UNIDENTIFIED INUIT ARTIST, Hunter and Dogs Approaching a Polar Bear, early 1940s or 1950s

A soapstone hunter and a whalebone polar bear head. Both unsigned. L. of bear head: 5 1/2 in. (14 cm). H. of hunter: 4 1/2 in. (11.4 cm) Bear head is in good condition. Chip to back of the foot on the

Unidentified artist, circa 1955. An early Inuit sculpture depicting the harshness of Northern life showing a wounded polar bear with red eyes lying on his side with his legs in the air. 4.75" x 6.75"

Artist : UNIDENTIFIED ARTIST, INUIT Titre : Polar Bear Description (FR) : Sculpture en pierre a savon sur base de pierre serpentine, non signee Description (ENG) : Soap stone sculpture on serpentine s

UNIDENTIFIED ARTIST, NUNAVIK (ARCTIC QUEBEC) Alert Otter, late 1950s / early 1960s stone, 1.75 x 8 x 1.5 in (4.4 x 20.3 x 3.8 cm) unsigned. Provenance Ex. Coll. Mr. Gerry Moses; bequeathed to Mrs. Ba

Inuit, sculpture, Polar bear,seal, Hunter. E 91209. Title: Hunter being attacked by Polar bear. Medium: Pencil. Size: 9 x 16 x 5 in. Signature: Marking on bottom. Artist: Inuit.

Unidentified artist, Polar bear, dark grey mottled stone, syllabics, 5 x 11 1/2 x 6 1/2 inches.

Here we offer a beautiful late 1940s or early 1950s oil-on-wood-board painting by Jessie Arms Botke. Botke (1883-1971) was a highly-skilled artist, best known for her images of birds and frequent use

Native American, Northwestern United States, Alaska, Inuit, Yupik, Inupiat (Inupiaq), ca. late 19th to early 20th century CE. A charming hand-carved walrus ivory pipe with a polar bear standing on the

UNIDENTIFIED INUIT ARTIST Beaded Caribou Skin Amautiq, c. 1980s caribou skin, felt duffle, cotton fabric, glass beads, wool fabric, and cotton thread, 52 x 31 x 7 in (132.1 x 78.7 x 17.8 cm) unsigned

ASHEVAK TUNNILLIE (1956-2018) KINNGAIT (CAPE DORSET) Polar Bear Following a Scent, stone, 10.25 x 20 x 7 in (26 x 50.8 x 17.8 cm) signed, "ᐊᓯᕙ / ᑐᓂᓕ". Provenance P

Inuit Large Polar Bear. Not signed. Carved serpentine. Excellent condition. 20" w x 9" h. Est. $400-600. Buyer is responsible for shipping.

Very Large Signed Aqjangajuk Shaa (Shaa Axangayu)(Cape Dorset, 1937-2019) Inuit Soapstone Carved Polar Bear. 22 L X 14 H X 8 Inches W. Chip To Ear, Please See Photos. Signed on base.

Paul Quviq Malliki (Inuit, b. 1956), Seated Polar Bear1997, Naujaat (Repulse Bay), carved marble, the right foot underside with incised signature and date "PAUL MALLIKI / ᑯᕕ / 97/ ©."

Clementine Hunter. Early Wash Day. c. 1950s. Initialed. Oil on canvas panel. Excellent condition. Image is 9"w x 7"h. Frame is 12"w x 10"h. Provence: Francois Mignon (info on verso), the Gary Davenpor

Three vases. Beaten copper. Cm 9,00 x 27,00. Limited edition, artist's signature on the base. Early 1950s.Vase2: 29 x 7 cmVase3: 23.5 x 6 cm

UNIDENTIFIED HAIDA ARTIST Model Hollow Back Totem Pole, early 1890s argillite, 14.5 x 3.25 x 3 in (36.8 x 8.3 x 7.6 cm) unsigned. Provenance By Repute: Acquired c. 1890-1896 by Ms. Hall, a teacher in

UNIDENTIFIED ARTIST, HAIDA Haida-Motif Panel Pipe,c. early 1830s argillite, 2.5 x 9 x 1 in (6.3 x 22.9 x 2.5 cm) unsigned. Provenance Private Collection, British Columbia. This small a

(12) BING & GRONDHAL COPENHAGEN PORCELAIN MODEL OF SEAL , OWL, PENGUINS , POLAR BEAR , BIRDS , LITTLE GIRL WITH DOG, MOUSE & MORE - LARGEST IS SEAL - 8" x 5" x 7"

Artist/Designer; Manufacturer: Jean Royere, manner of Marking(s); notes: no marking(s) apparent Country of origin; materials: country of origin unknown; wood, upholstery Dimensions (H, W, D): 36"h, 44

OSUITOK IPEELEE, R.C.A. (1922 or 1923-2005) KINNGAIT (CAPE DORSET Bear and Fish, early-mid 1980s stone, 21 x 6 x 5 in (53.3 x 15.2 x 12.7 cm) signed and inscribed, "ᐅᓱᐃᑐ &#5123

Early modernist abstract oil painting by Roland Petersen. Untitled c.1940s-1950s Oil on stretched canvas Measures 54" x 30" sight size, and 57" x 32.75 x 1.5" overall including the framing. Notes: Thi

[TRAVEL POSTERS]. PEIKERT, Martin (1901-1975), artist. Mont Crans Lachaux Montana. Switzerland: Klausfelder S.A. Vevey, [ca 1940s-1950s].25 1/4 x 39 1/4 in., poster (light wrinkles at top edge). &#160

43.6 Harvested in the late 1950s this is a great vintage mount with real claws intact & good hair with no slippage & legal to go to any state that doesn't prohibit bears know your laws before you buy

Glazed ceramic sculpture of a polar bear/anteater by Gordon Newell for Architectural Pottery, 1950s.