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TITTLE, Walter & Shutz, Anton. Two New York: Etchings. Walter Tittle (American,1883-1960) "Manhattan Minarets" - plate singed lower center, inscribed along extreme lower margin, 1931-32, ed. 75, plate - 14.5" high x 9" wide,
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Walter Bohl (1907-1990) Illinois , Lee Sturges (1865-1954) Illinois & Harry Douglas (20 th: Walter Bohl CANYON SHADOWS, 1942, etching, signed and numbered 12/100 and inscribed in pencil lower center, plate 9 x 7”, sheet 11 ¼ x 9”; Lee Sturges MOUNT WILBER, etching, signed
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LOUIS ICART (FRENCH, 1888-1950) "MORNING CUP" ETCHING: LOUIS ICART (FRENCH, 1888-1950) "MORNING CUP" ETCHING IN COLOR, pencil signed lower right margin, no blind stamp, marked "Copyright 1940 by L. Icart NY.". Archivally mounted in a modern frame. Circa 1
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WALTER "WALLY" KEELER (BRITISH, B. 1942) STUDIO POTTERY STONEWARE BOWL: WALTER "WALLY" KEELER (BRITISH, B. 1942) STUDIO POTTERY STONEWARE BOWL, salt- and blue-glazed with applied whimsical double-arched handles to each side. Impressed bull's e
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GEORGE OVERBURY "POP" HART (AMERICAN, 1868-1933) "THE: GEORGE OVERBURY "POP" HART (AMERICAN, 1868-1933) "THE GALLERY, OLD FRENCH OPERA HOUSE, NEW ORLEANS" ETCHING, drypoint, signature in plate and pencil signed in margin lower right. Housed under glass in
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BERNARD INSTONE ENGLISH ARTS AND CRAFTS STERLING SILVER: BERNARD INSTONE ENGLISH ARTS AND CRAFTS STERLING SILVER AND ENAMEL DIMINUTIVE BOWLS, PAIR, circular form, on circular foot, with tab handles having cloisonne-like enamel decoration depicting a thistle
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AMBERINA DIAMOND-OPTIC PUNCH CUPS, LOT OF THREE: AMBERINA DIAMOND-OPTIC PUNCH CUPS, LOT OF THREE, each with an applied reeded handle and polished pontil mark. Together with a Pomona punch cup with first etching. Four pieces total. Maker unverified.
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TIFFANY & CO. "AUDUBON" STERLING SILVER 73-PIECE: TIFFANY & CO. "AUDUBON" STERLING SILVER 73-PIECE FLATWARE SET WITH FOUR "JAPANESE" FLATWARE PIECES, (updated 10/4/21) multi-motif Japanesque pattern featuring birds and flowers, "Japanese" pieces with
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NORTHWOOD NO. 333 / LEAF MOLD MINIATURE LAMP: NORTHWOOD NO. 333 / LEAF MOLD MINIATURE LAMP, canary/Vaseline (black lighted) with cranberry and opal flakes, satin finish, circular squat-form base, matching pattern dome-form shade, period collar. F
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EE-3A EAGLE AND SHIELD PRESSED OPEN SALT: EE-3A EAGLE AND SHIELD PRESSED OPEN SALT, deep brilliant amber, raised on four feet. Unique. Boston & Sandwich Glass Co. 1830-1845. 2 1/8" H, 2" x 3 1/4".Near proof, shallow chip to inside of one foot
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ANNA POTTERY, ANNA, ILLINOIS STONEWARE PIG FLASK: ANNA POTTERY, ANNA, ILLINOIS STONEWARE PIG FLASK, Albany-slip glazed, well detailed anatomically-correct form, incised "Latest and most reliable / Railroad and River Guide / By / Anna Pottery / Anna I
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STAFFORDSHIRE AMERICAN HISTORICAL TRANSFER-PRINTED CERAMIC PLATTER: STAFFORDSHIRE AMERICAN HISTORICAL TRANSFER-PRINTED CERAMIC PLATTER, featuring the Arms of Georgia depicting the arch of the "CONSTITUTION" supported by pillars representing "WISDOM"
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Bernard Walter Evans Knaresborough 1890 etching
Bernard Walter Evans Knaresborough 1890 etching
Item Details
Description
Bernard Walter Evans. (1843-1922). Knaresborough. Antique Copper Plate Etching on Thick Laid Paper after the original by Master Engraver Edmund William Evans (1848-1908). 1890. Signed in the plate, lower left. Excellent. Image Size 7 1/2 x 10 1/4 inches. Approximately 17 x 19 inches. This piece has been professionally matted and framed using all new materials. This artwork is accompanied by a Gallery Certificate of Authenticity and is Guaranteed as described.
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Bernard Walter Evans Knaresborough 1890 etching

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