James Abbott McNeill Whistler (American, 1834-1903); Little Lagoon Venice;

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903), Lagoon Noon, 1879-80, etching on laid paper, (approximate dimensions - sheet (sight): 5 x 8 inches); signed and inscribed "imp" lower left, inscrib

* James Abbott McNeill Whistler (American, 1834-1903) Little Putney Bridge etching 5 1/8 x 8 inches. Estimate $400-600 Property from The Estate of Robert Geppert, Wilmette, Illinois

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

James Abbott McNeill Whistler (American, 1834-1903) The Little Pool (a group of four states), 1861 etchings with drypoint on laid paper including, from left to right, states 2, 4, 3, and 9 of 9 states

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

James Abbott McNeill Whistler (American, 1834-1903). Etching, The Little Putney Bridge, No. 1. Signed in the plate with butterfly monogram, center right. Plate 5 1/8" x 8" (with frame 15 1/8" x 18 3/4

James Abbott McNeill Whistler (American 1834-1903). Fifth state etching, titled "Little Rag Gatherers". Signed and dated 1858 within the plate. Framed under glass. Matte opening: 6-1/4 x 3-3/4 in.

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "Fish Shop, Venice." Etching and drypoint, between the second and third states, (image 4.375 x 7.5). Frame: H: 12.5

James Abbott McNeill Whistler (American, 1834-1903), The Forgeetching and drypoint on laid paper, 1861, retains antique gallery label from the Old Print Shop, New York, matted and framed. Kennedy 68.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

James Abbott McNeill Whistler (American, Lowell, Massachusetts, London, 1834-1903). "The Bridge, Santa Marta." Etching and drypoint, from the Second Venice set, a series of twenty-six etchings depicti

James Abbott McNeill Whistler (1834-1903) Little Court, Cloth Fair 1887 The transfer lithograph from 1887 is signed with Whistler's 'Butterfly' signature by hand in graphite just below the image. A se

James Abbott McNeill Whistler (American, 1834-1903) Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, with narrow margins, 295 x 218mm (11 5/

James Abbott McNeill Whistler (American, 1834-1903) The Music Room, 1859 etching and drypoint 5 3/4 x 8 1/2 inches. Literature: Glasgow 39 Provenance: Arthur Ackermann & Son, Inc., Chicago, 1928

James Abbott Mcneill Whistler (American 1834-1903) Depicting sailboats in a harbor inscribed and dated l.r. "Whistler/1859." 14"h x 7"w

JAMES ABBOTT MCNEILL WHISTLER (American, 1834-1903). Reading by Lamplight, circa 1859, Etching and drypoint, printed in black ink on likely fine ivory oriental laid paper. Plate signed lower right in

James A.M. Whistler, Thames Set etching #9, 1859, James Abbott McNeill Whistler (American, 1834-1903), "The Lime Burner" (Kennedy 46), one of sixteen drypoint etchings from the Thames Set, on cream la

James Abbott McNeill Whistler (American, 1834-1903). Chelsea (Chelsea Church and Battersea Bridge). Antique etching on wove paper. Signed in the plate (Butterfly monogram, lower right). 1882. Conditio

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

Old Chelsea" Etching and Drypoint on Chine Colle. Artist's butterfly signature in plate upper left. James Abbott McNeill Whistler (American, 1834-1903). From a Northport, NY home. - Dimensions: plate

James Abbott McNeill Whistler (American, 1834-1903) Billingsgate, 1859 etching signed and dated in plate edition of 8 5 7/8" x 8 3/4" Literature: For a similar illustrated example of this edition, se