Stephanie E. Pogue (1944-2002), Patterns.

Description

Stephanie E. Pogue
(1944-2002)
Patterns.
Color viscosity etching on Rives BFK, circa 1970s.
Signed, titled and numbered 8/20 in pencil, lower margin.
Plate: 24 3/4 x 17 1/2 in. (62.9 x 44.5 cm.), full margins.
Frame: 32 1/4 x 24 1/4 in. (81.9 x 61.6 cm.)
<brNotes:
As a printmaker, Stephanie E. Pogue is known for her mastery of color viscosity etching, a technique first developed in Stanley Hayter's studio, Atelier 17. She also worked with Aaron Douglas, reprinting many of his earlier prints, including The Junkman and Emperor Jones. Pogue earned her BA from Howard University in 1966 and her MFA from Cranbrook Academy of Art in Bloomfield Hills, MI. Her work has been exhibited at Fisk University, the David C. Driskell Center at the University of Maryland, the Metropolitan Museum of Art, Spelman College and Howard University.

Condition

Please contact the Specialist for the auction to request a condition report.

Condition reports and additional images are provided as a courtesy and should be used by you to aid in the formation of your own opinion regarding condition. All material is sold subject to Swann's standard Terms and Conditions of Sale as published in our catalogues and posted on our website, and include the following terms: (1) all property is sold "as-is"; and (2) works cannot be returned on the basis of condition.

Buyer's Premium

32% up to$100,000.00

27% up to$1,000,000.00

17% above$1,000,000.00

Stephanie E. Pogue (1944-2002), Patterns.

Lot 0081

Estimate $1,500-$2,500Apr 2, 2026, 1:00 PM EDT

Starting Price

Secure

$1,125

SET YOUR MAX BID

Or select a higher max bid amount

3 bidders are watching this item

Get approved to bid.

African American Art

Apr 02, 2026 1:00 PM EDT

New York, NY, United States

Earl J. Hooks (1927-2005), Untitled (Biomorphic Footed Form), circa 1967.: Earl J. Hooks (1927-2005) Untitled (Biomorphic Footed Form). Thrown and hand-built glazed stoneware, circa 1967. Inscribed signature on the underside. 29 x 18 x 20 in. (73.7 x 45.7 x 50.8 cm.)

Apr 02, 2026Earl J. Hooks (1927-2005), Untitled (Biomorphic Footed Form), circa 1967.

Hale Woodruff (1900-1980), Torso Study, circa 1970-77.: Hale Woodruff (1900-1980) Torso Study. Ink wash and charcoal on paper, circa 1970-77. Signed in pencil, lower right. 24 x 17 5/8 in. (61 x 44.8 cm.) Frame: 31 7/8 x 28 7/8 in. (81 x 73.3 cm.)

Apr 02, 2026Hale Woodruff (1900-1980), Torso Study, circa 1970-77.

Featured

Alma Woodsey Thomas (1891-1978), Untitled, 1971.: Alma W. Thomas (1891-1978) Untitled. Acrylic and pencil on Arches paper, 1971. Signed and dated in ballpoint pen and blue ink, lower right. 22 x 30 in. (55.9 x 76.2 cm.), Frame: 28 x 35 x 2 in. (71.1

Apr 02, 2026Alma Woodsey Thomas (1891-1978), Untitled, 1971.

Sam Gilliam (1933-2022), Untitled,1971.: Sam Gilliam (1933-2022) Untitled. Acrylic and watercolor on a handmade distressed fibrous paper, 1971. Signed and dated in ink, lower right. 18 1/2 x 21 1/2 in. (47 x 54.6 cm.) Provenance: Acquired

Apr 02, 2026Sam Gilliam (1933-2022), Untitled,1971.

William T. Williams (b. 1942), HKL Portfolio, 1970.: William T. Williams (b. 1942) HKL Portfolio. Set of four color screenprints on Rives BFK paper, 1970. Each signed and numbered 99/144 in pencil, lower margin. Printed by Charles Cardinale, Fine

Apr 02, 2026William T. Williams (b. 1942), HKL Portfolio, 1970.

Norman Lewis (1909-1979), Play, 1972.: Norman Lewis (1909-1979) Play. Embossing from open-bite etched plate on wove paper, 1972. Signed, titled, dated and numbered 10/20 in pencil, lower margin. Plate: 16 x 22 3/8 in. (40.6 x 57 cm.),

Apr 02, 2026Norman Lewis (1909-1979), Play, 1972.

Melvin Edwards, (b. 1937), Night Chains, 1974.: Melvin Edwards (b. 1937) Night Chains. Etching and aquatint on Arches, 1974. Artist's proof, aside from the edition. Signed, titled, dated and inscribed "Artists Proof" in pencil, lower margin.

Apr 02, 2026Melvin Edwards, (b. 1937), Night Chains, 1974.

