James Abbott Whistler Sir Henry Irving Custom Framed Print

James Abbott McNeill Whistler (1834-1903), (3) framed prints. Info verso. Largest frame overall 15 1/2" x 19 1/2".

Hand written note framed with a print of Whistler 14 1/2" x 11 1/2" overall with frame

James McNeill Whistler (American, 1834-1903) Plate IX from A Catalogue of Blue and White Nankin Porcelain by Sir Henry Thompson. Illustrated by Whistler, autotype print on paper. Image size: 6.75" x 6

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

Alderney Street" Etching" - printed in margin: Gazette des Beaux-Arts, Imp Cadart; Plate: 7" high x 4.25" wide; Good with mat burn, framed behind glass, not examined out of frame. "Savoy Pigeons" Lith

This is an estate found signed print by American artist Clifford Isaac Addams (1876-1942). Addams was a protege of James McNeill Whistler. The framed print features the "Peerless" ferry coming to shor

James Abbott McNeill Whistler (1834-1903). Framed etching. Sight - 8" x 11" Overall - 17" x 21" In-house shipping available within continental U.S. for $60 plus insurance.

This is an original estate found etching print by American artist James Abbott McNeil Whistler (1834-1903). This print known as "Fulham AKA Chelsea" features a depiction of a bridge over water and is

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott McNeill Whistler (American, 1834-1903), "Gants de Suede," circa 1890, lithograph, butterfly monogram center right, sight: 10"h x 5.75"w, overall: 16.75"h x 13"w

James Abbott McNeil Whistler (American, 1834-1903), "La Vieille aux Loques," from "Twelve Etchings from Nature," 1858 etching, plate signed lower right, Vincent Price Collection label affixed verso, i

Prices are in Canadian dollars

James Abbott McNeill Whistler, (American, 1834-1903), two prints on paper, comprising “Hurlingham," ca 1879, drypoint etching with a crown watermark, depicting docked sailboats, and "The Traghet

After James Abbott McNeill Whistler (American, 1834-1903), Thames Police (Wapping Wharf), 1859, etching, plate signed and dated lower right, image: 6"h x 8.75"w, overall (with frame): 15.75"h x 18.75"

After James Abbott McNeill Whistler (American, 1834-1903), Annie Haden, drypoint etching, plate signed and dated lower left, overall (with frame): 19.5"h x 15.5"w

After James Abbott McNeill Whistler (American, 1834-1903), "The Adam and Eve, Old Chelsea, 1879," print, overall (with frame): 14.5"h x 19.25"w

After James Abbott McNeill Whistler (American, 1834-1903), "Black Lion Wharf," rotogravure reproduction on paper, signed in plate, sheet (unframed): 8.75"h x 11.75"w

Prices are in Canadian dollars

James Abbott McNeil Whistler (1834-1903, MA/UK/FR) framed and matted etching titled "St. James Street, June 1878" with Newman's Gallery, Philadelphia label. 12" x 6.25" ss / 22.5" x 16" oa

Group of (4) custom-framed prints, views of London, Greenwich Hospital England, St James Palace, and Richmond in Surrey, 20" x 25". Provenance: Other estates.

Title: The Rag Pickers. James Abbott McNeill Whistler (1834-1903) Etching, 1858. Edition: 80 Known impressions. Unsigned. Only signed and dated within the plate. Fifth state. Image size 6 x 3 1/2"

Title: Annie. [Seated.] James Abbott McNeill Whistler (1834-1903) Etching and drypoint, 1858. Edition: 58 known impressions. Unsinged. Only signed and titled in stone. Second state. Image size 5 1/

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w