A PAIR OF EGYPTIAN HANDS FROM AN ANTHROPOID SARCOPHAGUS

Description

A PAIR OF EGYPTIAN HANDS FROM AN ANTHROPOID SARCOPHAGUS LATE PERIOD, CIRCA 664-332 B.C. Each wood hand with two holes for dowels for attachment 20cm high Provenance: Private collection, France Royal Athena Galleries, number PPG120, to the below November 18th 2004 Private collection, United Kingdom Lyon & Turnbull, 07 September 2023, lot 464.

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A PAIR OF EGYPTIAN HANDS FROM AN ANTHROPOID SARCOPHAGUS

Lot 0072

Estimate £600-£800Jan 28, 2026, 5:30 AM EST

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From Florence to Fitzrovia

Jan 28, 2026 5:30 AM EST

Newbury, Berkshire, UK

A GANDHARAN GREY SCHIST HEAD OF BUDDHA PESHAWAR VALLEY, PAKISTAN, 3RD OR 4TH CENTURY: A GANDHARAN GREY SCHIST HEAD OF BUDDHA PESHAWAR VALLEY, PAKISTAN, 3RD OR 4TH CENTURYhead 35cm high, set on modern stand, 41.5cm high overallProvenance:Jonathan Hope

1 day LeftA GANDHARAN GREY SCHIST HEAD OF BUDDHA PESHAWAR VALLEY, PAKISTAN, 3RD OR 4TH CENTURY

SPANISH SCHOOL (17TH CENTURY), HEAD OF ST AGNES: SPANISH SCHOOL (17TH CENTURY)HEAD OF ST AGNESOil on canvas, unframedInscribed S. INES. (lower left)35 x 54cm (13¾ x 21¼ in.)After Agnes was sentenced to death, she was led out and bound to

1 day LeftSPANISH SCHOOL (17TH CENTURY), HEAD OF ST AGNES

AFTER ANDREA SOLARIO, LOMBARD SCHOOL (17TH CENTURY), HEAD OF JOHN THE BAPTIST: AFTER ANDREA SOLARIO, LOMBARD SCHOOL (17TH CENTURY) HEAD OF JOHN THE BAPTISTOil on canvas38 x 52cm (14¾ x 20¼ in.)The original painting to which this work relates is in the Louvre, Paris,

1 day LeftAFTER ANDREA SOLARIO, LOMBARD SCHOOL (17TH CENTURY), HEAD OF JOHN THE BAPTIST

CIRCLE OF DOMENICO PIOLA (ITALIAN 1627-1703), SALOME WITH THE HEAD OF JOHN THE BAPTIST: CIRCLE OF DOMENICO PIOLA (ITALIAN 1627-1703)SALOME WITH THE HEAD OF JOHN THE BAPTISTOil on canvas131 x 175cm (51½ x 68¾ in.)

1 day LeftCIRCLE OF DOMENICO PIOLA (ITALIAN 1627-1703), SALOME WITH THE HEAD OF JOHN THE BAPTIST

AFTER GASPARO CAIRANO DA MILANO (BRESCIA,CIRCA 1489-1517), A FRAGMENTARY WHITE MARBLE FIGURE: AFTER GASPARO CAIRANO DA MILANO (BRESCIA, CIRCA 1489-1517), A FRAGMENTARY WHITE MARBLE FIGURE OF A MAIDEN PROBABLY 16TH/17TH CENTURY Possibly a servant with wine, portrayed with a ewer held up in her

1 day LeftAFTER GASPARO CAIRANO DA MILANO (BRESCIA,CIRCA 1489-1517), A FRAGMENTARY WHITE MARBLE FIGURE

λ DOMENICO GNOLI (ITALIAN 1933-1970), UNTITLED: λ DOMENICO GNOLI (ITALIAN 1933-1970)UNTITLEDOil and sand on masoniteSigned and dated 63 (lower right)65 x 54cm (25½ x 21¼ in.)Provenance:Private Collection, Murat, ParisPrivate

1 day Leftλ DOMENICO GNOLI (ITALIAN 1933-1970), UNTITLED

ITALIAN SCHOOL (18TH CENTURY), LANDSCAPE WITH CHURCH: ITALIAN SCHOOL (18TH CENTURY)LANDSCAPE WITH CHURCH, FIGURES IN THE FOREGROUNDpencil and brown wash21 x 30cm (8¼ x 11¾ in.)

1 day LeftITALIAN SCHOOL (18TH CENTURY), LANDSCAPE WITH CHURCH

TERRY ADKINS (AMERICAN 1953-2014), TUWALUK, FROM THE SERIES NUTJITOK (POLAR STAR): TERRY ADKINS (AMERICAN 1953-2014)TUWALUK, FROM THE SERIES NUTJUITOK (POLAR STAR) AFTER MATTHEW HENSON 1866Digital print, 2011Signed, titled, dated 2011 and numbered 2/5 (verso)Image: 91.5 x 121cm (36

1 day LeftTERRY ADKINS (AMERICAN 1953-2014), TUWALUK, FROM THE SERIES NUTJITOK (POLAR STAR)

CIRCLE OF FRANCESCO RIZZI (SPANISH 1608-1685), SAINT PETER IN CONTEMPLATION: CIRCLE OF FRANCESCO RIZZI (SPANISH 1608-1685)SAINT PETER IN CONTEMPLATION, A VISION OF HIS CALLING BEYONDOil on canvas131.5 x 141cm (51¾ x 55½ in.)Provenance:Sale Sotheby's, New York, 11

