Christian Ludwig Bokelmann (1844 1894), Attributed Cobbler's Workshop

ASSORTED PERIODS DOLLHOUSE / MINIATURE WOODEN FURNITURE, LOT OF THREE, comprising a chair attributed to workshop of George Henri LeClerc (American, 1894-1972) who was a designer for Tynietoy (active 1

attributed to: Il'ya Repin Ukrainian-Russian (1844-1930) Watercolor on Paper "Cossack" Circa 1894. Signed Lower Right and Dated 1894. Recently Re-Matted and Framed. Showing Marks of Previous Matting.

Christian Ludwig Attersee "Tropfeneinmaleins" 1981 oil on canvas; framed 117.5 x 117.5 cm inscribed, signed and dated at the top: Tropfeneinmaleins Attersee 81 private property, Austria Museum Moderne

Christian Ludwig VON LOWENSTERN (1701-1754) German artist pair of oil on canvas paintings, signed. 10 7/8” H x 15 1/4” W frame included, 7 1/2” H x 11 3/4” W without frame. Shipping in USA or

19TH C. FRAMED OIL ON CANVAS PORTRAIT OF THOMAS CAMPBELL (POET, AUTHOR OF "THE PLEASURES OF HOPE" 1777-1844), ATTRIBUTED TO SIR THOMAS LAWRENCE; ALONG WITH AN 18TH C. QUEEN ANNE MAHOGANY DEMI-LUNE TEA

ARTIST: Gerrit Postma (Netherlands, 1819 - 1894) Attributed NAME: At the Well MEDIUM: oil on canvas YEAR: 1861 CONDITION: Excellent. Two scratches. Three punctures. SIGHT SIZE: 24 x 34 inches / 60 x 8

Peter Conrad SCHREIBER (1816-1894)(Attributed) oil on canvas painting with a glass cover, signed. 33 3/4" H x 44 3/4" W frame included, 25 1/2" H x 36 3/4" W without frame. Shipping in USA or Internat

Daniel MauchUlm 1477 - 1540 LuettichWorkshop, attributedFemale saintLime wood, full round carvedOriginal polychromyMasterful sculpture of the late Gothic period from the Swabian region.Worth collectin

oil on canvas framed painting circa 1890, 35" x 19", with frame 43" x 27". Excellent condition

Hagenauer WorkshopAttributed Table clock1930sBrass & IronHeight 22 cmDiameter clock 15 cmMovement not checked

Japanese Imperial Mixed Metal Plate, Attributed Komai Workshop, scalloped small dish decorated in gold over the iron form with a view of pavilions over Lake Biwa on calm waters, and a with a view of t

Ludwig Gschossmann (1894-1988 German) ''The Grand Ball'' Oil on Canvas 35''x31'' Image. Signed lower left. Original ornate gilt framing 44''x40''. Excellent original condition.

Ludwig Gschossmann (1894-1988, Germany) oil on canvas impressionist painting of fox hunters and hounds. 27.5" x 31" ss / 35" x 38.5" oa

Norman Rockwell (1894-1978)(Attributed*, in the manner of the artist): Open Door, ink drawing on paper, signed, unframed. Dimensions: 8.5x5.75 in. image Provenance: Private collection, New York

LUDWIG GSCHOSSMANN, (1894/1913 - 88) OIL ON CANVAS, H 32'', W 28'' VIENNESE BALLROOM VIENNESE BALLROOM. SIGNED LOWER LEFT. FRAMED. SIZE IS CANVAS ONLY.

An Attic red-figure lekythos Attributed to the Workshop of Brygos, circa 490-470 B.C. Depicting a bearded man with a fillet in his hair and wearing a himation, he leans on a knobbly staff holding a

George III Mahogany Serpentine-Fronted Chest of Drawers, attributed to the workshop of Henry Hill of Marlborough Fitted with a brush slide. 32 ? x 42 ? x 24 3/8 in. Note: Henry Hill was active from 17

attributed to Ludwig Mies van der Rohe (German/American, 1886-1969), Barcelona Chair and Ottoman1960s production, black leather upholstery with foam fill, polished steel frames with seamless joinery,

attributed to Ludwig Mies van der Rohe (German/American, 1886-1969), Pair of Barcelona Chairscirca 1980, brown leather upholstery with foam fill, polished steel frames, appears unmarked. 29.5 x 31 x 3

Attributed to Ludwig Galli (active c. 1715): Portrait Richard Jones, Age 10 Oil on canvas, unsigned, titled on an old paper label on the stretcher, lined. 26 1/2 x 30 1/2 in., 37 1/4 x 33 in. (frame).

Attributed to Ludwig Bemelmans (N.Y. / France 1898-1962), watercolor street scene. Sight 9" x 9". Illustrator and author of famous children's books "Madeline".

(2) Pair of Mid-Century Modern Barcelona Lounge Chairs, light brown leather seats and backs, bent chrome frames, 30"h x 30"w x 24"d. Chairs come from a smoking household.

attributed to the workshop of FRANCOIS-HONORE-GEORGES JACOB-DESMALTER ET CIE. (French 1770-1841) A PAIR OF DIRECTOIRE STYLE POLYCHROME AND NEEDLEPOINT BEECH FAUTEILS, PARIS, FIRST QUARTER 19TH CENTURY

attributed to the workshop of Duncan Phyfe, circa 1815-20, the top with figured veneer and canted corners, applied bronze beaded detail throughout, the conforming two drawer base with original neoclas