Magnelli - Temoignages pour Art Abstrait XX, 1953

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

ALVARD, JULIEN and R. V. GINDERTAEL. Témoignages pour l´art abstrait 1952 Illustrated with 30 plates (including Alberto Magnelli, Jean Arp, André Bloc, S. Bozzolini, Chapoval, Césa

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The sheet size

Editions "Art D'Aujourd'hui", Boulogne 1952. Small square 4to. 295+(2) pages. Extensively illustrated with photographs in b/w and 30 original litographs on plates, hereof the majority (29) in colour.

Nicolas de Stael (1914-1955) Composition XXVII, 1952. Pochoir on wove paper. Dimensions: + Size of the sheet: 24 x 20 cm / 9,4 x 7,8 in. Edition of 1500. Issued from Temoignages pour l Art Abstrait. P

After Joan Miro, folio of 32 lithographs "Quelques Fleurs Pour des Amis". [Folio: 16 1/4" H x 12 3/4" W]. Edition 32 for friends of Miro printed by Societe International D'Art XX Siecle Paris 1964. Fr

Juan MUNOZ (Spanish, 1953–2001) Uff, 1992 Plastic painted Signed and numbered XVII/XX on bottom 9.1 x 3.5 x 5.1 in. - 23 x 9 x 13 cm.

Dufy, after Raoul (French, 1877-1953), L'Amour, woodcut on woven paper, second edition, printed posthumously, c.1955, stamped lower left and marked Epreuve d'Artiste xx/xxx in pencil lower right, impr

Oil on canvas. Featuring abstract composition. Signed by German artist. 39.5 x 50 cm (15.6 x 19.7 in). PROVENANCE: Southern Ontario estate

5 1/8" Dovetail from Earl Townsend's "LaDassor Dovetail Frame". Pike Co, IL. Thin, very well made. Ex-Earl Townsend (T-1361), Ray Long. Pictured in Prehistoric Art (1953, p55), Legends of Prehistoric

Adrien AUDOUX & Frida MINET (XX) pour VIBO - Vers 1940Fauteuil en bois et corde tressée77 x 64 x 70 cm*Vendu sur désignation

Spain, 20th Century. Lithograph on wove paper. Abstract composition of a bull fight. Originally published for the French art publication XX Siecle, 1958. This is the 2nd edition from the publication H

Original Edward Gorey dust jacket art for Dead Drunk by George Bagby, Crime Club, 1953; Along with art for The Murder of Stanford White by Gerald Langford which looks to have some work done by Gorey.

Evelyn E. Garlington (American, born 1953). An original art pottery box sculpture. A late 20th Century work in an abstract flattened pyramidal ziggurat form with removable fitted lid, and incised geom

Gary Denmark (American, born 1953). A monotype art print on Arches paper. Titled, "Being in Salgadoland," produced 1993. An abstract work with shapes and designs, including flora, honeycomb patterns,

Caryn Kreitzer (American, XX-XXI) studio art pottery ceramic terracotta vessels hand-built and painted with a Postmodern abstract black and white design, one covered oversized teapot or watering can a

Signed lower right, further signed and dated 'Louis Bunch / Portland Oregon / 1953' verso. With Portland Art Museum label, Heller Gallery, New York label and Michael Rosenfeld Gallery, New York label

James Portsmouth (English, XX-XXI) Ironworks contemporary art sculpture, partially-patinated iron plates intersecting in abstract, near-figural forms, mounted on wood base stamped "JP." 16.5" H.