Signed Judy Collins Color Photograph 12 3/4 x 12 3/4

SURFING GLASS, BONDI, color photograph, signed lower right and titled lower left in pencil, image 27 x 40 ½”, full margins, frame 38 ½ x 48 ¾” with Plexiglas.

GEORGE HARRISON VANCOUVER 11/2/74, color photograph, signed, dated, titled and numbered 16/75 in ink, image 16 ½ x 13”, full margins, frame 25 ½ x 21 ¾” with glass. Li

Jim Burger, (20th Century), “Raising Cane”, 2006, Color Photograph, signed lower right, Image Size: 17 ¼” x 26”, Frame Size: 23 ½” x 32 ¾”.

POLAROID FLASHLIGHT TORSO II, 1983, color Polaroid photograph, signed, dated, titled and numbered 1/1 on verso, 10 ¾ x 8 ½”, framed with glass, in good condition. Provenance: Ovsey Gallery, Los An

Jerry Hammell, (20th Century), Three (3) Color Industrial photographs: (1) “Infrastructure”, Image Size: 9 ¾” x 7 ½”, signed and dated, 2003, lower right, titled lowe

Olivia Berardinis (November 1948) and Pamela Anderson (July 1, 1967). 15 x 34 Olivia Berardinis signed Pamela Anderson Nylon Jungle Giclee Print 11 x 11 ½ Pamela Anderson signed Color Photograph. Mat

BLOOD CONSUMPTION, AMY STOCK, 1999, color photograph mounted to Centrex, frame 59 x 49 ½”, with notary signed by artist, frame 11 ¼ x 8 ¾”. Provenance: ACE Gallery, Los Ange

2 Vintage Photographs Signed Leopold Hugo 12 3/4" x 9 3/4" & 13" x 7 1/2" "Landscapes".

VIRGINIA DA LEE, 1960 MODERN MAN, color photograph, artist and title and dated 7/60 on paper studio labels on verso, 13 ¾ x 10”, frame 16 ½ x 12 ¾” with glass.

LA CHAINE SIMPSON from Les Maitre De L’Affiche, plate #238, 1900, color lithograph, signed in design, sight 9 x 12 ¾”, printed by Chaix, Paris, Les Maitre De L’Affiche blind stamp lower right,

IT’S ALL GOOD (MICKEY), 2021, acrylic painting over color print, signed lower right, 34 ½ x 23”, frame with Plexiglas 39 ½ x 27 ¾” with Plexiglas.

BULL FIGHT (K.203), 1973, color lithograph, signed in pencil, numbered 54/200, image 13 ½ x 12”, full margins, frame 14 ½ x 12 ¾” with glass; THE CAPTAIN (K.201), 1972, color lithograph, signed

MARILYN SWIMMING, photo-print, signed and numbered AP 19/30 in silver pen, sight 12 ¾ x 19 ¼”, framed.

CAVALLO (Gustalla LV.74 page 194), 1974, color lithograph, signed and numbered 60/75 in pencil, printed by Mourlot, published by Leon Amiel Paris, image 12 ¾ x 20”, sheet 19 ½ x 25

Andre Masson LE DEPART, 1972, color lithograph, from the edition 800, sheet 12 ¾ x 10"; Leonor Fini WITCH, c.1980, color lithograph, signed on the stone, from the numbered edition 95, sheet 21 ¼ x 1

COMEDIENNE, color screenprint, signed in pencil, numbered 26/250, sheet 28 ¾ x 22 ½”; FRIENDS, color screenprint, signed in pencil, numbered 24/250, sheet 33 x 25”; PURPLE PE

GIRL & KITTEN, seven of the same, each a color giclee, signed in pencil, from the numbered edition 25, image 12 ¾ x 10”; GIRL IN FORREST, color giclee, signed in pencil and inscribed artist’s pro

CAMELLIA, 1977, color screenprint, signed in pencil, from the edition of 10 artist’s proofs, image 9 x 6 ½”, sheet 12 ¾ x 9 ¼”, some stray printer’s ink in left margin, otherwise in good co

Framed set of four mexican artist signed watercolors. Artist signed Ignacio Martinez as shown in photo. Frame 34 ½ x 16 ¼. Images 12 ¼ x 8 ½.

WHITHER, 1975, color screenprint, signed in pencil, from the numbered edition 30, image 11 x 15”, sheet 12 ¾ x 19 ¾”, tiny pinholes in upper margin, otherwise in good condition.

WINTER, color aquatint etching, signed in pencil, image 10 ¼ x 12 ¾\", full margins, mild toning, old hinge remnants on verso, otherwise in good condition.

Oil on Board Signed Dell Collins, 11 3/4" x 17 1/2", "Stooks & Grain Elevators".

CAT WITH PENDANT, color woodblock print, signed and titled and numbered 46/50 in pencil, image 22 ½ x 12 ¾”, full margins, discardable frame 30 x 19” with glass.

Junichiro Sekino ROADSIDE PINES (#40 from Fifty-Three Stations of Tokaido Series Chiryu), 1974, color woodblock print, signed in pencil, with character stamp lower right, image 12 ¾ x 18”,