William Hogarth (1697-1764) & Thomas Cook - The Beggars Opera / View of British Stage

Late 18th or early 19th century engraving, signed in plate by William Hogarth (British, 1697-1764), titled "Beggar's Opera Act III", 17.25"h x 21.75"w, overall size including frame 24"h x 38.25"w x 1"

Thomas Cook (1744-1818) British after William Hogarth (1697-1764) British. "The Rake's Progress", Coloured Engraving published by J Robinson 1796, London, 16.25" x 14", and seven others in the series,

Hogarth, after William, and Cook, Thomas (British, 1744–1818), Two Prints, hand colored (later) engravings after William Hogarth's (British, 1697-1764) noted Four Times of the Day series compri

After William Hogarth (British, 1697 - 1764), "The Four Stages of Cruelty", set of four engravings including "The First Stage of Cruelty"; "The Second Stage of Cruelty"; "Cruelty in Perfection"; along

William Hogarth (British, 1697-1764) The Four Stages of Cruelty (the complete set of four prints), 1751 etching and engraving Each: 15 ½ x 12 ¾ inches. Property from the Madison Museum of Co

After William Hogarth (England, 1697-1764). 2 engravings. Marriage A-la-Mode, plate IV, engraved S. Ravenet, image 13 1/2" x 17 1/2" (with frame 18 3/4" x 23 3/4"); Evening, engraved Thomas Cook, imag

After Hogarth, William (English 1697- 1764) Hand Colored Engraving on paper, Strolling Players, Engraved by Cook, Thomas (English 1744-1818) c 1800. Weight Approx., 5.5 lbs Measures Approx.: 21.5" x 1

after William Hogarth (British, 1697 - 1764) Lot (5) original engravings including: Dog and Bear, The Reward of Cruelty, Gin Lane, Cruelty in Perfection, Second Stage of Cruelty. Condition: Very good

Framed Antique Engraving of Shakespeare's "Richard the III" By T. Cook After William Hogarth (British, 1697 - 1764). Title reads "Mr. Carrick in the Character of Richard the III, Shakespeare Act 5 Sce

Circa 18th century A.D. A satirical print on paper from Hogarth's copperplate 'Beggars Opera' engraving with verse below: 'Brittons attend.-. view this harmonious Stage, And listen to those notes whic

After: William Hogarth, British (1697-1764) Engraving "Analysis Of Beauty Plate I". Engraved by T. Cook. Set in shadowbox frame. Frame measures 17" x 21-3/4" Condition: Significant toning or in good c

After William Hogarth, (6) engravings, After William Hogarth (1697-1764, British), "Marriage A-la-Mode", (6) engraved plates (I-VI), published April 1, 1745, 15" x 18" (sight), matted and framed

William Hogarth (English, 1697-1764), Four Stages of Cruelty (Complete Suite of 4)each an etching and engraving on laid paper, 1751, plates to include "The First Stage of Cruelty," "The Second Stage o

Attributed William Hogarth (British, 1697-1764), Portrait of a Boyoil on canvas (lined), retaining a label for William & Philip Evans at 37 Beak Street in London (1884-1907), also retaining remnants o

Circle of William Hogarth (British, 1697-1764) Portrait of a Gentleman oil on canvas 30 1/4 x 25 inches. This lot is located in Chicago.

Circle of William Hogarth (British, 1697-1764) A Mother and Son. Oil on panel Panel: 15" x 17.5" Frame: 22.5" x 15"

William Hogarth (British, 1697-1764) Works of William Hogarth. Bound volume of 116 plates, many double or triple, and text, printed for Baldwin, Cradock and Joy; Paternoster Row, London, 1822. With tw

6 pcs- William Hogarth (British, 1697-1764) "Marriage-a-la-mode" engravings 15 x 18 1/2 inches (each). Provenance: The Wilmington Society of Fine Arts

(lot of 4) William Hogarth (British 1697-1764), "The Four Times of the Day" (Plates 1-4), engravings with hand coloring, each titled in plate lower center, dated 1738, overall (with frame/each): 26.5"

William Hogarth (British 1697-1764) Four framed engravings, Election Series, comprising; "An Election Entertainment," (Plate I), "Canvassing for Votes," (Plate II), "The Polling," (Plate III), and "Ch

William Hogarth, set of (4) engravings, 1751, William Hogarth (English, 1697-1764), "The Four Stages of Cruelty" (The First Stage of Cruelty, The Second Stage of Cruelty, Cruelty in Perfection, The Re

William Hogarth (British, 1697-1764) Industry and Idleness (the complete set of 12 prints), 1747 etching with engravings Largest: 11 x 16 inches. Property from the Madison Museum of Contemporary Art P

Title: The Bruiser, C. Churchill. Artist: William Hogarth (British, 1697–1764). Plate mark: 38x28,5 cms. Paper size: 62x48 cms. Paper with watermark '1820'. Condition: good.; William Hogarth was

WILLIAM HOGARTH (British, 1697-1764) Strolling Actresses Dressing Copper engraving H 18¼ x W 22½ inches