Christ in the Clock by Chagall (1887-1985)

MARC CHAGALL (FRENCH/RUSSIAN, 1887-1985), COLOR LITHOGRAPH, H 9 1/2", W 8 3/8", "CHRIST ON THE CLOCK":#8/90; pencil signed; framed.

Chagall, Marc (Russian/French, 1887-1985), Christ With Family [Christ a la Famille], 1959, lithograph on paper, signed and numbered 15/30 in pencil along the bottom, image 10 x 13 inches, matted and f

Lithograph, titled "Le Christ a l'horloge" Pencil signed on the bottom. Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in pers

Lithograph, titled "Le Christ a l'horloge" Pencil signed on the bottom. Honored for his distinct style and pioneering role among Jewish artists, Marc Chagall painted dream-like subjects rooted in pers

Marc Chagall (Russian-French, 1887-1985) Le Christ a l'Horloge. Color lithograph, 1957, unsigned, unframed, from the book 'Chagall' by Jacques Lassaigne. Ref: Mourlot 196. Together with a lithograph a

Marc Chagall (French/ Russian, 1887-1985), "L'horloge a Vitebsk (The Rooster and the Clock)", 1950, etching with aquatint in colors on wove paper, [Maeght 1202], ed 105/300, signed and numbered in pen

Marc Chagall, Russia 1887-1995. "‚hrist as a Clock". Unnumbered Lithograph. 17" X 15" framed; 9" X 7 5/8" unframed. See photos for condition. In house shipping continental U.S. $40 plus insuranc

1962; monotype, matted and framed under acrylic; signed in image lower right; Provenance: Property from an important California estate, purchased from Felix Landau Gallery, Los Angeles, CA (label vers

lithograph in colors; pencil-signed lower right; numbered 12 / 125 lower left; matted and framed under acrylic; 25 1/2 x 19 1/2 inches sight; 38 1/2 x 30 1/2 inches frame

lithograph, matted and framed under acrylic; pencil signed lower right, numbered 161/200 lower left; Provenance: The Moering Estate; 26 1/2 x 20 inches sight; 34 3/4 x 28 inches frame

1974; lithograph in colors; signed in pencil; numbered 17/50; Condition: full margins; faint light-stain; pale hinge stain along upper edge; Provenance: Sotheby's Old Master 19th and 20th Century and

Moses and the Serpent, 1958 Etching with hand coloring on paper under glass; Teriade, Paris, pub. Edition 38/100; initialed in graphite in the margin lower right: M. Ch., numbered in graphite in the m

lithograph, matted and framed under glass; pencil-signed lower right, numbered in pencil 17/50 lower left; 15 x 16 1/2 inches sight; 23 3/4 x 24 3/4 inches frame

Lithograph in color on French arches paper. "Le poisson bleu" Dated 1957, signed in pencil lower right and H.C. lower left. (Hors Commerce) Embossed water mark upper right corner. 14 1/2 x 19 1/2 imag

Marc Chagall Oil on canvas Painting. Signed Lower right Marc Chagall in Black. Dimensions: 11 3/4 x 9 1/2 inches.

1957 lithograph pencil signed and numbered 42 /90 sight: 12 x 8 1/4 inches: frame: 24 1/2 x 21 1/4

Marc Chagall Oil on canvas Painting. Signed Lower Left Marc Chagall in Black. Dimensions: 26 1/4 x 19 inches.

circa 1956 lithograph on Arches paper signed and numbered 62/75 sight: 14 x 10 1/2 inches; frame: 26 1/2 x 23 inches

1957; colored lithograph; unsigned; published by Maeght Editeur, Paris; Reference: Mourlot 203; unframed; 9 x 15 1/4 inches sheet;

Marc Chagall, Russian / French (1887 - 1985) "Musee Des Beaux-Arts" Lithograph Poster, Signed and Dated 1960 Lower Right. Sight measures 30-1/4" x 21". Frame measures 34-3/8" x 27-1/2". Condition: Goo

After: Marc Chagall, Russian / French (1887 - 1985) Lithograph on Paper "Loving Couple with Bird" Unsigned. Measures 30-1/2" x 22". Please note, this lot will be rolled in a shipping tube. Condition:

Marc (Moishe Shagal) Chagall (1887 - 1985) Russian Color Lithography Measure 12"in H x 9"in W and 19 1/4"in H x 15 1/4"in W with frame

circa 1923, from "Dead Souls"; etching; signed in plate; Condition: framed under glass; mat burn to edges; 10 x 12 inches sight ; 18 x 21 inches frame

"Description: Marc Chagall was a Russian and French painter of Jewish origin. Obviously his work has a lot of surrealism, but his very personal use of color and shapes link him to Russian expressionis