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AKRO POPEYE MARBLE LOTNear Mint-Mint

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Marble lot of 36 vintage andcontemporary shooter marbles, 1 1/4" to 2 1/2"

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Marbles: Lot 228. END OF DAY, Onionskin. Mint (9.9).Lot 228. END OF DAY, Onionskin. Exceptionally rare Two-Panel left-twist Coreless Onionskin with Mica. Transparent clear base. No core. Subsurface layer is two panels. Each is stretched white, with str

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Marbles: Lot 115. PELTIER, Golden Rebel. Mint(-)Lot 115. PELTIER GLASS COMPANY, National Line Rainbo. Three-color six-ribbon National Line Rainbo Golden Rebel. Oapque yellow base. Two fiery aventurine black ribbons and four red ribbons. Nice patter

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Marbles: Lot 159. SULPHIDE. Boy Blue. NM(+) (8.8).Lot 159. SULPHIDE. Figure is a boy sitting on a hobby horse blowing a horn. Exceptional detail to the figure. No air bubbles. Nice silvering. Set slightly high. A couple of tiny hit marks keep this fr

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Marbles: Lot 198. LUTZ, Ribbon Core. Mint (9.6). 3/4".Lot 198. LUTZ, Ribbon Core. Ribbon Core Lutz. Base glass is transparent emerald green. White ribbon with lutz at ribbon edging. In very good shape. Germany, circa 1860-1920. 3/4". Mint (9.6).

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Marbles: Lot 223. CHRISTENSEN, Guinea. NM(+) (8.9).Lot 223. CHRISTENSEN AGATE COMPANY, Guinea. Nice Guinea. One tiny flake. Real beauty. Cambridge OH, circa 1927-1929. 21/32". Near Mint(+) (8.9).

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ANTIQUE LUTZ MARBLES, LOT OF FOUR,comprising three onionskin including one with sparse lutz bands, and one green mist marble. Late 19th/early 20th century. 9/16" to 11/16" D.Provenance: From the Eddie Tatum estate collection, Winston-

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Marbles: Lot 217. LUTZ, Banded. Mint(-) (9.1). 9/16".Lot 217. LUTZ, Banded. Rare marble. Opaque custard yellow base. Four robins egg blue bands and two white-edged lutz bands. Reverse twist top. Small defect near the top pontil that appears to be manufa

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HAND BLOWN LUTZ SWIRL MARBLES, LOT OF TWO,comprising a translucent green with blue and gold aventurine swirls, a translucent cobalt blue with orange and gold aventurine swirls, each having rough pontil marks. Various makers. 1860-1920. (Updat

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HAND BLOWN ONIONSKIN LUTZ MARBLES, LOT OF TWO,cased colorless, each having a multi-colored surface including gold aventurine decoration, each having rough pontil marks. Various makers. 1860-1900. (Updated 8/16/22) 11/16" and 3/4" D.Literature: Pa

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HAND BLOWN LUTZ SWIRL MARBLES, LOT OF THREE,comprising a clambroth and a clamwater example with orange swirls and gold aventurine decoration, and one having a colorless base color with amethyst swirls with gold aventurine swirls, each having a

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HAND BLOWN ONIONSKIN LUTZ MARBLES, LOT OF THREE,cased colorless, each having a multi-colored interior including gold aventurine decoration, each having rough pontil marks. Various makers. 1860-1900. (Updated 8/16/22) 9/16" to 5/8" D.Literature: Par

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ASSORTED HUMAN-FIGURE LARGE SULPHIDE MARBLES, LOT OFASSORTED HUMAN-FIGURE LARGE SULPHIDE MARBLES, LOT OF THREE, colorless, comprising a girl sitting, boy praying, and child playing marbles.Late 19th/early 20th century. 2" to 2 1/4" D.Child playing marb

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AKRO AGATE OPAQUE SWIRL MACHINE-MADE MARBLES, LOT OF EIGHT,each having blue, red, and yellow swirls, including an Indian Blanket with additional black swirls. Akro Agate Co. 1925-1935. (Updated 8/16/22) 3/4" to 7/8" D.Provenance: From the Blake Rhodes collect

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PELTIER SUPERMAN OPAQUE MACHINE-MADE MARBLES, LOT OF THREE,opaque blue base color with red and yellow decoration, including a Miller Swirl. Peltier Glass Co. Second half 20th century. (Updated 8/16/22) 9/16" to 5/8" D.Literature: Parallels Arim/Johnson/Biffan

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ANTIQUE ONIONSKIN LARGE MARBLES, LOT OF TWO,comprising a four-lobed example with white, red, blue, yellow, and some spots of green having mica flakes, and a smaller example with white, blue, green, yellow, and some spots of red. Late 19th/early

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ASSORTED OXBLOOD MACHINE-MADE MARBLES, LOT OF NINE,comprising seven Lemonade oxbloods, and one Limeade oxblood. Akro Agate Co. and others. Second quarter 20th century. (Updated 8/16/22) 5/8" to 11/16" D.Provenance: From the Blake Rhodes collection, Da

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ASSORTED CROCKERY / BENNINGTON MARBLES, LOT OF 30,green glaze and flint-enamel mottled brown glaze with green or blue. Late 19th/early 20th century. 7/16" to 1 9/16" D.Provenance: From the Eddie Tatum estate collection, Winston-Salem, NC.

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ANTIQUE LUTZ BANDED MARBLES, LOT OF FOUR,each with two lutz bands trimmed in white and four other solid color bands, comprising a colorless transparent with blue bands, a green transparent with white bands and one yellow band, and two opaque

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CHRISTENSEN OPAQUE SWIRL MACHINE-MADE MARBLES, LOT OF TWO,black base color with electric yellow swirls. Christensen Agate Co. 1925-1930. (Updated 8/16/22) 5/8" D.Literature: Parallels Block - Collecting Early Machine-made Marbles, p. 126, bottom.Provenance:

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HAND BLOWN RIBBON-CORE LUTZ MARBLES, LOT OF TWO,colorless base color, one having alternating blue and yellow swirls with gold aventurine swirls in-between, remaining example with alternating green and yellow with separating gold aventurine swirls,

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ANTIQUE ONIONSKIN MARBLES, LOT OF EIGHT,each multi-colored, many with shrunken or slightly shrunken core, including a smaller example with mica flakes, and the largest example with two-lobed shrunken core. Late 19th/early 20th century. 9/16

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ANTIQUE TRANSPARENT SWIRL LARGE MARBLES, LOT OF TWOANTIQUE TRANSPARENT SWIRL LARGE MARBLES, LOT OF TWO,each with multi-color divided core and white and/or yellow outer threads.Late 19th/early 20th century. 2" and 2 1/4" D.Good overall condition, with

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