(attr. to) Totoya Hokkei (1780-1850):A girl in festive clothes

Attributed to Totoya Hokkei (Japan, 1780-1850)Chronicles of a Journey to Enoshima8 x 7in (20.5 x 17.5cm)

A Japanese woodblock after Totoya Hokkei (1780-1850). The surimono shikishiban woodblock depicts a male scholar / artist at his work table. Calligraphy script indicating a poem or story. Signed with r

A Japanese woodblock after Totoya Hokkei (1780-1850). The surimono shikishiban woodblock depicts figures in a temple garden gate (inset) and a female courtesan with her attendant. Calligraphy script i

Artist: After Totoya Hokkei (1780-1850) Subject: A rooster on a war drum, Medium: Color woodblock print, Date: Originally published in 1830 ca. This print from new woodblocks printed around 1890. Form

Japanese Woodblock Print, originally published c.1832, this is a contemporary printing. SIZE IN INCHES: 7 x 8 inches TOTOYA HOKKEI (1780-1850) was one of Hokusai's most successful and prolific pupils

Japanese Woodblock Print, originally published c.1832, this is a contemporary printing. SIZE IN INCHES: 7 x 8 inches TOTOYA HOKKEI (1780-1850) was one of Hokusai's most successful and prolific pupils

Artist: Totoya Hokkei Subject: Surimono Depicts a Bird in Cage Date: 1820-30's Size: 7.25 x 8.25 inches Medium: Woodblock print Totoya Hokkei (1780-1850) was Japanese painter and printmaker. He studie

Japanese Surimono Woodblock Print. Artist: Totoya Hokkei (1780-1850). Artwork: Approximately 8 x 7 1/4 inches.

(Lot of 3) Japanese woodblock prints: Totoya Hokkei (1780-1850), 'Kintaro Referees a Match between a Rooster and a Tengu'; and Hayashi Tei (19th century) depicting the Sumida River and a barge, with a

Group of 3 Japanese Woodblocks. One is by Hiroshige (1797-1858) Antique Woodblock - Driving Rain at Shono from Fifty-three Stations of the Tokaido. Second is by Totoya Hokkei (1780-1850, Japan). Antiq

TOTOYA HOKKEIJapan, 1780-1850Kintaro Referees a Match Between Rooster and Tengu. Woodblock print, 7.75" x 7" sight. Framed 16" x 14.5".

ASIAN: Two Surimono prints featuring mythical creatures, the first by Totoya Hokkei (Japanese, 1780-1850) "Dragon in the Clouds" woodblock print, a dragon weaves through clouds, black background, fade

Lot consisting of 1) Totoya Hokkei (Japanese, 1780-1850), surimono woodblock print depicting a well-dressed young woman, 7 1/2" x 9" sight, 12 1/4" x 13 1/2" framed; 2) Tomioka Eisen (Japanese, 1864-1

Totoya Hokkei (Japanese,1780-1850) embossed woodblock print depicting a pheasant in plum tree. Artist signed. Measures 16" x 7 1/2".

Artist: Hokkei, Totoya, 1780-1850 Title: A Good Time for the First Playing of an Instrument Series: The Hanazono Group Date: 1824 Medium: Japanese woodblock print Image S

Artist: Hokkei, Totoya, 1780-1850 Title: Box of Fan Paintings; Winter Plum Series A Set of Pictures for the Hanazono Group Date: c. 1820s Medium: Japanese woodblock print I

Artist: Hokkei, Totoya, 1780-1850 Title: Courtesan and Spider Surimono Date: c. 1830s Medium: Japanese woodblock print Image Size: 7 3/4 x 7 1/8 inches Notes: Copper an

Old Master Painting, Madonna and Child, c.1780-1850.Oil on canvas.This work has been relined approximately 50 years ago. Painting: 7.25"x 10" in a frame: 17"x 19.5".

A FINE REGENCY PERIOD GEORGE III GILT BRONZE MOUNTED MARQUETRY INLAID MAHOGANY TALL CASE CLOCK, ENGLISH, CIRCA 1780-1850, the pagoda crest, centering an oval portrait frame, flanked by brass urn form

1780-1850, all with flat, scalloped rims, 9”, 8” and 7.5” diam.; 39 troy oz. total (1214 total grams) Ex. the collection of a Connecticut gentleman and his wife who resided in Latin America for

A Chinese jet snuff bottle. Circa 1780-1850. Carved in a flattened purse form, with a lavender jade stopper. 1 3/4". SW Collection.

Circa 1780-1850 Woodland Indians hand-carved ladle in a swan-form effigy, swan-like head effigy handle curves into sleek formed swam-like body, half-hallowed handle shows carving ridges, 3 1/4" W bowl

W.P.A. Cloth Girl23" doll with molded and painted stockinette head, painted facial features, yarn hair, five-piece cloth body, with unique tab jointing of legs. Left arm and hand have tears (phot

American Gilt Bronze Solar Lamp, c. 1850, attr. to Henry Hooper, Boston, baluster standard with acanthus and portrait on a stepped marble base, floral cut shade, h. 22 1/2 in., dia. 7 1/4 in . Provena