E. Schmidt (20th C) Two Figurative Studies

Description

Two figurative studies, one oil on masonite depicting two female figures and the other oil on canvas depicting a Renaissance-inspired portrait bust, each signed E.S., one dated 1978 on the reverse; one framed. Frame: approx. 9" x 9". Provenance: The Collection of David B. Lawall.

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Condition

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E. Schmidt (20th C) Two Figurative Studies

Lot 0084

Estimate $50-$75Mar 21, 2026, 10:00 AM EDT

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From the David B. Lawall Collection

Mar 21, 2026 10:00 AM EDT

Madison, VA, United States

Trudy Paddock (1918 - 2006) Oil on Canvas: "Clouds, 4" oil on canvas by Gertrude (Trudy) Potter Paddock, signed, titled and dated (19)79 to verso, framed. Paddock was a studio-member of the McGuffey Art Center from 1978-1997. Visible image:

6 days LeftTrudy Paddock (1918 - 2006) Oil on Canvas

Elsie T. Russell (b.1956) Oil on Board: Oil on board depicting a classical figural scene with dancing female nudes in a garden setting, signed ETR and dated 79–81 lower left; reverse inscribed “Elsie Russell 1979–81.” Framed.

6 days LeftElsie T. Russell (b.1956) Oil on Board

Elsie T. Russell (b.1956) Oil on Masonite: Reclining nude with bathers in landscape, signed lower right “E. Russell” and dated 85, unframed. Approx. 9" x 8 7/8". Provenance: The Collection of David B. Lawall.Our primary recommendation

6 days LeftElsie T. Russell (b.1956) Oil on Masonite

Lincoln Perry (b. 1949) Oil on Board: Depicting a seated female nude against a decorative blue ground with stylized vine motifs, unsigned, framed. Lincoln Perry is a Post Modernist, known for his murals in Old Cabell Hall at the

6 days LeftLincoln Perry (b. 1949) Oil on Board

Lopez Garcia (21st C) Oil on Canvas: "Faceless", expressive modern portrait depicting a bust-length figure against a light blue ground. The sitter’s face is rendered with loose, gestural brushwork, with intentionally distorted and

6 days LeftLopez Garcia (21st C) Oil on Canvas

Budd Hopkins (1931 - 2011) Oil on Canvas: Untitled (#7), oil on circular canvas, signed and dated “Hopkins ’66” along the lower edge. An abstract composition incorporating geometric color bands and gestural passages in white, blue,

6 days LeftBudd Hopkins (1931 - 2011) Oil on Canvas

Original German Advertising Poster Design: Germany, circa 1900 - 1915, Large-format hand-painted advertising design for Emil Herbst Schürzenindustrie (apron industry). Executed in gouache and ink on heavy paper, the composition depicts a

6 days LeftOriginal German Advertising Poster Design

Ejnar Nielsen (Danish, 1872 - 1956) Oil on Canvas: Ejnar Nielsen (Danish, 1872–1956), "Josefine Buimoner i Jukkasjärvi", 1909, oil on canvas, monogrammed and dated “09” at right, framed, note to stretcher with the sitter’s name. The

6 days LeftEjnar Nielsen (Danish, 1872 - 1956) Oil on Canvas

19th C. Oil on Canvas Portrait of a Lady: American school, unsigned, depicting a seated woman wearing a black dress with lace collar and red brooch, holding a small book, before a red upholstered chair and a window opening onto a landscape.

6 days Left19th C. Oil on Canvas Portrait of a Lady

Charles Wesley Jarvis (American, 1812 - 1868): Oil on canvas depicting a gentleman with beard wearing a black coat, cravat, and white waistcoat against a dark ground, signed at left “C.W. Jarvis”, framed. Visible image: approx. 29 1/4" x

6 days LeftCharles Wesley Jarvis (American, 1812 - 1868)

David with the Head of Goliath Antique Etching: After the original engraving by Ferrantes Rosatti (Italian, active mid-17th century), David with the Head of Goliath, matted and framed. Visible image: approx. 9 3/4" x 7 1/8". Frame: approx. 21 3/4"

6 days LeftDavid with the Head of Goliath Antique Etching

After Peter Paul Rubens (Flemish, 1577–1640): Susanna and the Elders, engraving by Lucas Vorsterman the Elder after Rubens, depicting the biblical scene of Susanna surprised at her bath by two elders, with a servant holding drapery behind.

6 days LeftAfter Peter Paul Rubens (Flemish, 1577–1640)

After Pietro Testa (Italian, 1612 - 1650): Santa Famiglia con Angeli, circa 1640s, etching depicting the Holy Family attended by angels. Trimmed close to the plate mark and framed; toning and scattered foxing visible. Not examined out of

6 days LeftAfter Pietro Testa (Italian, 1612 - 1650)

After Peter Paul Rubens (Flemish, 1577–1640): Engraved by Cornelis Visscher (Dutch, 1618–1658), published by Pieter Soutman (Dutch, c.1593–1657), The Virgin in Glory (Immaculate Conception), depicting the Virgin seated among clouds and

6 days LeftAfter Peter Paul Rubens (Flemish, 1577–1640)

Engraving after Franz Caucig (1755–1828): Engraving with hand coloring on paper by Franz Wrenk, published in Vienna by Artaria & Comp. Matted and framed. Visible image: approx. 21 1/2" x 18 1/4". Frame: approx. 30 1/8" x 24 1/8". Provenance:

6 days LeftEngraving after Franz Caucig (1755–1828)

After Nicolas Poussin (French, 1594–1665): Engraving after Nicolas Poussin (1594–1665) depicting Jacob complaining to Laban after being deceived into marrying Leah instead of Rachel, from Genesis 29, published in Paris by Jean Mariette,

6 days LeftAfter Nicolas Poussin (French, 1594–1665)

After Peter Paul Rubens (Flemish, 1577–1640): The Fall of the Rebel Angels, engraving by Jan (Jonas) Suyderhoef (Dutch, 1614–1686) after the original by Rubens, depicting the Archangel Michael and heavenly hosts casting Lucifer and the rebel

6 days LeftAfter Peter Paul Rubens (Flemish, 1577–1640)

After Cornelis Galle (Flemish, 1576–1650): Tomyris Killing Cyrus, engraving published by Carolus Collaert (c.1530–1612), with Latin verses in the lower margin, matted and framed, some creases and folds, minor losses, not examined out of

6 days LeftAfter Cornelis Galle (Flemish, 1576–1650)

After Cornelis van Caukercken (Flemish, 1626–1680): The Martyrdom of Saint Livinus, engraving, likely 18th or 19th century, after the 1657 engraving by Cornelis van Caukercken. The dramatic composition depicts the martyrdom of Saint Livinus surrounded

6 days LeftAfter Cornelis van Caukercken (Flemish, 1626–1680)

Jacob Matham (1571–1631): Samson and Delilah, engraving after Peter Paul Rubens (1577–1640), trimmed, mounted with mat. Total sheet size: approx. 17 1/2" x 14 3/4". Mat 22 1/4" x 18 1/2". Provenance: The Collection of David

6 days LeftJacob Matham (1571–1631)

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