Hartwell Yeargans (1915-2005), Three Dancers, 1966.: Hartwell Yeargans (1915-2005) Three Dancers. Color woodcut on thin Japan paper, 1966. From the second edition, printed after the first edition of 5. Signed, titled, numbered 14/25 and inscribed "2nd

Apr 02, 2026Hartwell Yeargans (1915-2005), Three Dancers, 1966.

Benny Andrews (1930-2006), Top Floor, 1965.: Benny Andrews (1930-2006) Top Floor. Oil on linen canvas, 1965. Signed and dated in oil, lower right recto. Signed in oil, verso. 31 3/4 x 23 3/4 in. (80.6 x 60.3 cm.), Frame: 32 1/2 x 24 1/2 in.

Apr 02, 2026Benny Andrews (1930-2006), Top Floor, 1965.

Robert A. Sengstacke (1943-2017), Selma to Montgomery Marchers with Flags, 1965.: Robert A. Sengstacke (1943-2017) Selma to Montgomery Marchers with Flags. Vintage gelatin silver print, 1965. Signed in pencil, verso. 5 1/2 x 8 1/2 in. (14 x 21.6 cm.), Frame: 15 1/2 x 19 1/2 in.

Apr 02, 2026Robert A. Sengstacke (1943-2017), Selma to Montgomery Marchers with Flags, 1965.

Featured

Charles White (1919-1979), Woman in Blue (Woman with Folded Arms), 1965-66.: Charles White (1919-1979) Woman in Blue (Woman with Folded Arms). Oil on canvas, 1965-66. Estate stamp signature, lower right. Gedeon B61. 50 x 34 in. (127 x 86.4 cm.) Provenance: Heritage Gallery,

Apr 02, 2026Charles White (1919-1979), Woman in Blue (Woman with Folded Arms), 1965-66.

Charles White (1918-1979), Head, 1967.: Charles White (1918-1979) Head. Lithograph, 1967. Signed, dated and numbered 76/125 in pencil, lower margin. Printed by Gemini G.E.L., Los Angeles, with the ink stamp, lower left verso. Published by

Apr 02, 2026Charles White (1918-1979), Head, 1967.

Walter Williams (1920-1998), Moon Moth, 1968.: Walter Williams (1920-1998) Moon Moth. Color woodcut on imitation Japan paper, 1968. Signed, titled, dated, numbered 10/12 and inscribed "imp" in pencil, lower margin. Image: 17 1/4 x 18 3/4 in.

Apr 02, 2026Walter Williams (1920-1998), Moon Moth, 1968.

Samella Lewis (1923-2022), Home Sweet Home, 1968.: Samella Lewis (1923-2022) Home Sweet Home. Color screenprint on cream wove paper, 1968. Signed, titled, dated and numbered 25/45 in pencil, lower margin. Image: 21 x 16 1/2 in. (53.3 x 41.9 cm.),

Apr 02, 2026Samella Lewis (1923-2022), Home Sweet Home, 1968.

Elizabeth Catlett (1915-2012), Olmec Bather, 1967.: Elizabeth Catlett (1915-2012) Olmec Bather (Olmec Bather #1). Cast bronze with a green patina, mounted on a black marble base, 1966. With the initials "EC" incised on the base. Approximately with

Apr 02, 2026Elizabeth Catlett (1915-2012), Olmec Bather, 1967.

Elizabeth Catlett (1915-2012), Malcolm X Speaks for Us, 1969-2004.: Elizabeth Catlett (1915-2012) Malcolm X Speaks for Us. Color linoleum cut on Somerset wove paper, 1969-2004. The second edition printed in 2004. Signed, titled, dated "1969-2004" and numbered 10/60

Apr 02, 2026Elizabeth Catlett (1915-2012), Malcolm X Speaks for Us, 1969-2004.

Elizabeth Catlett (1915-2012), The Torture of Mothers, 1970.: Elizabeth Catlett (1915-2012) The Torture of Mothers. Color lithograph on cream wove paper, 1970. From the second edition of 25 printed in 2003. Signed, dated "1970/2003", titled and numbered 20/25

Apr 02, 2026Elizabeth Catlett (1915-2012), The Torture of Mothers, 1970.

Cliff Joseph (1922-2020), Humpty-Dumpty, circa 1970.: Cliff Joseph 1922-2020 Humpty-Dumpty. Oil on linen canvas, circa 1970. Signed in oil, lower left recto. 18 x 24 in. (45.7 x 61 cm.), Frame: 19 3/4 x 25 3/4 in. (50.2 x 65.4 cm.) Provenance: The

Apr 02, 2026Cliff Joseph (1922-2020), Humpty-Dumpty, circa 1970.

Hughie Lee-Smith (1915-1999), Young Woman, PEACE Banner, circa 1970s.: Hughie Lee-Smith (1915-1999) Young Woman, PEACE Banner. Graphite on cream wove paper, circa 1970s. Estate blind and ink stamp, lower right. 11 x 8 1/2 in. (27.9 x 21.6 cm.), Mat: 20 x 16 in. (50.8 x

Apr 02, 2026Hughie Lee-Smith (1915-1999), Young Woman, PEACE Banner, circa 1970s.

