Catherine Lee (b. 1950), Aquatint Etching, ‘TEHAMA V’,

Catherine Lee American (b.1950) untitled, 1986 oil / oil stick on paper Signed and dated lower left. Provenance: Midwest Museum of American Art. Biography from Butler Institute of American Art: Americ

Mel Bochner (American B.1940) "Fourth Quartet", 1988 Aquatint etching, edition V/X AP 20" x 15" each Provenance: Stroock & Stroock & Lavan Condition: Overall good condition, some undulation to paper T

SURREALISTIC CITY LIFE, color aquatint etching, signed and numbered 12/25 in pencil, plate 20 x 11 ½”, full margins, hand-made custom frame 33 ½ x 24” with Plexiglas.

Lot 64 José Villalobos Mexican (b. 1950) Viento de Occidente etching and aquatint signed lower right, P/A plate: 17 1/2 x 23 1/2 inches unframed Provenance: The Graciela Kartofel Collection

Lonnie HOLLEY (American, b. 1950): "Our Journey". Color softground etching and aquatint with drypoint, on wove paper, 2014. Signed, dated 2013 and inscribed AP8, aside from the edition of 30. With the

Lonnie HOLLEY (American, b. 1950): "Obstacles Before the Goal II". Color softground etching with aquatint and drypoint on wove paper, 2013. Signed, dated, and inscribed AP 8; aside from the edition of

Lot 61 José Villalobos Mexican (b. 1950) Cartografía / La Lluvía en el Mar / Mar de la Sargazos (3 Works) etching and aquatint each signed lower right, P/A plate (each): 17 1/2 x 23 1/2

Catherine Kernan (American b. 1948) Sea Cleft #1, 1998, soft ground etching and aquatint in color, pencil signed and dated in lower right with title in pencil on lower left. The Print Club of Clevelan

Catherine Kernan (American b. 1948) Sea Cleft #1, 1998, soft ground etching and aquatint in color, pencil signed and dated in lower right with title in pencil on lower left. The Print Club of Clevelan

Mary Lee BENDOLPH (American, b. 1935): "Down the Road". Color aquatint, spitbite aquatint and softground etching on Somerset white textured paper, 2006. Signed, titled, dated and numbered AP8, aside f

Max Pollak, Austrian/Czech, (b.1886-d. c.1970), Guatemala, Bringing Water from the Lake, circa 1950, Color Etching and Aquatint on Paper, signed lower right, title and numbered 29/100 lower left. (GJ1

Alex Katz, American, b. 1927 Daytona Beach V (from Daytona Beach series), 1996 Etching with aquatint on Somerset Satin paper Image: 23 x 17.25 in. (58.42 x 43.82 cm.) Sheet: 29 x 23.25 in. (73.66 x 59

Alex Katz, American, b. 1927 Daytona Beach V (from Daytona Beach series), 1996 Etching with aquatint on Somerset Satin paper Image: 23 x 17.25 in. (58.42 x 43.82 cm.) Sheet: 29 x 23.25 in. (73.66 x 59

James Torlakson (American, b. 1951) San Gregorio, Two Etchings with Aquatint, 1978. Both pencil signed lower right, number 3/23. The second inscribed "Artist's Proof I/V" Provenance: Van S

2004; acrylic on canvas; signed lower left, signed, dated and titled to canvas verso; Condition: unframed; 50 x 40 inches

ANDRAS MARKOS (GERMAN, B. 1950) "JEDERMANS GRABMAL (A STONE FOR EVERYBODY)" 1988, COLOR AQUATINT ON ZIRKAL PAPER, EDITION 13/15HC SIGNED AND DATED LOWER RIGHT, PUBLISHED BY GERHARD HUMMEL, AUSTRIA; SI

Dennis John Ashbaugh (American, B. 1946) Aquatint Etchings with Carborundum And Spit Bite, Ca. 1992, Agrippa, Suite of Six, H 25.75" W 27" | Each signed in pencil, dated and numbered 23/50, published

Shelby Lee Adams (b. 1950, Kentucky). The Home Funeral, Leatherwood, KY. 1990. Signed, titled, dated, and numbered #12/25 in pencil verso. Silver gelatin print is 16"h x 20" w; archival frame is 26"h

Shelby Lee Adams. (b. 1950, Kentucky & Massachusetts) Leddie and Children, Sloan Mountain, Kentucky. 1990. Signed, titled, dated and numbered # 23/25 in pencil verso. Silver gelatin print is 20"w x 16

Titled, 'House Across the Street', aquatint/etching, numbered 6/50, pencil-signed in the margin. Condition commensurate with age. Frank Stack has published numerous editions of prints, specializing in

Bong Tae Kim (Korean, b.1937), Three Aquatint Etchings three signed limited edition aquatint etchings on pale gray speckled fine BFK Rives printmaking paper, each titled with edition number and artist

Joan Miró (1893-1983) Rupestres V (Dupin 1039) Etching and aquatint in colours, 1979, on Arches wove paper, signed and numbered 15/30 in pencil, published by Maeght, Barcelona, printed to the edg

Pablo Picasso (1881-1973 Spanish) ''Nature Morte au Crane, Oursings et Oignons'' (Still Life with Skull, Sea Urchins and Onions) 1950 Etching with Aquatint on Arches 16.5''x24.25'' Impression. Done af

James Rizzi, etching with color, James Rizzi (American, b. 1950), "Oncoming Traffic", mixed media etching, signed, titled and numbered (2/99) in lower margin, 8.25"h x 6.25"w (sight), 12.5"h x 9.5"w (