OKABE SŌFU Mon (Gate)Showa era (1926-1989), 1964

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

WADA WAICHISAI II (1877-1933) A Long-Handled Bamboo Basket Showa era (1926-1989) circa 1930 The conical basket woven in madake and rattan with mat plaiting, twining, wrapping and knotting, with a cyli

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

KAWASE HASUI (1883-1957) Two Woodblock Prints Showa era (1926-1989), 1940 and 1952 Two ōban tate-e prints, the first entitled Chōsen Chiizan Sen'in-ji (Chunum Temple, Chiri Mountain, Korea),

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1931 A ōban yoko-e print entitled Benaresu no gatto (Ghat in Benares), signed in the block Yoshida and in pencil in Roman script in the lower ma

PAUL JACOULET (1902-1960) Four large vertical prints Showa era (1926-1989), 1940-1948 The first, entitled L'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fu

INODA SEII (1906-1975) Egrets and Lotus Flowers Showa era (1926-1989) A two-panel folding screen brushed in ink and colors on silk depicting four egrets standing in a dried-up lotus pond, three of the

KASAMATSU SHIRŌ (1898-1991) AND KAWASE HASUI (1883-1957) Four Woodblock Prints Showa era (1926-1989), 1934-1938 Comprising three ōban tate-e prints including Haru no yoru, Ginza (Spring Even

MORI YOSHITOSHI (1898-1992) Showa era (1926-1989), 1972-1973 Comprising a large woodblock print and four prints; the first entitled Yorimasa no zange (Yorimasa in Self-Accusation), from the series Hei

ANDŌ JŪBEI (1876-1953) A Cloisonné-Enamel Panel Showa era (1926-1989), circa 1950 The rectangular panel worked in polychrome enamels and silver wire with a long-tailed rooster by peonie

MAEDA CHIKUBŌSAI II (1917−2003) A Handled Bamboo Flower Basket Showa era (1926-1989), circa 1960-1990 Of susudake (smoked bamboo) and rattan, the square base worked in mat-plaiting with twi

SAWADA TETSURO (1935-1998) Showa era (1926-1989), dated 1987 and 1988 Four screenprints of various sizes and formats; the first a large horizontal format, titled AFTER GLOW III, edition number 123/135

YOSHIDA HIROSHI (1876-1950) Three Ōban Tate-e Woodblock Prints Showa era (1926-1989), dated 1935 and 1937 The first, entitled Sugi namiki (Criptomeria [cryptomeria] Avenue), dated 1937; the secon

PAUL JACOULET (1902-1960) Showa era (1926-1989), 1938-1948 Comprising four woodblock prints; the first entitled Vendeur de Masques (Chinois) (Chinese Mask Seller), 1940, printed by Ogawa Fusakichi, wi

PAUL JACOULET (1902-1960) Showa era (1926-1989), 1935-1950 Comprising three woodblock prints; the first entitled Homme de Manado et Mangoustans Celebes (Menado Man and Mangosteen. Celebes), 1935, edit

KAWASE HASUI (1883-1957) Showa era (1926-1989), dated 1948 An ōban tate-e woodblock print titled Shirasagijō (Shirasagijo Castle), signed Hasui and sealed Kawase, published by Watanabe Sh&#3

YOSHIDA HIROSHI (1876-1950) Showa era (1926-1989), 1935-1937 An oban yoko-e and an oban tate-e print; the first entitled Yoshikawa, 1935; the second entitled Toshogu (Toshogu Shrine), 1937; both with

SAITO KIYOSHI (1907-1997) Showa era (1926-1989), 1948 A large woodblock print entitled Profile, edition number 22/60, dated 1948, signed Kiyoshi Saito, with label stating self-carved self printed KIYO

KAWASE HASUI (1883-1957) One oban yoko-e print and one oban tate-e print Showa era (1926-1989), 1947 The first, entitled Yamanakako no banshu (Autumn Evening at Lake Yamanaka); the second, entitled Ki

OHARA KOSON (1878-1945) Showa era (1926-1989), 1927 An ōban tate-e woodblock print titled Yanagibashi no yuki (Snow at Yanagibashi), signed and sealed Shōson, published by Watanabe Shōz