Charles White (1919-1979), Blues, 1971.: Charles White (1919-1979) Blues. Color lithograph, 1971. One of ten artist proofs, aside from the edition of 100. Signed, titled, dated and numbered V in pencil, lower right. Printed by William Law

Apr 02, 2026Charles White (1919-1979), Blues, 1971.

Related Items

A Japanese Woodblock Print – Wakamurasaki (??) from The Tale of Genji: Mid-19th century, likely 1840s–1850s; This woodblock print depicts Wakamurasaki (??), a beloved character from The Tale of Genji, one of Japan’s most revered literary classics. Dressed in ornate r

3 days LeftA Japanese Woodblock Print – Wakamurasaki (??) from The Tale of Genji

Japanese Ukiyo-e Woodblock Print of Kabuki Actor in Interior Scene, Utagawa School, Edo Period: Japanese ukiyo-e woodblock print depicting a dramatic kabuki theater scene. A female-role actor (onnagata) appears startled while kneeling inside an interior setting, pulling open a wooden lattice doo

Mar 29, 2026Japanese Ukiyo-e Woodblock Print of Kabuki Actor in Interior Scene, Utagawa School, Edo Period

Japanese Ukiyo-e Kabuki Actor Woodblock Print, Utagawa Kunisada (Toyokuni III): A Japanese Ukiyo-e woodblock print depicting a Kabuki actor standing in a landscape setting near water with buildings and trees visible in the background. The figure wears a striking blue robe decorat

4 days LeftJapanese Ukiyo-e Kabuki Actor Woodblock Print, Utagawa Kunisada (Toyokuni III)

Japanese Ukiyo-e Woodblock Print of Kabuki Actor, Utagawa Kunisada (Toyokuni III), Edo Period: Japanese ukiyo-e woodblock print depicting a kabuki actor in dramatic pose, seated and raising a large black eboshi-style hat with a red roundel. The figure wears layered robes with bold geometric pat

Mar 29, 2026Japanese Ukiyo-e Woodblock Print of Kabuki Actor, Utagawa Kunisada (Toyokuni III), Edo Period

Utagawa Kunisada (Toyokuni III, 1786–1865), "The Tale of Genji" Woodblock Print: Japanese woodblock print, Edo period, circa 1850s.A refined and elegant oban-format print from Kunisada’s celebrated Genji-e (Genji picture) series, depicting courtly ladies in a seasonal interior s

3 days LeftUtagawa Kunisada (Toyokuni III, 1786–1865), "The Tale of Genji" Woodblock Print

Gould, Australia - Night Parrot [Geopsittacus Occidentalis]: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of Australia. The work was published in London by Richard and John E. Taylor for the author between 1840 and 1869. Over 300 n

3 days LeftGould, Australia - Night Parrot [Geopsittacus Occidentalis]

Gould, Australia - Scaly-breasted Lorikeet [Trichoglossus Chlorolepidotus]: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of Australia. The work was published in London by Richard and John E. Taylor for the author between 1840 and 1869. Over 300 n

3 days LeftGould, Australia - Scaly-breasted Lorikeet [Trichoglossus Chlorolepidotus]

Gould, Australia - Australian Cassowary [Casuarius Australis]: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of Australia. The work was published in London by Richard and John E. Taylor for the author between 1840 and 1869. Over 300 n

Mar 28, 2026Gould, Australia - Australian Cassowary [Casuarius Australis]

Gould, Australia - Little Spotted Kiwi [Apteryx Owenii]: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of Australia. The work was published in London by Richard and John E. Taylor for the author between 1840 and 1869. Over 300 n

Mar 28, 2026Gould, Australia - Little Spotted Kiwi [Apteryx Owenii]

Gould, Australia - Pair of Bowerbird Lithographs: Included in this lot: Spotted Bowerbird [Calodera Maculata] Great Bowerbird [Chlamydera Nuchalis] Description of the work: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of

3 days LeftGould, Australia - Pair of Bowerbird Lithographs

Gould, Australia - Pair of Cuckoo Lithographs: Included in this lot: Unadorned Cuckoo [Cuculus Inornatus] Jardine's Cuckooshrike [Campephaga Jardinii] Description of the work: This hand-colored folio lithograph is from the esteemed John Gould?s Bi

3 days LeftGould, Australia - Pair of Cuckoo Lithographs

Gould, Australia - Pair of Albatross Lithographs: Included in this lot: Wandering Albatross [Diomedea Exulans] Shy Albatross [Diomedea Cauta] Description of the work: This hand-colored folio lithograph is from the esteemed John Gould?s Birds of Austr

Mar 28, 2026Gould, Australia - Pair of Albatross Lithographs

TOP