Early Canvasback Drake Decoy by "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA

Canvasback Richard "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA, c. 1940 15 1/2 in. long This canvasback drake bears raised-wing detail, and Janson's signature skeg under the tail. Original pa

Early Pintail "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA, c. 1920 16 1/2 in. long A great early form with a pronounced breast. A good portion of the paint is professionally restored. Provena

Pintail Pair "Fresh Air Dick" Janson (1872-1951) Sonoma Creek, CA, c. 1935 17 in. long A pair of classic West Coast decoys with raised wings and the maker's exceptional incised tail carving. Original

Pintail "Fresh Air Dick" Janson (1872-1951) Sonoma, CA, c. 1915 18 in. long A classic early Janson decoy with raised wing tips and a flat bottom. This decoy may have been used in Janson's early market

Carved and Painted Northern Pintail Drake Decoy, Attributed to Richard "Fresh Air Dick" Janson (Sonoma, California, 1872-1951). The wingtips carved, mounted with glass eyes, affixed with a weight. H:

An early pintail decoy in original paint with old varnished surface and glass eyes carved by Richard Janson, 1939. Written on bottom: "Fresh Air Flat Decoy, Richard L. Janson, 1939, Sonoma Creek, Cali

first quarter 20th century, three Upper Bay examples comprising: Dick Hipple (Havre de Grace, Maryland), 8-3/4 x 15-1/2 x 6-1/4 in.; August Heinefield (Rock Hall, Maryland), 8-3/4 x 15-1/4 x 6-3/4 in.

Possibly his best canvasback drake, Charles Bergman, Astoria, Oregon. A very early 1930s two piece hollow body with high alert head and appealing thin original paint pattern. 15" long. Literature "Dec

Decoy, Crisfield, MD, Glass Eyes, Solid Body, Body appears to be Mostly Original, Head appears to be Restored, crack in Neck, Otherwise Good, Slightly Left Turned Head, Excellent Form & Great Profile,

Flying Canvasback Pair John Glenn (1876-1954) Rock Hall, MD, c. 1910 14 1/2 in. long, 15 in. tall on stand Glenn was among the early Upper Bay decoy makers who made birds in the regional style. Settin

Hollow Carved Hissing Canada Goose Decoy. Circa 1920-1940. Decoy with metal tack eyes, original paint, gunning wear, neck is stabilized with a dowel. Dimensions approximately: length: 28 inches., heig

Cyril Edward Power (1872-1951) The Merry-Go-Round (Coppel CEP.16) Linocut printed in a mixture of Chinese orange and chrome orange and Chinese blue, circa 1930, on buff oriental laid tissue, a very go

London, 1552, maker's mark "GF" and further illegible mark; with figural terminal; approximately 1.5 troy ounces; Provenance: The Estate of Philip Fowler, Bel Air CA; 7 1/4 inches long

21st Century For The Rug Company, the silk rug with a grey butterfly wing motif 167" L x 120" W Provenance: Private Collection, Bel Air, CA

Large Ersari Chuval, Turkmenistan, Mid 19th C., 5'1'' x 1'10'' (155 x 56 cm). Material: wool pile, wool warp, wool weft. Ex. Cathryn Cootner Estate Collection, Sonoma, CA.

ERNEST YARROW-JONES (British, 1872-1951) La Lune signed 'E. Yarrow Jones' (lower left); identified on a collection label and purchase receipts (all affixed to the reverse); inscribed indistinctly 'POU

Important mallard drake, Mason Decoy Factory, Detroit, Michigan, 1st quarter 20th century. Hollow carved premier grade, with relief bill carving and glass eyes. "GK Schmidt" branded twice in the under

Ancient Greece, Athens, Early Attic, ca. 6th century BCE. A very large and incredibly fine black-figure neck amphora of an exceptionally elegant, classic form - both sides expertly painted with mesmer

Greco-Roman, late Hellenistic to early Roman, ca. 1st century BCE to 1st century CE. A half-life-size, expertly carved marble sculpture of Hades (Pluto), god of the Underworld. He stands, facing forwa

Ancient Greece, Athens, Early Attic, ca. 530 to 520 BCE. A very large and incredibly fine black-figure neck amphora of an exceptionally elegant, classic form - both sides expertly painted with mesmeri

Late Hellenistic / Early Roman, ca. 1st century BCE. A finely carved white marble head of Venus (Greek Aphrodite) - this type known as the Venus Genetrix (also Aphrodite Frejus or the Louvre-Naples ty

Central Asia, ca. Early Cretaceous (101 - 126 MYO). This is a significant specimen due to its size, completeness, and originality. The bones were meticulously removed from a single block of matrix and

Ancient Roman Marble Portrait Head of a Man ca. early 3rd Century AD. The middle-aged man with closely-cropped hair, eyes sunken under a heavy brow with pupils deeply drilled, the cheek bones high and

Clyde Aspevig (1951- ), Boone Creek, oil on linen, 20 x 24, signed lower left