1820 JOHN BROWN BIBLE ENGLISH Self-Interpreting antique FOLIO AMERICANA NEW YORK

THE SELF INTERPRETING BIBLE, WITH AN EVANGELICAL COMMENTARY BY REV.D JOHN BROWN. New York, 1826. Folio. 17.25" x 10.25". Numerous engraved plates, additional engraved title and frontis. Also with lett

English Bible: "Brown's Self-Interpreting Family Bible Containing the Old and New Testaments," with explanatory notes by Rev John Brown, D.D., Minister of the Gospel at Haddington (United Kingdom, 172

THE SELF-INTERPRETING BIBLE. New York: Sage and Clough for Robert McDermut, April, 1806. Folio, 16.25" x 10". 23 (of 24) plates, lacks (at least) NT title. Period morocco, rebacked. The second edition

This is the 1870 edition of his 1778 work. Browns Self Interpreting Family Bible according to the New and Old Testaments with annexed marginal references & illustrations (high color lithographs) by Re

Portrait of an English Setter, signed and inscribed lower right: Frederic Remington / To my friend, Louis Brown, oil on canvas laid to masonite mounted on wooden stretchers, 20.75'' H x 28'' W, est: $

John George BrownNew York/California, (1831-1913)Cheer Up, 1905oil on canvassigned and dated lower left, gilt-framed.Brown was born and raised in poverty in Durham, England, where he worked as an appr

With original hand written appraisal from 1970 ($1,250)by Joseph Settin, "The violin is in perfect condition and authentic in every part". The label inside reading "John Friedrich fecit / New York Ann

BUCK, PEARL S. 1892-1973. The Good Earth. New York: The John Day Company, 1931. 8vo. Publisher's light brown cloth stamped in blind and gilt on spine and upper cover, top edge stained in brown, tan du

19th C. Wood, bronze, and gilt gesso "J.F. Browne & Co./Makers/London 58 Broadway New York" Harp, Circa 1859-66. 90" x 60". New York Metropolitan Museum of Art has one on display (according to second

Early miniature landscape view of Pleasant Hill, KY, by Thomas Worthington Whittredge (New Jersey/New York/Ohio, 1820-1910). The oil on paper laid on board painting, titled "Shaker Ferry- View on Kent

(Maryland/New York/England, 1820-1879) Important portrait of Confederate General Robert E. Lee. Excellently executed example which is signed at the middle left hand side and dated 1868. The piece has

STEINBECK, John (1902–1968). The Grapes of Wrath. New York: The Viking Press, [1939]. 8vo. Original publisher’s beige cloth stamped with line drawings in reddish–brown, a portion of

From the John Anderson Jr. collection, with receipts from both Hammer Galleries, New York, and a letter from Gimbel Brothers, New York. Drawing titled "Norway", dated 1843. J.M.W. Turner (English, 177

c1840 Glazed celadon with blue design large Chinese vases. Purchased from Philippe Farley Antiques New York in 1983 for $9,000. 25.5" tall without stands.

C 1850's Rosewood Turtle Top Table by John Belter , New York. This table is in great original finish & sturdy structural condition. W 42" d 32.5" h 28". Found in Missouri estate. A similar example is

JOHN MARIN Downtown, New York. Pencil on cream wove paper, circa 1920. 305x228 mm; 12¼x9 inches. Signed in pencil, lower right recto.Provenance: Estate of Patrick Roberts, founder of the American

signed to dial 'John Wannamaker, New York' with moon phase and nine chimes 19 1/2 inches wide; 16 inches deep; 107 inches high

Massachusetts, 1760-1790, mahogany. 32-1/2"h x 39"w x 21-3/4"w Provenance: John Walton, New York City.

John Falter (New York, Pennsylvania, Nebraska 1910-1982), fishing illustration, oil on canvas laid on panel. Signed and dated LRC "John Falter '42". 24" x 30 1/2".

Early 20th c. Carved wood Without stand: 16 1/4" x 9 3/4" Provenance: Armand Arman, New York John Giltsoff, London Allan Stone Collection, New York (acquired from the above in 1981) Exhibition: Power

by John James Audubon, New York: Published by J. J. Audubon, Philadelphia: J. B. Chevalier, 1840-1843, six volumes only (from a total of seven), Volumes I-VI, first octavo edition, in original full br

American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled

Rare American Rococo Carved and Laminated Rosewood Armchair, c. 1850-1860, attr. to John Henry Belter, New York, elaborately carved urn and floral high crest with dolphin decoration, foliate and acorn

Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as "Fountain Elms", arched back surmounted by fine