Saint-Philémon, Québec. C. 1965. Painted wood. Philippe Roy carvings are seldom encountered, with many remaining in long-held private collections. Roy developed a highly individual approach to folk art sculpture, eliminating unnecessary detail. The result is both playful and imposing.

The sharply tapered muzzle, tiny pale eyes, and warm reddish colouring around the snout lend the bear an unexpectedly expressive quality, while the small ears and oversized paws reinforce the sculpture’s quiet monumentality. The sculpture possesses the confidence of carving associated with the finest Quebec folk art traditions. Unmarked. 4" x 9" x 2.5". The Susan Jacobson Collection. Saint-Philémon, Québec. C. 1965. Philippe Roy carvings are seldom encountered, with many remaining in long-held private collections. Roy developed a highly individual approach to folk art sculpture, eliminating unnecessary detail. The result is both playful and imposing.

The sharply tapered muzzle, tiny pale eyes, and warm reddish colouring around the snout lend the bear an unexpectedly expressive quality, while the small ears and oversized paws reinforce the sculpture’s quiet monumentality. The sculpture possesses the confidence of carving associated with the finest Quebec folk art traditions. Unmarked.

Excellent condition. Structurally sound. Vibrant colour.