Monumental Giltwood Standing Buddha with Lotus Base, Burma (Myanmar), Late 19th–Early 20th Century

Dimensions: 53" H × 23" W × 12" D (base diameter)

This impressive and finely carved monumental standing Buddha originates from Burma (Myanmar) and dates to the late 19th to early 20th century, a period of renewed temple patronage and sophisticated devotional sculpture production in Upper Burma. Executed in carved hardwood with remnants of original gilding, red lacquer, and polychrome pigments, the figure exemplifies the serene elegance and ornamental richness characteristic of Burmese Buddhist sculpture of the Konbaung and early colonial eras.

The Buddha is depicted standing in a gentle tribhanga-like contrapposto, with the weight subtly shifted and the torso inclined forward in a gesture of compassionate presence. The lowered gaze and softly modeled facial features convey meditative introspection and spiritual benevolence. The elongated earlobes, delicately arched brows, and refined nose and lips adhere closely to canonical Southeast Asian iconographic conventions.

The hands are positioned in a graceful, offering-like gesture, with one hand lightly grasping the drapery of the robe"”an expressive pose associated in Burmese tradition with acts of humility, generosity, and attentive compassion. The figure is clothed in a finely carved monastic robe (sanghati) adorned with an exceptionally detailed applied and incised border of scrolling vegetal motifs, rosettes, and bead-like ornaments. These decorative bands retain traces of green, red, and black pigment, along with punched and incised detailing that reflects Burmese lacquer and metalwork aesthetics translated into wood.

The surface retains extensive vestiges of original water gilding over red bole, now richly patinated through age and devotional handling. Areas of abrasion, pigment loss, and softened carving edges attest to long ritual use and lend the sculpture a powerful sense of historical presence.

The tightly curled hair (ushnisha) is carved in dense beaded rows, rising to a domed cranial protuberance symbolizing enlightenment and spiritual wisdom. The urna is subtly indicated at the brow beneath a finely modeled ornamental headband.

The figure stands atop a sculpted lotus-form base, symbolizing spiritual purity and transcendence, which itself rests on a later black-painted plinth for stability and display. The lotus petals are deeply carved and retain traces of original gilding and polychromy.

Materials & Technique

"• Carved hardwood
"• Gilding over red bole
"• Polychrome pigments
"• Incised, punched, and applied decorative ornament
"• Traditional Burmese lacquer-style surface treatment

Attribution & Cultural Context

This sculpture is confidently attributable to Burma (Myanmar) based on:

"• The facial type and downcast eyes
"• The robe treatment and incised decorative borders
"• The dense beaded hair texture
"• The lotus pedestal form
"• The gilded lacquer surface tradition

Burmese Buddhist sculpture of this scale was typically produced for temple interiors, monastery halls, and shrine pavilions, where such standing Buddhas served as devotional focal points associated with generosity, moral teaching, and protective blessing.

Condition

Good antique condition. Structurally sound. Extensive age-appropriate surface wear, pigment loss, craquelure, and abrasion consistent with devotional use. Scattered cracks and old stable splits to the wood, particularly at the shoulders and base. Later, a black-painted plinth. Overall, the surface presents a deeply desirable, authentic patina.

Summary

This is a rare and commanding monumental Burmese standing Buddha, remarkable for its scale, expressive posture, and richly ornamented robe. The sculpture embodies the refined spiritual aesthetics of late 19th-century Burmese Buddhist art and remains a powerful architectural and devotional presence suitable for a grand interior, gallery installation, or contemplative space.


Condition:
Alterations: Original Condition Unaltered
Imperfections: Some Imperfections
Condition Notes: Good
Wear consistent with age and use. Minor losses. Minor structural damages. Minor fading.

Dimensions:
Height: 53 in.
Width: 23 in.
Depth: 12 in.

Category: Sculpture
Origin: Myanmar
Materials: Giltwood, Glass

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Original Condition Unaltered; Some Imperfections; Good
Wear consistent with age and use. Minor losses. Minor structural damages. Minor fading.