1 day LeftCIRCLE OF FRANCESCO RIZZI (SPANISH 1608-1685), SAINT PETER IN CONTEMPLATION

AN ITALIAN MAIOLICA ISTORIATO FRAGMENTARY TAZZA, PROBABLY URBINO: AN ITALIAN MAIOLICA ISTORIATO FRAGMENTARY TAZZA PROBABLY URBINO, MID-16TH CENTURY painted with the Judgement of Paris, inscribed on the reverse IVDITI DE PARISE, now contained within a Louis XVI

1 day LeftAN ITALIAN MAIOLICA ISTORIATO FRAGMENTARY TAZZA, PROBABLY URBINO

TERRY ADKINS (AMERICAN 1953-2014), UNGUNIARK: TERRY ADKINS (AMERICAN 1953-2014) UNGUNIARK, FROM THE SERIES NUTJUITOK (POLAR STAR) AFTER MATTHEW HENSON 1866Digital print, 2012Signed, titled, dated 2011 and numbered 1/591.5 x 121cm (36 x 47½

1 day LeftTERRY ADKINS (AMERICAN 1953-2014), UNGUNIARK

FOLLOWER OF MARCO RICCI, LANDSCAPE WITH PEASANTS: FOLLOWER OF MARCO RICCI LANDSCAPE WITH PEASANTSOil on canvas72 x 91cm (28¼ x 35¾ in.)Provenance:Sale Christie's, London, 26 September 1996, lot 151 (unsold)Sale Christie's, South

1 day LeftFOLLOWER OF MARCO RICCI, LANDSCAPE WITH PEASANTS

PARMA SCHOOL (LATE 17TH/ EARLY 18TH CENTURY), ST CATHERINE: PARMA SCHOOL (LATE 17TH/ EARLY 18TH CENTURY) ST CATHERINEOil on canvas26 x 18.5cm (10 x 7¼ in.)

1 day LeftPARMA SCHOOL (LATE 17TH/ EARLY 18TH CENTURY), ST CATHERINE

FOLLOWER OF JACOPO ROMBUSTI, IL TINTORETTO, CHRIST ON THE ROAD TO CALVARY: FOLLOWER OF JACOPO ROMBUSTI, IL TINTORETTOCHRIST ON THE ROAD TO CALVARYOil on canvas49.5 x 61.5cm (19¼ x 24 in.)Provenance:Sale Sotheby's, Amsterdam, 8 May 2000, lot 115

1 day LeftFOLLOWER OF JACOPO ROMBUSTI, IL TINTORETTO, CHRIST ON THE ROAD TO CALVARY

JOHANN PETRUS VON ESCH (1666-1731), AFTER DIRCK BARENDSZ, MANKIND AWAITING THE DELUGE: JOHANN PETRUS VON ESCH (1666-1731) AFTER DIRCK BARENDSZ MANKIND AWAITING THE DELUGE Reverse painting on glass, gilt and black frame Signed with initials JPVE lower right 25.5 x 32cm (10 x 12½

1 day LeftJOHANN PETRUS VON ESCH (1666-1731), AFTER DIRCK BARENDSZ, MANKIND AWAITING THE DELUGE

GENOESE SCHOOL (18TH CENTURY), THE ASCENSION OF ELIJAH: GENOESE SCHOOL (18TH CENTURY)THE ASCENSION OF ELIJAHblack and white chalk heightened with white on dark grey prepared paper, watermark grapes25.4 x 30.7cm (10 x 12 in.)Provenance:Sale Christie's,

1 day LeftGENOESE SCHOOL (18TH CENTURY), THE ASCENSION OF ELIJAH

UBALDO GANDOLFI (ITALIAN 1728-1781), HERCULES AND THE HYDRA: UBALDO GANDOLFI (ITALIAN 1728-1781)HERCULES AND THE HYDRABlack chalk, pen and brown ink and brown washwith inscription Inv No/20624.3 x 15.9cm (9½ x 6¼ in.)Provenance:Dr A. Welcher

1 day LeftUBALDO GANDOLFI (ITALIAN 1728-1781), HERCULES AND THE HYDRA

CIRCLE OF ALESSANDRO MAGNASCO, LANDSCAPE WITH MONKS RESTING BY A SHRINE: CIRCLE OF ALESSANDRO MAGNASCO, CALLED IL LISSANDRINO (ITALIAN 1667-1749)LANDSCAPE WITH MONKS RESTING BY A SHRINEOil on canvas80 x 65cm (31¼ x 25½ in.)Provenance:Sale Sotheby's, London, 12

1 day LeftCIRCLE OF ALESSANDRO MAGNASCO, LANDSCAPE WITH MONKS RESTING BY A SHRINE

ATTRIBUTED TO PIER LEONE GHEZZI (ITALIAN 1674-1755), SAINT CARLO BORROMEO COMTEMPLATING THE CROSS: ATTRIBUTED TO PIER LEONE GHEZZI (ITALIAN 1674-1755)SAINT CARLO BORROMEO COMTEMPLATING THE CROSSOil on copper55 x 40cm (21½ x 15½ in.)Provenance:Sale Sotheby's, New York, 23 May 2001, lot 83

1 day LeftATTRIBUTED TO PIER LEONE GHEZZI (ITALIAN 1674-1755), SAINT CARLO BORROMEO COMTEMPLATING THE CROSS

λ CIRCLE OF DANIELE RICCIARELLI, CALLED DANIELE VOLTERRA (ITALIAN 1509-1566), SAINT JEROME: λ CIRCLE OF DANIELE RICCIARELLI, CALLED DANIELE VOLTERRA (ITALIAN 1509-1566)SAINT JEROMEOil on panel80 x 69cm (31¼ x 27 in.)Provenance:Sale Christie's, London, 14 July 1997, lot 352

1 day Leftλ CIRCLE OF DANIELE RICCIARELLI, CALLED DANIELE VOLTERRA (ITALIAN 1509-1566), SAINT JEROME

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