Pre-1827 Peale Museum George Washington Silhouette

HOLLOW CUT SILHOUETTE GEORGE WASHINGTON, SIGNED PEALES MUSEUM, 6.5 X 7.5 EXC. CONDITION

After Charles Willson Peale (American, Maryland, 1747-1827). George Washington print. 33 3/4" x 15 3/4" (with frame: 38" x 20"). Crazing to the surface. Waviness to the print.

American School (First Half 19th Century) Six Fine Hollow-Cut Silhouette Busts each paper cut-card over dark background including Charles Willson Peale, "Peale Museum" (1741-1827), "Man in a Top Hat",

Silhouette of General George Washington with stamp of Peales Museum

Offset lithograph, after an 1846 painting by Rembrandt Peale, 1778 to 1860, an American artist and museum keeper. The artwork depicts a portrait of the first US President George Washington. Inscriptio

(4) Silhouette family group of the Allen / Taney families inscribed verso "Cheif Justice Roger Brook Taney & wife with their daughter and son-in-law Major Allen done at Peale's Museum Baltimore, MD 18

Title: Peale Museum Silhouette Dimension: In an eglomise mat and gilt frame, 4 1/2" x 5 1/2". Provenance:Hollow cut Peale Museum Silhouette, with "Museum" stamp Shipping: Domestic: Flat-rate of $20.00

19th century hollow cut silhouettes - one penciled "William Yorke Philadelphia" and embossed within a banner "Museum" below his shoulder, 4 1/2 x 5 1/4" giltwood frame; other hollow cut gentleman with

DESCRIPTION: Six items, five depicting the silhouette of George Washington and one depicting the silhouette of Martha Washington CIRCA: 20th Century ORIGIN: American DIMENSIONS: (Smallest) H: 4.75" W:

George Washington Silhouette & Mold - 1) silhouette in oval metal frame, labeled on back side "Silhouette George Washington Published by Foster Bros, Arlington & Bos ..."; 2) flat plaster cast of Wash

Vintage President "George Washington" silhouette cut from the statue by Houdon, by H. & N. Laughan, vintage, probably 1960s, lithographic print in vintage glass frame and picture mat. The picture incl

The sitters identified as Benjamin and Christina (Irick) Thomas. each with Peale Museum stamp and in identical period frames. Dimensions:Each frame is 8" x 7 1/4".

First quarter-19th century. Hollowcuts with the female noted as ___ Throckmorton and male sitter as Joseph Morris. Toning and Morris with tear at bottom center. Both 7.25"h. 6.75"w.

First quarter 19th century. Hollow cuts with embossed labels "Peale's Museum". Man and woman in gilded frames (wear), 6.25"h. 5.75"w. and a man in mahogany frame, 8.25"h. 7"w. Some discoloration and f

Washington First in the Hearts of His Countrymen The Orations by Men who had Known Washington in Person and Who thus Could Speak with Authority Limi

Signed RM, possibly reverse painted. Approx 4 3/4" x 5 1/4"

Four (4) framed silhouettes, including two Peale Museum Silhouettes. 1st item: Reverse painted glass or verre eglomise equestrian silhouette depicting a gentleman in a carriage meeting at a crossroads

1791 Massachusetts Magazine ...George Washington . 1791 Massachusetts Magazine or Monthly Museum George Washington . “The Massachusetts Magazine or Monthly Museum of Knowledge and Rational Entertain

President George Washington Silhouette Artist: William H. Brown Print Type: Stone Lithograph Date: 1844 Publisher: E. B & E. C. Kellogg<

After Charles Willson Peal (American, Maryland, 1747-1827). George Washington lithograph. 33 3/4" x 15 3/4" (with frame: 38" x 20"). Crazing to the surface. Waviness to the print.

Cambridge Glass #1023 Ebony 9.25&#238; cocktail shaker, no lid, with faded George Washington silhouette. Minor roughness on inside of rim.

(SCRAPBOOK -- FOLK ART.) A family scrapbook of original drawings, watercolors, lithographs, and Peale Museum silhouettes pasted in an 1802 volume of the Philadelphia newspaper Gazette of the United St

Reverse painted glass frame for two silhouette portraits. George Washington and John Adams. Early 19th century. Frame: H 11-3/4" W 15-3/4". Sight: H 9-1/2" W 13-1/2". Condition: Imperfections to eglom

A pair of Framed Vintage George and Martha Washington Silhouettes. In an age before photography, a silhouette cut in the profile of a face provided an inexpensive means to recall or share the likeness