Executed in watercolor on artist board, this lively studio composition by Martin J. Murray (Rhode Island, 1908–1997) captures the charged atmosphere of an academic figure-painting session, with clustered easels, overlapping canvases, and multiple students working from nude models posed amid a thicket of upright supports. Murray structures the image through a brisk, modernist weave of diagonals and cropped planes, letting the geometry of boards and stretcher bars scaffold the scene while translucent washes bloom into veils of color. The palette favors soft, chalky pastels"”powdered blues, peaches, and muted greens"”punctuated by sharper notes of vermilion and ultramarine that animate faces, hands, and passages of painted study. The result is both documentary and poetic: a mid-century view of atelier practice that also reads as a meditation on looking, translation, and the layered act of representation, especially fitting for an artist trained at the Rhode Island School of Design and associated with Provincetown's long tradition of summer instruction and figure work.

Measurements: 25" h x 33" w


Condition:
Alterations: Original Condition Unaltered
Imperfections: Some Imperfections
Condition Notes: Painting does have areas of foxing and discoloration commensurate with age and handling.

Dimensions:
Height: 25 in.
Width: 33 in.
Depth: 1 in.

Category: Paintings
Origin: United States
Materials: Watercolor

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Location: This item ships from Easton, MA

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Original Condition Unaltered; Some Imperfections; Painting does have areas of foxing and discoloration commensurate with age and handling.