Herman Maril (1908-1986), Patterns.

Description

Herman Maril
(1908-1986)
Patterns.
Oil on canvas, 1966-67.
Signed and dated lower left. Titled in ink on the upper stretcher bar verso.
20 x 26 in. (50.8 x 66 cm.)
Frame: 21 x 26 3/4 in. (53.3 x 67.9 cm.)

Provenance:
Wellfleet Art Gallery, Cape Cod (label).
Private collection, New York.

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Herman Maril (1908-1986), Patterns.

Lot 0197

Estimate $6,000-$9,000Mar 12, 2026, 12:00 PM EDT

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19th & 20th Century Art

Mar 12, 2026 12:00 PM EDT

New York, NY, United States

Stanley W. Hayter (1901-1988), Pegasus, 1951.: Stanley W. Hayter (1901-1988) Pegasus. Color engraving and soft-ground etching, 1951. Fourth state (of 4). Signed, dated and numbered 7/50 in pencil, lower margin. Published by La Jeune Gravure

Mar 12, 2026Stanley W. Hayter (1901-1988), Pegasus, 1951.

Stanley W. Hayter (1901-1988), Danse du Soleil, 1951.: Stanley W. Hayter (1901-1988) Danse du Soleil. Color engraving, soft-ground etching and scorper, and woodblock on Arches, 1951. Signed and numbered 73/200 in pencil, lower margin. Printed by the

Mar 12, 2026Stanley W. Hayter (1901-1988), Danse du Soleil, 1951.

Lawrence Mazzanovich (1872-1959), Cottage, North Carolina.: Lawrence Mazzanovich (1872-1959) Cottage, North Carolina. Oil on panel. Signed lower left. 12 x 16 in. (30.3 x 40.3 cm.) Frame: 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm.) Provenance: Private collection,

Mar 12, 2026Lawrence Mazzanovich (1872-1959), Cottage, North Carolina.

Lawrence Mazzanovich (1872-1959), Autumn Landscape, North Carolina.: Lawrence Mazzanovich (1872-1959) Autumn Landscape, North Carolina. Oil on board. Signed lower right. 12 x 16 in. (30.5 x 40.6 cm.) Frame: 15 1/2 x 19 1/2 in. (39.4 x 49.5 cm.) Provenance: Robert

Mar 12, 2026Lawrence Mazzanovich (1872-1959), Autumn Landscape, North Carolina.

John R. Grabach (1886-1981), View Above the Rooftops, circa 1940.: John R. Grabach (1886-1981) View Above the Rooftops. Oil on canvas, circa 1940. Signed lower left. 25 x 30 in. (63.5 x 76.2 cm.) Frame: 32 x 36 3/4 in. (81.3 x 93.3 cm.) Provenance: Private

Mar 12, 2026John R. Grabach (1886-1981), View Above the Rooftops, circa 1940.

David Burliuk (1882-1967), Cortez, Florida, 1946.: David Burliuk (1882-1967) Cortez, Florida. Watercolor on wove paper, 1946. Signed and inscribed lower left, and dated lower right. 11 x 15 1/8 in. (27.9 x 38.4 cm.) Frame: 20 1/4 x 24 1/4 in. (51.4 x

Mar 12, 2026David Burliuk (1882-1967), Cortez, Florida, 1946.

Alexander Brook (1898-1980), Magnolia Pod, 1947.: Alexander Brook (1898-1980) Magnolia Pod. Oil on canvas, 1947. Signed lower right. 18 x 14 in. (45.7 x 35.6 cm.) Frame: 25 x 21 in. (63.5 x 53.3 cm.) Note Sold to benefit The Heckscher Museum of

Mar 12, 2026Alexander Brook (1898-1980), Magnolia Pod, 1947.

William Sharp (1900-1961), Blue Vase with Mums, New York City, circa 1940.: William Sharp (1900-1961) Blue Vase with Mums, New York City. Watercolor on cream wove paper, circa 1940. Signed in pencil, lower right. 27 1/4 x 19 3/4 in. (69.2 x 50.2 cm.) Provenance: Estate of

Mar 12, 2026William Sharp (1900-1961), Blue Vase with Mums, New York City, circa 1940.

Mervin Jules (1912-1994), Homage to Van Gogh.: Mervin Jules (1912-1994) Homage to Van Gogh. Color woodcut on dark blue Japan paper. Signed, titled and inscribed "Proof" in white crayon, lower margin. Image: 28 3/8 x 22 1/8 in. (72.1 x 56.2 cm.),

Mar 12, 2026Mervin Jules (1912-1994), Homage to Van Gogh.

