" x 15 3 /4" From the estate of Inger-Marie Tanier & Ge

Clare ROJAS (American, b. 1976): "Forget-Me-Not". Color sugarlift and aquatint etching on Somerset white paper, 2009. Signed, dated, and inscribed AP 8, aside from the edition of 40. With the publishe

(Massachusetts/England, 1834-1903) Whistler with the White Lock (K.172), state I/I, 1876-1879, unsigned, one of an edition issued in 1889 by H. Wunderlich, etching on thin Japan paper, 4-5/8 x 3-1/8 i

Mark Tobey (1890-1976 Washington) Untitled #50 Etching 12.5''x9.5'' Impression. A rare abstraction from the estate of Mark Tobey. Unsigned with Foster/White Gallery, Seattle label on verso. Framed 25'

CONRAD MARCA-RELLI Two color prints. Composition IV * Composition XIV. Both color aquatint, etching and embossing on antique-white Guarro paper, 1976. Both 437x630 mm; 17¼x25 inches, full margins

Lot 172 Henry Pitz American (1895-1976) The White Bird Passes, ten (10) etchings etching each signed, each from an edition of 25 each plate: 12 x 15 1/4 inches Provenance: Jules Perel Collection

(American/South Carolina, 1893-1976) Digging Clams, Pawleys Island, signed lower right "Elizabeth White", inscribed lower left with title, etching, sight 8-1/2 x 16 in.; wood frame, 15-3/4 x 23-3/4 in

Kerr Eby (American 1889-1962)- ''Evening'' (Giardina 160); ''White Tails in The Morning'' (G. 183); ''Little Franklin'' (G. 192)- 3 etchings, 1931, 1935, 1937, all signed in pencil, editions of 100, v

PRINCESS FEATHER KEROSENE FOOTED FINGER LAMP, opaque white, molded handle, No. 1 Taplin-Brown collar. Fitted with a period No. 1 slip burner and chimney with traces of peacock etching and a bead top.

A Blue And White 'Peacock& Flower' Meiping. Body is painted in deep cobalt blue with a peacock, the bottle neck and bottom each with a band of upright blades. Chinese Ming Dynasty. Size:31.6cmx16cm

JOAN MIRÓ (Spanish, 1893–1983) "L'Aigrette Rouge" 1976. Framed carborundum etching and aquatint in colors, on Arches paper, signed and numbered 29/50. Publisher: Maeght Editeur, Paris; Literature:

JASPER JOHNS (B. 1930) Untitled, 1976 Etching on watermarked artist paper 13" x 9 3/4" Signed in pencil lower right side

A Chinese Blue and White 'Peacock and Peony' Jar, with Wanli Mark, the ovoid jar decorated with a continuous scene of peacock standing on the rock amidst peonies between bands of upright petal lappets

A Blue And White 'Peacock& Flower' Meiping. Body is painted in deep cobalt blue with a peacock, the bottle neck and bottom each with a band of upright blades. Chinese Ming Dynasty. Size:31.6cmx16cm