Follower of Severo da Ravenna (Italian, c. 1465)

DIMENSIONS APPROX 87x59x3.5CM. Oil on board, 19th century. PROVENANCE: from a private Italian collection, masterfully painted by a follower of Leonardo Da Vinci. Please carefully study all photographs

DIMENSIONS APPROX 87x59x3.5CM. Oil on board, 19th century. PROVENANCE: from a private Italian collection, masterfully painted by a follower of Leonardo Da Vinci. Please carefully study all photographs

engraving, appears to be an early printing, trimmed at platemark, unmatted, unframed. Sheet Size 8 15/16 x 14 9/16 in. A beautiful composition with richly-inked lines. The Estate of the late Clay A. W

engraving, appears to be a later printing, matted and presented in glass frame. Sheet Size 9 5/16 x 7 in.; DOA 22 1/4 x 16 3/8 in. The Estate of the late Clay A. Waggenspack, M.D., Baton Rouge, LA Add

Master of the. E-Series Tarocchi (Italian, active c. 1465). Primum Mobile (The Angel of the Ninth Sphere, or Primum Mobile, plate 49 from Planets and Spheres). Antique Etching on laid paper after 15th

Ex-collection of Charles Dent. Oil on canvas laid down. Apparently unsigned. Mythological dream. Dimensions: (Frame) H 16" x W 19", (Sight) H 10.75" x W 13.5" Condition: Some loss of gilding to frame.

Follower of Giambattista Pittoni, Italian, 17th C. Sight size: 21"h x 12-3/8"w

Luigi Da Costa (19th C. Italian) "Ponte Vecchio Bridge" watercolor on paper, signed L. Da Costa, 13 1/2" x 20 1/4 sight, framed 26" x 32 1/4", very good condition

Antonio da Ros (Italian, 1936-2012) Mammoth Sculpture, c. 1964 Cenedese, Italy sommerso glass signed H 8 x W 6 x D 9 inches.

Framed oil on canvas painting, The Last Supper, signed lower right D. Mendoza (Diana Mendoza, Peruvian, 20th c.), after Leonardo da Vinci (Italian, 1452-1519), canvas: 48"h, 72"w, overall: 55"h, 79"w

Known as Il Parmigianino (Michele da Parma) La Bocca della Verità Oil on canvas Size: 28.5 x 34 in. Proveance: Private Collection, Toronto; by descent. We are grateful to Professor Giancarlo Sestie

After Raphael Sanzio da Urbino (Italian, 1483-1520) , "Madonna della Sedia", 19th c., color mezzotint engraving, sight dia. 29 in., framed

After Desiderio Da Settignano (Italian, 1429-1464), white marble bust of a laughing boy, late 19th century, the whole rising on a conforming black marble base, 13"h x 11.5"w x 5"d.

(pair) Italian Da Vinci single-light table lamps, mid to late 20th c., having round pink and white art glass body, each retaining manufacturer's label, in need of wiring, approx 13.25"h, 10.25"diam; 1

Large Folio Copper Engraving Published 1772-77, Antique 18th C Italian Engraving of the Vatican. Rome for "Loggie di Rafaele nel Vaticano" by Raffaello Sanzio da Urbino. Illustrated by Savorelli, Camp

This is a folded original 18" x 25.5" Style C Italian fotobusta poster designed for a 1973 rerelease of the 1972 Wei Lo film Fist of Fury AKA The Chinese Connection AKA Tang shan da xiong written and

Spanish religious bas-relief giltwood and plaster wall plaque, early 20th c., giltwood frame with foliate motifs and beading, central image after The Last Supper after Leonardo da Vinci (Italian, 1452

Giovanni Battista Sassoferrato (Giovanni Battista Salvi da Sassoferrato) (Italian, 1609-1685). The Madonna. Antique engraving on laid paper after the original painting by a Master Engraver. Year: c. 1

Title: Venit Jesus Nazareth et Batptizatus est a Iohanne in Iordane. Engraver: Pietro Aquila (Italy, c. 1624-1692). After: Raphael (Raffaello Sanzio da Urbino, Italian, 1483-1520). Provenance: ‘

Antique Italian polychrome terracotta bust by Dini e Cellai; after La Belle Florentine, the depiction of Saint Constance rendered by a follower of Desiderio da Settignano (circa 1428-1464); ex

FOLLOWER OF LEONARDO DA VINCI OF THE LATE 19TH/EARLY 20TH C. ('ACTUALLY: LIONARDO DI SER PIERO DA VINCI') 15 April 1452 Anchiano near Vinci - 2 May 1519 Castle Clos Luce, Amboise MONA LISA Oil on canv

Lampada da tavolo mod. Medusa, Valenti 1968. Alluminio verniciato, metallo cromato P. Palma, C. Vannicola, "Italian light 19601980, cento lampade dalla collezione Cortopassi", Firenze 2004, p. 61 cm 7

Lampada da appoggio Fiberglass, metallo cromato. Prod. Diner, 1970 ca. cm 48x45x47 Literature: Domus, n. 488, gennaio 1970, pp.154-155; P. Palma, C. Vannicola, Italian Light 1960-1980, Alinea, Firenze

After Raffaello Sanzio da Urbino Raphael (Italian, 1483-1520), Classical Scene, 1817, etching, signed "C. Agricola" and dated in plate lower right, overall (with frame): 23"h x 25"w