Early 4th Century SICILY SYRACUSE AE Drachm (Dilitron) NGC F

4th Century BC Greek AR Hemidrachm NGC-F

An Attic Black-Glazed Amphoriskos Circa Late 5th-Early 4th Century B.C. Height 5 1/4 inches (13.3 cm). Property from a Private Florida Collection Provenance:Charles Ede, Ltd., London, 27 May 1997 (Inv

Magna Graecia, Southern Italy, Sicily, ca. 4th century BCE. Breathtaking, to say the least! A finely sculpted head of a beautiful goddess, possibly Persephone or Demeter - presenting a delicate visage

Egypt, Late Period - Early Ptolemaic, ca. 4th-3rd century BC. An imposing upper section of a wood sarcophagus lid depicting the upper torso and head of an Egyptian woman. Painted all over with images

Roman, Imperial / Early Christian, ca. 3rd to 4th century CE. A magnificent marble fragment, skillfully carved in high relief to depict a man holding a ram; a motif known as Hermes Kriophoros or the G

Early 20th century Signed to one mount: F. Linke for cabinetmaker Francois Linke (1855 - 1946 French); with importer's label of J. Horner & Co., New York, NY verso The puddingstone marble top over a g

Northern Italy, Etruscan, ca. 4th to early 3rd century BCE. This is a gorgeous Hellenistic era 91.5% (equivalent to 21K+) gold funerary diadem in the form of a laurel wreath. The wide panel is hammere

Late 19th/early 20th century, with paper label verso ''F. Hengstmann / Leipzigerstr 39 / K. Hoflieferant / Berlin S.W.'', titled verso ''Triumpfzug der Veus (Triumph of Venus)'', a rectangular hand-pa

Ancient Greece, ca. 6th to 4th century BCE. A very early example of a core-formed glass amphoriskos (miniature amphora) once used to hold perfumed oil. This near miniature vase boasts an exceptionally

AFTER RAOUL CHARLES VERLET (1857-1923), A BARBEDIENNE CAST BRONZE OF ORPHEUS LATE 19TH/EARLY 20TH CENTURY Signed to cast and inscribed F Barbedienne Fondeur 99.5cm high, 37cm wideProvenance: Property

Asia Minor, modern day Turkey, Anatolian, ca. 5th to 4th century BCE. A carved marble idol representing a kneeling figure with a round head presenting an abstract visage with concave eyes and a projec

Late Roman or Early Byzantine, late Imperial Period, ca. 4th to 6th century CE. An exemplary mosaic of a standing male figure facing right made from hundreds of cut stone tesserae in vibrant hues of p

A RARE LARGE PAIR OF EARLY 20TH CENTURY CHINESE FAMILLE VERTE CHARGERS Late Qing/Republic bearing Fang Gu Ruo Shen Zhen Cang marks to top. 33 cm diameter.

A Magnificent F. Linke Louis XV-style bronze-mounted vitrine. Late 19th/early 20th century, mahogany with oak secondary wood, apron mount signed ''F. Linke'' for maker Francois Linke (1855-1946 French

Late 19th/early 20th century, mahogany with oak secondary wood, apron mount signed ''F. Linke'' for maker Francois Linke (1855-1946 French), the shaped red marble top over a gilt bronze-mounted foliat

Evgeni Alexandrovich (Eugene) Lanceray (Russian, 1848-1886), Bogatyrearly 20th century, patinated cast bronze, incised with signature and date, with F. Chopin foundry mark to naturalistic terrace, sid

Two Roman pale blue-green glass ribbed bowls Circa early 1st Century A.D. 14.7cm and 12.4cm diam. (2) Footnotes: Provenance: J.M. Dassen collection, Ulestraten, Netherlands. The Nico F. Bijnsdorp

Late Roman or Early Byzantine, the Levant, late Imperial Period, ca. 4th to 6th century CE. A well-executed mosaic composition depicting four birds - perhaps doves or quail - surrounding a large centr

Late Roman or Early Byzantine, the Levant, late Imperial Period, ca. 4th to 6th century CE. A well-executed mosaic composition set on a diagonal that depicts two birds - perhaps ducks, doves, or quail

An extremely rare Imperial Russian medal bar comprised of three early 19th century medals with original ribbons. Including a 4th Class Order of St. George in enameled gold with St. Petersburg hallmark

CHINESE 4TH CENTURY BC - 2ND CENTURY BC PURE GOLD BOSHAN FURNACE; H. 25.7 cm. W. 12 cm. Weight 1152 gram.

Magna Graecia, Adriatic Sea region, ca. 5th to 4th century BCE. A striking Chalcidian helmet comprised of hammered tinned bronze, so named as this helmet form was initially depicted on pottery believe

Circa late 3rd-4th century A.D. or later. A colossal eagle statue or pillar cap carved in the round in white marble, gripping a round-section perch on a rectangular plinth base with concave sidewalls,

A Roman marble mosaic panel Circa 2nd-4th Century A.D. Comprised of delicate polychrome tesserae in shades of cream, grey, brown, reddish brown and green, the scene dominated by the torso of a horned