New Yorker Original Illustration: Buddy's Fly Inn

stamped verso sight: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm.), Frame: 20 1/2 x 17 1/2 in. (52.1 x 44.5 cm.)

Paintings "THE NEW YORKER" Original Cover Illustration Artwork circa 1940-50s Displaying a New York City Subway Scene THE NEW YORKER, Original Hand-Painted Magazine Cover Illustration Artwork on Illus

ROBERT BLANCHARD NEW YORKER MAGAZINE ORIGINAL ILLUSTRATION, NEW YORK CITY BUILDING SCENE, BOARD MEASURES 15" X 11 1/2", DIRECTLY FROM HIS ESTATE

ROBERT BLANCHARD NEW YORKER MAGAZINE ORIGINAL ILLUSTRATION, NEW YORK CITY BUILDING SCENE, BOARD MEASURES 15" X 11 1/2", DIRECTLY FROM HIS ESTATE

Gretchen Dow Simpson (American, Cambridge, MA. b.1939). The New Yorker Magazine original cover art illustration painting Sept. 25, 1978 edition. Oil on canvas board signed lower right, Gretchen Dow Si

Back Page Original Illustration, The New Yorker "Uncle Sam Wants You To Purchase a Big-Ticket Item" 17" x 14" ink wash, signed lower left,

Ed Fisher (American 20th c ) Underneath all that he's really a pussycat signed lower left pastel on paper Ex. Iris Love/Liz Smith Collection NYC - Most likely original illustration from New Yorker Mag

Peter Arno (American, 1904-1968), New Yorker and playboy artist, original watercolor illustration, titled "Melita! Half Man, Half Woman. Don't Ask Silly Questions", 19 1/2" x 15", in custom frame 23 1

Original Illustration for The New Yorker Magazine two 13" x 18" ink washes, both signed and unframed one with cut line published, October 12, 1987

Original Illustration for The New Yorker Magazine "Take a load off, Leonard- we're watching Generation X and Y duke it out" 17" x 14" ink wash, signed lower right, unframed,

Original Illustration for The New Yorker Magazine "He's loyal and affectionate, and his Martinis are always ten to one." 17" x 14" ink wash, signed lower right, unframed,

Original Illustration for The New Yorker Magazine "I'm only a finger-pointer now, but someday I'll be a whistle-blower", 17" x 14" ink wash, signed lower right, unframed, published

Original Illustration for The New Yorker Magazine "But when Mel Brooks makes fun of everything and everybody the critics cheer!" 17" x 14" ink wash, signed bottom center, unframed,

Original Illustration for The New Yorker Magazine "When I grow up, I hope to spoil someone's bid for the presidency", 17" x 14" ink wash, signed lower right, unframed, publication

Original Illustration for The New Yorker Magazine "Now just a darn minute, Fowler! You're not the only member of this board who was a victim of

Original Illustration for The New Yorker Magazine "The revolving disco ball is a nice touch" 17" x 14" ink wash, signed lower right, unframed, published January 22, 2001, #A6138

Original Illustration for The New Yorker Magazine "Frankly, since my wife left me it's more than I can keep up with", 17" x 14" ink wash, signed bottom center, unframed, published

Original Illustration for The New Yorker Magazine "I always thought Laura's interest in kick-boxing was purely recreational", 17" x 14" ink wash,

Original Illustration for The New Yorker Magazine "The unibrow look, Collins- get used to it!" 17" x 14" ink wash, signed lower right, unframed, published 2001, #A6599

Original Illustration for The New Yorker Magazine "Others have underestimated me, Tyler, to their regret" 17" x 14" ink wash, signed lower right, unframed, published October

Richard Taylor (American, 1902-1970), original New Yorker Magazine illustration "Don't Write, Send a Night Letter", gouache and ink on paper, depicts a group of men seated around plinth of monument to

Helen Hokinson - Original New Yorker Cartoon Illustration, 1937. Signed LR. Sight H11-1/4" W8-3/8". Framed size H 20-1/4" W 16-3/4". Copy and paste this link for a high-res images. https://www.dropbox

Alajálov, Constantin (Russo/American 1900-1987) Watercolor painting on board, for the original New Yorker Magazine cover illustration, December 4, 1937 (refer to photos) Signed lower left. Emigrate

Robert Day (American, 1900-1985) Oil on canvas pastoral scene. Day worked for 40 years illustrating the New Yorker during which he illustrated many covers. This was likely created for that publication