Paul Lewis Clemens (1911-1992), The Manicure (Still Tired), 1943.: Paul Lewis Clemens (1911-1992) The Manicure (Still Tired). Oil on board, 1943. Signed and dated upper left. 21 3/4 x 18 in. (55.2 x 45.7 cm.) Frame: 30 1/2 x 26 1/2 in. (77.5 x 67.3 cm.)

Mar 12, 2026Paul Lewis Clemens (1911-1992), The Manicure (Still Tired), 1943.

Dorothy Winslade (1898-1973), Portrait of a Man.: Dorothy Winslade (1898-1973) Portrait of a Man. Oil on canvas. Signed lower right. 26 x 20 1/4 in. (66 x 51.4 cm.) Frame: 27 x 21 1/4 in. (68.6 x 54 cm.) Provenance: George Krevsky Gallery, San

Mar 12, 2026Dorothy Winslade (1898-1973), Portrait of a Man.

Julius Thiengen Bloch (1888-1966), I Will Lift Up Mine Eyes to the Hills, 1958.: Julius Thiengen Bloch (1888-1966) I Will Lift Up Mine Eyes to the Hills. Oil on canvas, 1958. Signed lower right. 72 x 40 in. (182.9 x 101.6 cm.) Frame: 79 x 48 in. (200.7 x 121.9 cm.) Provenance:

Mar 12, 2026Julius Thiengen Bloch (1888-1966), I Will Lift Up Mine Eyes to the Hills, 1958.

Jared French (1905-1988), Study for "Learning," 1945.: Jared French (1905-1988) Study for "Learning." Pencil on cream wove paper, 1945. Signed and dated lower right. 12 5/8 x 10 1/8 in. (32.1 x 26 cm.) Provenance: Estate of the artist, Rome. Acquired

Mar 12, 2026Jared French (1905-1988), Study for "Learning," 1945.

Jared French (1905-1988), Study for "Elemental Play," circa 1946.: Jared French (1905-1988) Study for "Elemental Play." Gouache and ink on J. Whatman Handmade paper, circa 1946. Signed in pencil, lower left. 8 x 9 7/8 in. (20 x 25.3 cm.) Provenance: Estate of the

Mar 12, 2026Jared French (1905-1988), Study for "Elemental Play," circa 1946.

Karl Priebe (1914-1976), The Entertainer, 1944.: Karl Priebe (1914-1976) The Entertainer. Casein on board, double-sided, 1944. Signed and dated upper right verso. With a painting of a draped young woman, verso. 20 x 15 in. (50.7 x 38 cm.) Frame: 28

Mar 12, 2026Karl Priebe (1914-1976), The Entertainer, 1944.

Karl Priebe (1914-1976), The Harbor, 1942.: Karl Priebe (1914-1976) The Harbor. Gouache on paper, 1942. Signed and dated lower left. 10 7/8 x 14 3/4 in. (27.6 x 37.5 cm.) Frame: 17 x 20 3/4 in. (43.2 x 52.7 cm.) Provenance: Perls Galleries,

Mar 12, 2026Karl Priebe (1914-1976), The Harbor, 1942.

William Sharp (1900-1961), Card Games, Queens, New York City, circa 1950.: William Sharp (1900-1961) Card Games, Queens, New York City. Oil on canvas, circa 1950. 18 x 24 in. (45.7 x 61 cm.) Frame: 18 5/8 x 24 1/2 in. (47.3 x 62.2 cm.) Provenance: Estate of the artist,

Mar 12, 2026William Sharp (1900-1961), Card Games, Queens, New York City, circa 1950.

Mervin Jules (1912-1994), Guitar Players.: Mervin Jules (1912-1994) Guitar Players. Oil on masonite. Signed lower right. 29 7/8 x 35 5/8 in. (75.9 x 90.5 cm.) Frame: 38 3/4 x 45 in. (98.4 x 114.3 cm.) Provenance: [with] ACA Galleries, New

Mar 12, 2026Mervin Jules (1912-1994), Guitar Players.

Lena Gurr (1897-1992), Troubadour, circa 1950.: Lena Gurr (1897-1992) Troubadour. Oil on canvas, circa 1950. Signed lower right. 11 x 14 in. (27.9 x 35.6 cm.) Frame: 18 x 21 in. (45.7 x 53.3 cm.) Provenance: Private collection, New York.

Mar 12, 2026Lena Gurr (1897-1992), Troubadour, circa 1950.

Beatrice Edgerly (1898-1973), Colt and Crescent, circa 1952.: Beatrice Edgerly (1898-1973) Colt and Crescent. Oil and gold leaf on carved panel, circa 1952. Signed lower left. Titled and signed in ink, verso. 17 x 15 in. (43 x 38 cm.) Frame: 23 1/2 x 22 in.

Mar 12, 2026Beatrice Edgerly (1898-1973), Colt and Crescent, circa 1952.

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