NISHIJIMA KATSUYUKI (BORN 1945), KITAOKA FUMIO (1918–2007), AND OTHERS Showa (1926-1989) t...

Japanese Woodblock Prints by Katsuyuki Nishijima and Eikyu MatsuokaShowa period (1926-1990), ink and colors on paper, includes a woodblock print by Katsuyuki Nishijima (Japanese, b. 1945), Hiranoya, a

Japanese Woodblock Prints by Katsuyuki Nishijima and Eikyu MatsuokaShowa period (1926-1990), ink and colors on paper, includes a woodblock print by Katsuyuki Nishijima (Japanese, b. 1945), Hiranoya, a

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Toko Shinoda, framed and glazed 19 3/4 x 13 7/8in (61.3 x 35.

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Shinoda Toko, framed and glazed 19 3/8 x 13 3/4in (49.2 x 34.

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

KOKOSAI (ACTIVE MID-20TH CENTURY) Flower basket of the Sozen type Taisho (1912-1926) or Showa (1926-1989), early/mid 20th century Chiefly plaited from whole (unsplit) bamboo culms in the ara-ami frees

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 An ōban yoko-e print entitled Tateyama Betsuzan (Mount Betsu of the Tate Mountain Range), from the series Nihon Arupu

TWO LACQUER POWDERED-TEA CADDIES The first by Kōsen, the second by Ikkō Taisho (1912-1926) or Showa (1926-1989) era, 20th century The first of hira-natsume (squat tea-caddy) form decorated i

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

KAWASE HASUI (1883-1957) Showa era (1926-1989), circa 1927 An oban yoko-e print titled along the right margin, Tosa Murotozaki (Muroto Peninsula, Tosa), undated, published by Bijutsusha with a seal Ru

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1931 A ōban yoko-e print entitled Benaresu no gatto (Ghat in Benares), signed in the block Yoshida and in pencil in Roman script in the lower ma

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989) A two-panel folding screen brushed in ink and colors on silk depicting four egrets standing in a dried-up lotus pond, three of the

KASAMATSU SHIRŌ (1898-1991) AND KAWASE HASUI (1883-1957) Four Woodblock Prints Showa era (1926-1989), 1934-1938 Comprising three ōban tate-e prints including Haru no yoru, Ginza (Spring Even

MORI YOSHITOSHI (1898-1992) Showa era (1926-1989), 1972-1973 Comprising a large woodblock print and four prints; the first entitled Yorimasa no zange (Yorimasa in Self-Accusation), from the series Hei

SAWADA TETSURO (1935-1998) Showa era (1926-1989), dated 1987 and 1988 Four screenprints of various sizes and formats; the first a large horizontal format, titled AFTER GLOW III, edition number 123/135