Ernest Trover. "F.M. Perspective Shadow Man". Signed in graphite on lower margin. 80/150 edition.

ERNEST TROVA 1972 SILKSCREEN F.M. PROSPECTIVE SHADOW MAN, EDITION OF 125, ARTIST PROOF SIGNED LOWER RIGHT, MEASURES 35" X 35", NICE ESTATE CONDITION, IN QUALITY ALUMINUM FRAME, HAS PACE EDITIONS 32 EA

Bacchanale, 1955 Aquatint on paper under glass; Atelier Crommelynck, Paris, pub. Edition 227/250, signed in graphite in the margin lower right: Picasso, numbered in graphite in the margin lower left,

EDWARD HOPPER Night Shadows. Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A brillian

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MAN RAY Promenade. Color lithograph, 1968. 355x510 mm; 14x20¼ inches, full margins. Artist's proof, aside from the edition of 100. Signed and inscribed "E.A." in pencil, lower margin. A very good

Savador Dali (Spanish, 1904-1989)Etching on paperSigned in graphite lower right marginnumbered 11/150 lower left marginFrom the?Much Ado About Shakespeare series 7" x 4.75" (plate)16.75" x 14.75" (fra

Yayoi Kusama (Japanese, b. 1929), "Pumpkin," 1983, screenprint in colors on peche soleil, signed, titled, and dated lower margin, edition 18/75, printed by Okabe Tokuzo, image: 23"h x 19"w, overall (w

Yayoi Kusama (Japanese, b. 1929), "Pumpkin B," 1999, screenprint in colors on peche soleil, signed, titled, and dated lower margin, edition 35/60, printed by Okabe Tokuzo, image: 18.75"h x 23.5"w, ove

Yayoi Kusama (Japanese, b. 1929), "Pumpkin (Y)," 1992, screenprint, pencil signed, dated, and titled lower margin, edition 18/150, printed by Okabe Tokuzo, image: 6.25"h x 8.75"w, overall (with frame)

"Estelle Einstein", portrait of a woman Etching on paper under glass Signed in graphite in the margin lower right: Jaroslav Brozik, titled in graphite in the margin lower left Image: 11.5" H x 9.5" W

Gustave Baumann (American, 1881-1971) The Ridge Road (The High Road), 1918 color woodcut signed in pencil with artist's Hand-in-Heart chop mark titled and numbered in pencil lower margin edition of 10

Gustave Baumann (American, 1881-1971) Three Pines, 1923 color woodcut signed in pencil lower right margin with artist's Hand-in-Heart chop mark titled and numbered in pencil lower margin edition of 10

Published in 1963, a large color lithograph on wove paper depicting mother and child. Pencil signed and numbered 105/200 in the lower margin. Published by Editions Combat de la Paix, Paris. Printed by

David Hockney, color lithograph, 1974, David Hockney (British, b.1937) "Man Ray" (s.a.c.171), pencil signed and numbered 24/100 lower margins, on Arches paper, framed under glass, 21"h x 14"w (sheet),

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

MARTIN LEWIS American Nocturne. Lithograph with scratchwork, 1937. 250x366 mm; 9x14 inches, full margins. Edition of approximately 17. Signed in pencil, lower right. A very good impression of this ext

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

MARTIN LEWIS Charleston Practice—Lunch Hour. Etching and sand ground printed in dark brownish black, 1926. 200x250 mm; 7x9 inches, full margins. Edition of only 20. Signed in pencil, lower right

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F

PAUL CADMUS (1904-1999) Two Boys on a Beach, No. 2. Etching on greenish gray laid paper. 162x230 mm; 6x9 inches, full margins. Edition of 151. Signed in pencil, lower right. Published by the Albany Pr