James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set Etching and ...

James Abbott McNeill Whistler (1834-1903) The Riva, No.1, from The First Venice Set (Kennedy 192; Glasgow 229) Etching and drypoint, 1879-1880, on laid paper, Glasgow's final fourth state, signed with

After James Abbott McNeill Whistler (1834-1903). Etching on paper titled "The Doorway," depicting a window of the Palazzo Gussoni in Venice. From Whistler's "First Venice Set," 1880. Dimensions: Sight

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "The Bridge, Santa Marta." Etching and drypoint, from the Second Venice set, a series of twenty-six etchings depicti

James Abbott McNeill Whistler (1834-1903) Doorway and Vine, from Second Venice Set (Kennedy 196, Glasgow 191), c. 1879-80 Etching on laid paper with 'IV Countermark' watermark (Stratis 197), Glasgow's

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "Fish Shop, Venice." Etching and drypoint, between the second and third states, (image 4.375 x 7.5). Frame: H: 12.5

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James A.M. Whistler, Thames Set etching #13, 1859, James Abbott McNeill Whistler (American, 1834-1903), "Thames Warehouse" (Kennedy 38), thirteenth of sixteen etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903) The Fiddler (J. Becquet, Sculptor) Unsigned, #8 from the Thames Set, etching and drypoint on laid paper; framed. H: 10, W: 7 1/2 in. (H: 25.4, W: 19

After James McNeill Whistler (American, 1834-1903), etching depicting people at work in a workshop, noted verso "One of the 'Twenty-Six Etchings' (Second Venice Set)", 6 1/2" x 8 1/4" sight, 14 3/4" x

James Abbott McNeill Whistler (American, 1834-1903), etching and drypoint, circa 1871, "Old Hungerford Bridge" (Kennedy 76), the sixth of sixteen etchings from the "Thames Set," signed in plate lower

James Abbott McNeill Whistler (1834-1903) BILLINGSGATE; THE LITTLE PUTNEY (GLASGOW 51; 187) Two etchings and drypoints, 1859 and 1879, the first Glasgow's ninth state, the second Glasgow's third state

James Abbott McNeill Whistler (1834-1903) LIVERDUN; HURLINGHAM; CHELSEA (FULHAM) (KENNEDY 16, 181, 182; GLASGOW 13, 184, 181) Three etchings, 1858 and 1879 (2), respectively, the first Glasgow's third

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

Whistler, James Abbott McNeill (American, 1834-1903). "Paul Riault the Engraver." 1879. State iv/IV. Published in a cancelled set of etchings by the Fine Art Society, London. 9" X 6" Condition: Loss t

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler, English, French, 1834 to 1903, a collection of four etchings on paper. The collection includes Plate VI San Giorgio, Plate VIII The Balcony, Plate IX Long Venice, Old Ba

James Abbott McNeill Whistler (1834 - 1903) etching titled ( The Little Pool ) with partial label on back as pictured. In later frame, etching measures 5.5" x 6.25", small tear in upper right border &

Title: The Rag Pickers. James Abbott McNeill Whistler (1834-1903) Etching, 1858. Edition: 80 Known impressions. Unsigned. Only signed and dated within the plate. Fifth state. Image size 6 x 3 1/2"

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

James Abbott McNeill Whistler (American, 1834-1903) etching and dry point three-quarter portrait of C. L. Drouet, Sculptor, 1859, singed and identified in plate, image size: 8 3/4 x 5 7/8 inches, matt

James Abbott McNeill Whistler (American, 1834-1903), etching on paper "Billingsgate", 1859, signed and dated in plate, 6" x 9" pl, 9-1/16" x 12-3/4" sheet, very good condition

James Abbott McNeill Whistler (American, 1834-1903) etching, mid to late 19th century, depicting passengers disembarking ships at port, signed and dated in plate, sight of sheet 6"h x 9"w, overall dim

James Abbott McNeill Whistler (American, 1834-1903). Etching, The Little Putney Bridge, No. 1. Signed in the plate with butterfly monogram, center right. Plate 5 1/8" x 8" (with frame 15 1/8" x 18 3/4