CUT DOUBLE OVERLAY FLASHED FLOWER AND PUNTIES STA

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY SINGLE-FLOWER LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque teal to opaque white to colorless, cut punties and three-stacked ovals to the sides, circula

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY SINGLE-FLOWER LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque yellow to opaque purple to colorless, cut punties and swags to the side, circular top window

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY THREE-FLOWER BOUQUET LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque green to opaque white to colorless, cut ovals and punties to the sides, circular top

JOHN DEACONS (SCOTTISH, B. 1950) DOUBLE-OVERLAY THREE-FLOWER BOUQUET LAMPWORK STUDIO ART GLASS PAPERWEIGHT, opaque cobalt blue to opaque white to colorless, cut-faceted with two rows of punty cut and

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, bright rose to white to colorless pyriform font, clusters of five punties alternating with V-grooves and over a band of panels, brass stem, doub

CUT DOUBLE-OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, rose to opaque white to colorless pyriform font with gilt scrolling decoration, two rows of punty cuts and a lower band of oval cuts, raised on a

CUT DOUBLE OVERLAY PUNTY AND LEAF COLOGNE / PERFUME BOTTLE, deep blue to white to colorless, pyriform with oval-cut neck and factory-polished flanged mouth, raised on a pinched foot cut with a six-poi

CUT DOUBLE OVERLAY PUNTY AND PANEL KEROSENE STAND LAMP, colorless to rose to opal, compressed urn-form font with a very faint etched squiggly pattern, waisted stem, brass connector, brass base, No. 23

CUT OVERLAY FLOWER PANEL AND PUNTY COLOGNE BOTTLE, rose/ruby to colorless, elaborately cut trumpet form with additional vesica and oval cuttings, applied hexagonal-cut neck ring, factory-polished six-

CUT DOUBLE OVERLAY ROSETTE AND PUNTY FLASK, blue to white to colorless, flattened ovoid form with same design on both sides, short neck, and plain mouth, polished pontil mark. 1860-1890. 9" H, 5 1/2"

CUT DOUBLE OVERLAY TREFOIL AND PUNTY COLOGNE BOTTLE, white to deep cobalt-blue-cased colorless with traces of gilt decoration, squat skirted form with panels cut under skirt, punty-cut shoulder ring,

CUT DOUBLE OVERLAY HOURGLASS WINDOW AND PUNTY COLOGNE BOTTLE, deep blue to white to colorless, waisted form with panel-cut neck, oval-cut neck ring, and flanged mouth, raised on a slight foot with pol

CUT DOUBLE OVERLAY MOORISH WINDOW AND TREFOIL COLOGNE BOTTLE, deep blue to white to colorless, pyriform with punties cut around the shoulder ring and foot, tall panel-cut neck, factory-polished flange

CONTINENTAL CUT DOUBLE OVERLAY GLASS POCKET BEAKER, white to cobalt blue, large quatrefoil to one face flanked by columns of punties and ovals, reverse with a large swirl design, factory-polished rim

EUROPEAN CUT DOUBLE-OVERLAY GOBLET, opaque white to cased cranberry with gilt decoration, quatrefoil decoration alternating with two small punties, base of the bowl with a band of larger punties. Prob

EUROPEAN GOTHIC CUT DOUBLE-OVERLAY TUMBLE-UP AND UNDERPLATE, opaque white to cased cranberry with gilt decoration, each with a matching pattern incorporating stylized quatrefoils and punty cuts, tumbl

CUT DOUBLE OVERLAY LOOP AND Q-TIP COLOGNE BOTTLE, deep blue to white to colorless, conical form with trefoil cuttings around the base, loop-with-punty-base cuttings around the shoulder, an applied pla

CUT DOUBLE OVERLAY PAPERWEIGHT COLOGNE BOTTLE, turquoise to white to colorless, oval and punty cuttings, bottle with millefiori base, original stopper with millefiori umbrella. 20th century. 8 1/4" HO

CUT DOUBLE OVERLAY SCENT BOTTLE, cobalt blue to opaque white to colorless, with swag and punty cuts, symmetrical design, brass lid. Probably Bohemian. Second half 19th century. 3 1/4" HOA.Excellent co

BOHEMIAN CUT DOUBLE-OVERLAY BEAKER / FOOTED TUMBLER, cobalt blue to white to colorless, floral decoration to the bowl with a band of punty cuts below, circular foot with a band of punty cuts to the ed

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

CUT OVERLAY ALL-OVER PUNTY COLOGNE BOTTLE, turquoise blue to colorless, tapered wide-base form with neck ring, factory-polished eight-point mouth, and flashed and punty cut base, original acorn-form a

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

VINTAGE ST. LOUIS DOUBLE OVERLAY MUSHROOM MILLEFIORI PAPERWEIGHT, with a top punty cut, five cut windows to the side, millefiori mushroom to the interior, starred base, signature cane reading "SL/1953