LUV-AFFAIR - WHAT THE HELL IS THIS ?!?!

LUV-AFFAIR - WHAT THE HELL IS THIS ?!?! CAN'T FIND IT ANYWHERE ? RARE OR JUNK ? TAKE A CHANCE ! RAINTREE RECORDS (UNKNOWN). JEBSY MUSIC ONLY HAD THREE OTHER RELEASES IN IN 68 / 1969. NO IDEA ON VALUE.

Titolo completo: Le Coste maritime dell'Isole di Sardigna e Corsica. Autori: Levanto Francesco Maria - Coronelli Vincenzo [Venezia, 1698], carta nautica in calcografia, mm. 392x510 (l'impronta della l

Cigarette case - in silvered metal with traditional decoration chiseled - Japan - Meiji period - late 19th century

Bowl for food, red lacquered rattan - Burma - late 19th century

[Primi ’900]. Incisione di dimensioni 16,7x15,7 cm. Incisione erotica ad opera del marchese von Bayros, numerata (num. 30). Firmato in basso a destra con lo pseudonimo Choisy Le Conin. Titolo scritt

[Primi ’900]. Incisione di dimensioni 17x16 cm. Incisione erotica ad opera del marchese von Bayros, numerata (num. 12). Titolo in basso a destra, di difficile lettura. Firmata in basso a destra nell

[Primi '900]. Incisione di dimensioni 16,5x15,5 cm. Incisione erotica ad opera del marchese von Bayros, numerata (num. 17). Titolo scritto a mano dall'autore, di difficile lettura. Firmato in basso a

A LARGE ICON SHOWING CHRIST'S DESCENT INTO HELL Greek, circa 1600 Tempera on wood panel. Executed on a gold ground. The panel depicts the Descent into Hell, showing Christ holding the cross symbolizin

Howard Finster. Passing Through The Gayts Of Hell (sic. ) 1987. #6,875. Signed, dated, titled and numbered. Tractor enamel on found cardstock. Excellent condition. Size with artist-made frame 23" w x

Handwritten manuscript of 26 pages written in green ink in the recognizable handwriting of Ungaretti, pages of 220 x 280 mm., Numerous corrections on almost every page in the text, in the interline, i

Ca 1800 Russian icon "Resurrection and Descent into Hell", egg tempera on gesso, 13" x 11", minor repair, restoration, fine line cracks (one vertical, one horizontal)

19th century; multi-arm deity, standing on defeated God, 5 1/4 in. H.

Icon: Descent into Hell Origin: Russia Date: age 1600 Materials: tempera on wooden board Size: 30 x 26 cm This is the Orthodox Church's greatest feast, celebrating Easter, and showing Christ Descendin

FRAMED 18TH C W/C POPE BANISHING SOULS TO HELL 12 1/4" X 8"

David Shrigley (British, born 1968) To Hell With Zoos Screenprint in colours, 2021, on Somerset Satin, signed with the initials, dated and numbered 65/125 in pencil verso, published by Galleri Nicolai

Item: Christ Visiting Hell Metal Accent Russian Icon Size: 10.5 x 12 x 2 inches Date: 17th century Material: Metal accent (frame and nimbus) Please note that this lot has a reserve. When you leave a b

Juvenile Triceratops, horridus, horn. Very hard-to-find item with part of the eye socket. Hell Creek Frm., Cretaceous, 65 Million Years Ago (MYA) Garfield Co., WY

Julius Moessel (American, 1872 -1960) Symphony in Hell, No. 2, Andante (Middle), c. 1940s oil on canvas signed Moessel (lower left); signed and titled (verso) 40 x 35 inches.

HELL STG-61 POCKET CIPHER MACHINE 6-wheel cipher machine in metal gray metal casing, Kiel, Germany, Rudolph Hell, c.1961, interior metal label with model and serial no: 64353, exterior metal label wit

Howard Finster. Heven Above & Hell Below. 1989. #10,509. Signed, dated, titled and numbered. Paint, marker and glitter on board. Excellent condition. Image is 11"w x 20"h. Frame is 14"w x 22"h. Est. $

James Everett Stuart (1852-1941) Excelsior Geyser or Hell's Half Achre (sic) signed, dated, inscribed and numbered 'No. 781 - Original Sketch / J.E. Stuart / July 13, 1885' (lower left) and signed, in

After Louise Bourgeois (1911-2010) Untitled (I Have Been To Hell and Back) Embroidered thread in pink, 2007, on cotton handkerchief, with printed initials and numbered 225/1000 in black ink, published

Brouillon de telegramme manuscrit de la main de Bormann au sujet de l’affaire Goering. Reichsleiter a Dr Frank Klopfer Obersalzberg. Sur Ordre du Fuhrer Telegraphiez si vous avez trouve projet

ENRIQUE BRINKMANN (Malaga, 1938). "Subject". Oil on plywood. Solo exhibition at Galería Alicante, Spain. Sizes: 68 x 75 cm; 70 x 76,5 cm (frame). A self-taught painter and engraver, Brinkmann began