1938 Registered Japan Cover Kobe to Karibib British South West Africa

*** START PRICE IS THE RESERVE *** BAINES, Thomas (1820-1875). British Camp in the Amatolas. Oil on card. 6 5/8" x 10 1/8" sheet, 12" x 16" framed

Regimental Stein 1/2L Porcelain. “Kaiserlich Schutztruppe in Windhuk Sud. West Aafrika, 11 Comp. Inftr. Regt. No. 135. in Diedenhofen 1900” Also served in “1887-89 Inftr. Regt. 45 Lyck, 1889-90

possibly late 18th century, red, black, and white diamond checkerboard segments, central grid with stitched diamond, star, and heart motifs, with applied British flags, crossed swords, and crown eleme

Keith Haring (1958-1990) Free South Africa (Untitled 1-3: The complete Suite) (Littmann pp.42-43) The complete set of three lithographs in colours, 1985, on wove paper, signed and dated in pencil, two

ROUPELL, Arabella Elizabeth (illust.); William Henry Harvey (text) Specimens of the Flora of South Africa by a Lady. London: Printed by W. Nicol, 1849. Comparables: Sotheby's, 1999 - $17,250; Christie

South Africa Mint - Sealed Box Year is our choice (500) Brilliant Uncirculated 1 oz. Silver Coins

South Africa Mint - Sealed Box Year is our choice (500) Brilliant Uncirculated 1 oz. Silver Coins

 

Winner shall receive the exact (4) coins shown here. (IS)

Four South Africa Gold Krugerrand Coins Dated 1981 and 1984, 91.6% fine gold composition, 1 oz. fine gold (each) in total, not professionally graded. * This lot is tax exempt.

Four South Africa Gold Krugerrand Coins Two dated 1981 and two dated 1984, 91.6% fine gold composition, 1 oz. fine gold (each) in total, not professionally graded. * This lot is tax exempt.

A South West oak jointed and panelled tester bed Early 17th century and later The rectangular carved canopy above a pair of turned posts with panelled and carved headboard, raised on block feet, 135cm

ALL BLACK, 1986-87, oil and acrylic painting on paper, presumably signed and dated on verso, 32 ¾ x 25”, frame 36 x 28” with Plexiglas. Provenance: James Corcoran Gallery Santa Moni

EAST TENNESSEE OR SOUTHWEST VIRGINIA PAINT-DECORATED YELLOW PINE AND POPLAR BLANKET CHEST, hinged rectangular lid fitted with applied edge molding over a dovetailed case, interior with lidded till, ra

1990, From An 80 Pound Nugget Mined In Kingman, Arizona In The 1970s And Carved In High Relief With A Continuous Scene Of An Apache Attack With Silver Embellishments Throughout. By Lapidary Artist Car

Edward Sheriff Curtis (1868 - 1952) The North American Indian, Plates from the Southwest Portfolios, (Folio size with 36 Plates and Octavo size with 75 Plates), c. 1980 leather portfolios with photogr

EVERETT SPRUCE Study Painting. Modernist southwest painting in original frame. Everett spruce study written on back of painted board. Dimensions: H: 17.5 inches: W: 21 inches: Frame Height: 22.5 inche

Ernest Leonard Blumenschein. New Mexico. Original oil painting sketch of a southwest winter canyon landscape with a running brook. Letter attached to the reverse from Ms. Helen Blumenschein, Ranchos d

Group of six Southwest gold and gold tone and turquoise jewelry items Various makers, 20th century Including a ring by Don Juan, signed "Don Juan New Mexico"; a 14 karat gold ring by Andy Lee Kirk (19

An outstanding example with lustrous wool displaying exceptional jewel tones, the dark blue field with all-over offset columns of polychrome birds or chickens supported by plants and scattered flower

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Rod GoebelTitle: Forsythia at VelardeMedium: Oil Painting On CanvasSize:

First half 19th century, 224 x 152 cm, South West Caucasus According to terminology established by Franses & Pinner as early as 1980, the white-ground Star Kazaks are divided into various sub-groups.

Mali 16th - 18th Century Wood, 100 cm Provenance: Günther Steffens Collection, Johannesburg, South Africa Private collection, The Netherlands, 2015-2018 David Serra Fine Tribal Art, Barcelona Pr

Late 19th century, 214 x 166 cm, South West Caucasus The village population of Transcaucasia showed great persistence in adhering to their traditional rug designs. This continuity only ended with the