CAROLINE SPEARE ROHLAND ( 1885-1964 ) In Venice, 1920's etching & drypoint. ( From Collection of

CAROLINE SPEARE ROHLAND ( 1885-1964 ) In Venice, 1920's etching & drypoint. ( From Collection of Jean Young, Woodstock, N.Y. ) in fine condition. Number 12 of 50, etching measures 10" x 8", the frame

Wayne Thiebaud (Born 1920) Meringue 1995 The drypoint etching with aquatint in colors on wove paper is signed by the artist in pencil and dated 1995 lower right, and numbered 39/50 below the image low

Wayne Thiebaud (American, 1920-2021)Eyeglasses, 1994hardground etching with drypoint in colors on wove papernumbered, signed, and dated 28/50 Thiebaud 1994 printed by Lawrence Hamlin and published

Wayne Thiebaud (American, b. 1920) Gum Machine, 1964 drypoint signed, titled, dated, and inscribed AP in pencil 4 x 4 inches. Property from the Estate of John Reiss, Milwaukee, Wisconsin

Wayne Thiebaud (American, b. 1920), "Eyeglasses," 1994, color hard ground etching with drypoint, pencil signed and dated lower right, edition 1/50, published by Crown Point Press (San Francisco, CA),

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

Pair of Samuel Marx (1885-1964) Figural Andirons, United States, c. 1940, wrought iron, unmarked, ht. 18, wd. 8, dp. 20 3/4 in. Provenance: Collection of Morton D. May, St. Louis, Missouri. May was di

circa 1963 mixed media, heliogravure, & drypoint etching; E.A. edition Provenance: Centaur Sculpture Galleries, Las Vegas A Las Vegas, Nevada Collection 19 x 21 inches

REMBRANDT VAN RIJN (Dutch, 1606-1669)Young Man in a Velvet Capetching and drypointsheet: 4 x 3 3/8 in., frame: 12 3/4 x 9 5/8 in. Provenance: The Collection of Louis Joseph; by descent to the current

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

Wayne Thiebaud (American, b. 1920), "Neighborhood Ridge," 1984, hand ground etching with aquatint and dry point, pencil signed and dated lower right, edition 12/50, image: 14"h x 10"w, sheet: 23"h x 1

Artist: Alexander Archipenko (Ukranian-Russian-American, 1887 - 1964). Title: "Kneeling [unrecorded signed lifetime impression]". Medium: Original drypoint. Date: Composed 1920. Dimensions: O

Description: E. CHARLTON FORTUNE (American, 1885 - 1969). Oil on canvas, circa 1920 24 x 20 inches, 30 1/2 x 26 1/2 inches. Signed lower right. Provenance: a private collection Very good condition. Fr

Melvin Warren (1920-1995), Searching for Shelter, Oil on canvas, 22 x 30, signed lower right: Melvin C. Warren 1964, Provenance: From a Private Collection

Hugo Robus (American, 1885-1964) Standing Bronze bronze with marble base inscribed Hugo Robus Overall with base: 63 3/4 x 29 x 17 inches.

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

Richard Diebenkorn(1922-1993)"#1" from "Nine Drypoints and Etchings," 1977Etching and drypoint on wove paperEdition: 24/25, aside from an edition of ten artist's proofsInitialed, d

Helen Frankenthaler, Midnight Helen Frankenthaler Midnight 1987etching and drypoint in colors on Magnani sheet: 32 h × 24.75 w in (81 × 63 cm) image: 19.375 h × 15.625

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

Cake Window, from Delights. Etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.Imag

Gum Machine, from Delights. Etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.Imag

Lemon Meringue, from Delights. Etching, 1964, on Rives BFK, signed, titled and dated in pencil, numbered 7/100. Published by Crown Point Press, Berkeley, 1965, with full margins, Excellent condition.I

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower