Black Folk Art in America, 1930-1980 refers to a seminal 1982 exhibition and its accompanying catalog, curated by Jane Livingston and John Beardsley, that brought national attention to self-taught African American artists creating paintings, carvings, and sculptures from the Depression era through the late 20th century, showcasing figures like William Edmondson, Sister Gertrude Morgan, and Bill Traylor as vital contributors to American art history, often motivated by personal spiritual visions.

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