Thomas Rowlandson (British, 1756–1827) The Fruit Shop (Bailey Fruitery)

Thomas Rowlandson (British, 1756-1827) A horse with a pack of hounds resting pencil, pen and ink and watercolour on paper laid down on card 11.6 x 20.4cm (4 9/16 x 8 1/16in).

ATTR. THOMAS ROWLANDSON (BRITISH, 1756-1827) WATERCOLOR ON WOVE PAPER, H 13.75", W 18", UNTITLED An untitled watercolor on wove paper attributed to Thomas Rowlandson. Depicting a woodland path with a

Thomas Rowlandson (British, 1756-1827) A group of six prints (The Dance of Death; Dr. Syntax Pursued by a Bull; Dr. Syntax Sells Grizzle; Vision of Skulls; The Cellar Quartette; Setting Out from Edinb

Lot 2 Thomas Rowlandson British (1756 - 1827) The Elopement Interrupted pen, ink, watercolor, and wash on paper sight: 6 3/4 x 9 1/4 inches Provenance: From The Estate of Leonard Stone acquired

Thomas Rowlandson (British, 1756-1827)A New Law of Keyes, Eat to Live, Not Live to Eatink on paper laid downtitled lower left11 1/2 x 9in (29 x 23cm) Provenance:With Salander O'Rei

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

ARTIST: Thomas Rowlandson (british, 1756 - 1827) NAME: Macasser Oil YEAR: 1819 MEDIUM: watercolor on paper CONDITION: Minor foxing. SIGHT SIZE: 11 x 8 inches / 28 x 20 cm MAT SIZE: 14 x 11 inches / 35

"The Contrast 1792" engraving by Thomas Rowlandson (British 1756-1827). Print reproduced by loyalist propagandists in England, to challenge the French Revolution abroad and parliamentary reform in Eng

ENGLISH SATIRICAL PRINTS, LOT OF SIX, hand-colored engravings on paper, comprising Henri Merke "No. 6 Purser", Thomas Rowlandson (British, 1756-1827) examples "The Hunstman Rising / The Gamester Going

Thomas Rowlandson (British 1756-1827)- 1). ''A Milling March'' 2). ''Joint Stock Street'' 3). ''Summer Amusement at Margate'' 4). ''Distributers of Domestic Happiness'' 5). ''Sports of a Country Fair'

Attributed to Thomas Rowlandson (British, 1756 - 1827), Noble Man, watercolor on paper, bears pencil signature, overall (sheet/unframed): 7.25"h x 5.25"w

Pen and ink wash. Note: this painting bears a strong resemblance to the work of: Thomas Rowlandson (British, 1756 - 1827). 7 1/4 x 10 1/4 in. No signature found. Provenance: Wellesley, Massachusetts c

THOMAS ROWLANDSON (1756-1827), BRITISHMAN SAMPLING GOODS IN A GENERAL STOREWatercolour and ink on paper; signed "Rowlandson" lower left.Sheet 7.75 ins x 8 ins; 19.7 cms x 20.3 cmsProvenance:Private Co

THOMAS ROWLANDSON (1756-1827), BRITISHMAN IN A BOAT ATTACKED BY A CROCODILEWatercolour and ink on laid paper; signed "Rowlandson" lower right.Sheet 7.25 ins x 9.25 ins; 18.4 cms x 23.5 cmsProvenance:P

"The Paris Diligence" by Thomas Rowlandson - 1756–1827, British

LADY LOLLI-HOP, watercolor and ink drawing on paper, inscription upper right, sheet 10 x 14”, creases, speckling, a small tear upper center sheet edge, some discoloration and other lesser defects, o

Details: ROWLANDSON, Thomas (1756-1827). [ACKERMANN] A cut out model of Rudolph Ackermann's shop "The Repository of Arts". London: printed by Dobson & Crowther of Llangollen for Arthur Ackermann & So

Thomas and Pugin Rowlandson (English 1756-1827)- ''Royal Cock Pit''- etching with hand-coloring, mat burned and some staining; along with 3 Cruikshank prints- ''The Shop and The Shay''; ''Blood Heat a

Three British prints, including: hand-colored etching by Thomas Rowlandson (English, 1756-1827), titled Cart Race, signed and dated 1788; together with two lithographs by Thomas Shotter Boys &

after: Thomas Rowlandson, British (1757-1827) Set of Four (4) Handcolored 19th Century Etchings Fox Hunt - 4 Works. This lot includes "Going Out In The Morning Scene Windsor Forest", "Fox Chase Scene

Thomas Rowlandson (London 1756-1827) 'Human nature is fond of Novelty. Pliny' inscribed with title (lower centre) pen, grey and brown ink and watercolour on wove paper 29.3 x 22.5cm (11 9/16 x 8 7/8in

Thomas Rowlandson (London 1756-1827) Batchelor's fare, bread, cheese and kisses signed 'Rowlandson del' (lower right) and further inscribed along the trimmed lower edge pen, brown ink and watercolour

Thomas Rowlandson (London 1756-1827) Grand Place, Brussels signed and dated 'Rowlandson 1802' (lower right) and inscribed 'Grande Place à Brussells [sic]' (lower left) pencil, pen and watercolour

Thomas Rowlandson (London 1756-1827) Polson Bridge near Launceston with pack ponies on a road pen, ink and watercolour on paper 23.2 x 37.5cm (9 1/8 x 14 3/4in). Footnotes: Provenance Sale,