Judaica- Michael Eisemann (1943-) litho

Michael Eisemann (Israeli, born 1943). Signed and numbered Limited Edition litho. Titled "WOMAN IN GRAY," an Abstract composition with female figures and still life designs. Artist signature lower rig

DILIGENCE A LOUVECIENNES, watercolor on thin card, signed lower center, image 13 ¾ x 10”, card 17 ¾ x 13 ¾”. Provenance: Michael Hittleman Gallery Los Angeles.

Signed in pencil lower right, numbered in pencil 64/200, a 1983 color lithograph by the German and Israeli artist. Frame, approx. 37" x 28". Sight, approx. 27" x 19".

Michael Eisemman. Michael Eisemann (Born 1943) is active/lives in Israel. Michael Eisemann is known for Painting, prints.Signed and numbered 70/200 in pencil by artist. FR. Title: Coin Du Village De V

Michael Eisemann, color lithograph, Michael Eisemann (Israeli, b. 1943), "Street Scene in Pontoise", pencil signed and numbered "M. Eisemann, 35/300", 25.5"h x 18"w (sight), 35"'h x 27"w (with frame)

(b. 1943, Israel) Pencil signed. 26 3/4 x 18 1/2 in. (sight), 34 x 25 1/2 in. (framed)

A girl, Mixed media on wood, 60 x 60 cm, Signed

Collage-style work of two images, one title "Le Bassin d'Argenteuil", the other titled "Boats at Etretat", dated 1984, pencil annotated and signed, Artist's Proof, in a gold frame. [Image: 26" H x 18

Michael Eisemann - Diligence a Louveciennes, Hand Signed Lithograph. Signed with pencil. Numbered - 70/200. 69cm X 49cm / 27in X 19in.

Pair Framed Michael Eisemann Signed French Lithographs. Signed and numbered 61/200. 106/200, in carved frames. 37 inches x 29 inches

Michael Eisemann - Bouquet de Campagne, Hand Signed Lithograph. Signed with pencil. Numbered - 70/200. 69cm X 49cm / 27in X 19in.

Michael Eisemann's "Portrait of a Woman" limited edition print, signed lower right and numbered XX/CXXV lower left. This piece is of a few pictures of a woman, with and without a hat. This piece is in

Michael Boyett | 1943 - 2015 The Sharpshooter Inscribed base of bronze: Michael Boyett The Sharp Shooter 76 © 1/30 Bronze 15 1/2 by 13 1/2 by 8 1/2 inches

Fine Judaic tableware grouping including a pomegranate Hannukiah menorah and decorative bowl by Michael Aram, studio pottery Hannukiah menorah with figures by Lorna Sakalovsky, a silver-plated Hannuki

Michael Mazur (American, 1935-2009), lithograph from the 'Ward' series, 17" x 22" (sight).

Denoted E/A (artist's proof) and signed in lower margin. Dimensions: (Frame) H 27" x W 24" ; (Image) H 15.5" x W 14" Condition: Not examined out of frame. Paper appears clean; a few small wrinkles. A

Amram Ebgi Slavery To Freedom Judaica AP Litho. This was signed by the artist on the bottom right of the print. The framed print is approx 20" x 1 1/4" x 21" and it weighs 5lbs. The print/

Signed on lower right corner in graphite, M.Maurice, numbered 60/250 Backside comes with bio of artists and certificate of authenticity that read, This certified that Sabbath Candles is an original Li

Michael Martin (20th Century) color lithograph pencil signed lower right and numbered '205/300' lower left. Image measures 28 in. x 10.5 in. and sheet measures 29.75 in. x 14.5 in. Unframed, loose and

Rockland (Tupa), Mae, (American, b.1937), Do Not Forget, undated (c.1975), etching on paper, signed and numbered 1/25 at bottom, with full title "And when we are all mad, you must go through the stree

Gross, Chaim (Polish/Israeli, 1904-1991), Off the Willows, 1970, original lithograph, signed, titled, dated and numbered 76/100 in pencil at bottom, image 14.5 x 11 inches, matted and framed 23.5 x 20

Michael Tracy (1943-) is a major figure in American Postwar & Contemporary art, particularly in Texas. His artwork straddle the line between complete abstraction and figuration. This example looks to

Bob Haozous (Chiricahua Apache, b. 1943) Michael's Vision, 1983 signed Haozous and dated (near base) height 12 5/8 inches x depth 6 inches Please Note: This lot is located in and ships from our Cincin

Michael Tracy (1943-) is a major figure in American Postwar & Contemporary art, particularly in Texas. His artwork straddle the line between complete abstraction and figuration. This example looks to