ITALIAN ETCHING BY HACKET BALTHASAR ANTON DUNKER

Balthasar Anton Dunker (1746-1807) Etching View of Rome from the Ponte Milvio. Titled Veduta della Chiesa di San Pietro di Roma dalla parte di Ponte Molle (View of the Church of San Pietro in Rome fro

The Concert. Antique etching engraving on celluloid of a print made by Balthasar Anton Dunker after Gerard Ter Borch II. "lower left: "B.A. Dunker f.". Lettered in lower margin with production details

A collection of Italian etchings and others, including 19th Century etchings after Cani and Canali, large pages, and assorted small prints of Swiss landscapes. Provenance: Phyllis Lucas Gallery, NYC.

Canaletto (Antonio Canal) (Italian, 1697-1768), etching of a landscape. Signed in print, lower center. Matted in bolection gilt wood frame. [Sight: 12 x 17 1/2 inches; Frame: 20 1/2 x 25 1/2 inches].

Giovanni Battista Piranesi (Italian, 1720-1778), etching, "Veduta di Piazza Navona sopra le rovine del Circo Agonale", from "Vendute di Roma", 18 1/2" x 27 1/2" plate, 25 1/4" x 34 1/4" overall, laid

Giovanni Battista Piranesi, Italian, 1720-1778. Etching, engraving and burnishing on wove paper titled "The Pier with a Lamp", plate XV from the "Carceri d'invenzione" (Imaginary Prisons) series. Sign

Lucio Fontana (Italian, 1899-1968) color etching of a round pink circle with embossed designs, titled "Nudo Rosa"; signed lower right, edition 159/170. [22" H x 15" W; Frame: 33" H x 25" W].

Giovanni Battista Piranesi (Italian, 1720-1778) two etchings, Carceri title plate and Plate VI, both matted and framed. Not examined out of frames. The smaller sight size: 21 1/2" high, 16 1/2" wide.

19th c. In fine giltwood frame. Recently cleaned and relined. Beautiful painting from a fine Dallas estate. 33w x 46h in frame.

19th c. In fine giltwood frame. Recently cleaned and relined. Beautiful painting from a fine Dallas estate. 33w x 46h in frame.

Giovanni Battista Piranesi , Italian (1720-1778). Circa 1760 etching on woven paper of Veduta dell Arco di Tito (The Arch of Titus) from Piranesi series Vedute di Roma (Views of Rome). Focillon 209, T

(lot of 7) Piero Dorazio (Italian, 1927–2005), "Avion," 1966, etching in colors, "Coda di Paglia," 1968, lithograph in colors, "Logos at Carres," 1967, lithograph in colors, Untitled, 1968, etching

Alberto Burri (Italian, 1915-1995) Combustione , 1959 etching and lithograph signed and numbered 37/90 in pencil 15 1/4 x 21 inches. Property from the Estate of John J. Reiss, sold to benefit the Lois

Marino Marini (Italian, 1901-1980) Gran Cavaliere, 1978 etching and aquatint and colors signed and numbered 34/75 in pencil 37 1/2 x 26 inches. Property from a Corporate Collection, Freeport, Illinois

Afro Basaldella (Italian, 1912-1976) Tormarancia, 1974 aquatint etching signed and numbered 71/78 in pencil 50 x 47 inches. Provenance: Provenance: Brooke Alexander Inc, New York

Giovanni Battista Piranesi (Italian, 1720-1778) Roman Views (five works) etching Sight: 21 x 16 inches. Estimate $1,000-2,000 Provenance: R.S. Johnson Fine Art, Chicago, Illinois

Arnaldo Pomodoro (Italian, b. 1926- ), "Cronaca 4: PCastaldi"-1976, etching and embossing on copper and Epoxy plate on Fabriano Rosaspina paper, pencil signed lower right, limited edition noted lower

Giuseppe Vasi (Italian, 1710-1782), three late 18th century etchings, first published in Vasi's 'Delle Magnificenze di Roma Antica e Moderna,' the first titled 'Ospizio e Chiesa di S. Luigi della Nazi

ANTON ROMAKO 1832 Atzgersdorf - 1889 Vienna Young and elderly Italian women in front of their house Oil on canvas (doubl.). 63,5 x 50,5 cm (F. 75 x 61,5 cm). Signed lower right 'A. Romako'. Verso: lab

Trajan's Column. Etching. From a Garrison, NY collection. - Dimensions: 114.5" h x 30.75" w.

etching and aquatint in colors, 1965, pencil signed and numbered 71/80 lower margin, from the Combustione series, printed and published by Stamperia 2RC and Galleria Marlborough, sheet bears blindstam

"The Gothic Arch." Apparently unsigned. c. 1749-1750. Etching, engraving, and sulfur tint with burnishing on paper. Plate XIV from series "Le Carceri d'Invenzione." Float mounted behind antique glass

Bernardo Bellotto (Italian, 1721-1780) Perspective de la Place de la grande Garde, 1750 etching 20 3/4 x 31 7/8 inches. Literature: De Vesme 15

Antique Grand Scaled PIRANESI Etching, 17th century, one of a pair in this auction, inscription to lower left reads ‘Cavalier Piranesi del e inc’, inscriptions in Latin and Italian, label to rever