Giovanni Battista de'Cavalieri (Italy 1526-1597) Battle of the Milvian Bridge 16th C

Giovanni Battista de'Cavalieri ( Italian Langhirano 1526 - Rome 1597 ) " La Battaglia di Ponte Milvio " Original Burin Engraving circa 1550 Le Blanc 40 complete with the imprint of the copper with cen

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 16: Martyrdom scenes with St Cecilia being boiled in a cauldron in foreground, Sts Urban, Tibertius and Valerian being beheaded

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 2: Martyrdom scenes with St Stephen being stoned by three men in foreground, the Apostles being beaten in left background and St

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 17: Martyrdom scenes with St Laurence being roasted on a gridiron in foreground, St Hippolytus tied to horses and being dragged

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 3: Martyrdom scenes with St Peter being crucified upside down in foreground, St Paul being beheaded with a knife in left backgro

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 29: Martyrdom scenes with two saints ('Ioannes' and 'Paulus') decapitated in foreground next to St Bibiana, St Arthemius crushed

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 30: Martyrdom scenes with the hands and tongues of Christians being cut off in foreground, others being killed and hung up in ba

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 5: Martyrdom scenes with Christians being thrown to the dogs in foreground, St Gervase hanging from a tree in right background,

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 24: Martyrdom scenes with St Erasmus being covered in hot lead in foreground, St Blaise tied to a pole and lacerated with combs

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 28: Martyrdom scenes with a Christian man being cut in pieces in foreground, others lying died beyond, others being thrown to th

ORIGINAL 16th CENTURY ENGRAVING by Giovanni Battista de CAVALIERI Plate 4: Martyrdom scenes with St Vitalis being buried in a pit with stones in foreground, Christians being burned in left background,

DescriptionORIGINAL 16th CENTURY ENGRAVINGby Giovanni Battista de CAVALIERIPlate 20:Martyrdom scenes with two young men placing their hands in fire in foreground, St Vincent of Tarsus being roasted on

After Giovanni Battista Piranesi (Italy, 1720–1778) framed Italian city of Verduta. Titled "Sepolcro della famiglia de'Metelli". Depicts the building of a structure from the 16th century with writin

Rome, 1765. In 2nd large (60x44 cm). Exemplary with beautiful inking and untrimmed margins, c on 38 plates of which 8 double and 4 double folded, frontispieces in Latin and Italian on the front, engra

Full title: A large polychromed wooden Corpus Christi from an entombment, Spain or Italy, 16th C. Description: H 183 cm Expert: Cabinet Benoit Bertrand About this sale: Paul De Grande is one of the ma

A Le Ore (Italy) handmade "Art Inlay Clock" based on a 17th century design by Giovanni Battista Foggini and Bathasar Permoser. Italian, late 20th century. Outfitted with a Franz

O/C OLD MASTER ISABELLA de MEDICI CIRCLE OF ALASSANDOR ALLORI (ITALIAN 1535-1607), 16/17TH C. 33" X 26 1/2"

"The artists model". Oil on panel. Signed and dated 1874 lower left. From a Hollis, Queens, NY estate collection. - Dimensions: 10.5" h x 7" w.

Full title: A polychromed and gilt reliquary in the shape of a lady's head, Italy, late 16th C. Description: H. : 50 cm – L. : 43 cm Expert: Cabinet Benoit Bertrand About this sale: Paul De Gran

France or Italy, ca. 16th century Two orphrey panels from a Renaissance period chasuble. Each depicts 3 saints in architectural settings. The metal threads ( gold?, silver? ) now much tarnished, but t

PIAZZETTA, Giovanni Battista. Études De Peinture Dessinées Par Jean Baptiste Piazzetta gravées par Marc Pitteri. Venezia, Avec Privilège du Senat, 1764Oblong Folio Album, 305x435 mm; full calf bin

Gio Ponti and Paolo De Poli Diavolo, set of two Smalti di De PoliItaly, c. 1950enameled copper 4 h x 4 w x 3 d in (10 x 10 x 8 cm) Etched signature to reverse of each example 'De Poli'.<

Italy, 15th to 16th century CE (possibly earlier). Huge hand hammered copper footed brazier. Wide foot with rolled edge, slightly tapered pedestal attached to bifurcated basin with three rivets, large

The lot consist of hand painted large master piece interior oil on canvas .The illustration depicts the duke seated in the center of a fantastic art gallery, surrounded by sculptures by Michelangelo a