LOUIS ICART (FRENCH, 1888-1950) LA LETTRE.

Louis Icart (French, 1888-1950)La Vie des Seins by Docteur Jacobus , 1945Portf

Louis Icart (French, 1888-1950) "La Belle Rose", 1933 etching with aquatint pencil-signed lower right, and dated and artist's copyright printed upper left. Matted, glazed and framed. sight 17-1/2" x 2

Louis Icart (French, 1888-1950), La Belle au Bois Dormant, 1927, etching with hand-coloring, pencil signed lower right, with windmill stamp lower left, image: overall (with frame): 23"h x 29"w

Louis Icart (French, 1888-1950) "La Dame aux Camelias", etching, signed, from an edition of 200. Framed. COA. Size: 10.5'' x 8'', 27 x 20 cm (sheet); 24'' x 20'', 61 x 51 cm (frame).

Louis Icart, (French, 1888-1950), La Dame aux Camelias, 1927, color etching, signed in pencil, 16" x 20"

Louis Icart (French, 1888-1950) La Tosca, 1928 color etching signed lower right 21 3/4" x 13"

Icart, Louis (French, 1888-1950). "La Victoire." 1945. Etching and aquatint and handcoloring on BFK Rives paper. Signed in pencil, l.r. Holland, Catania & Isen 481. Image: 10 1/4" x 8" Framed: 25 1/2"

Louis Icart (French, 1888-1950) oil on board titled "Enfin Seule" ("Finally Alone"), depicting a beauty at rest on a sofa, inscribed verso "X120 - For Madame Phyllis Sydney Lucas de la Part I de San M

Icart, Louis (French 1888 - 1950). In the Harem, illustrated plate from La Sopha. 1935. Color etching on wove paper. Signed in pencil in l.r. Framed. 18 1/2" x 21". Plate 5 3/4" x 8". Condition: Image

Louis Icart (French, 1880-1950) Framed etching, depicting a woman holding a letter. Signed at bottom right and number "275" at bottom left. Inscribed at top: "Edite par la Societe Les Graveurs Moderne

An estate collection of three (3) limited edition French Art Deco color aquatint etchings on paper, printed by the artist, Louis Icart (1888-1950). Includes: "Deux Filles et La Chat" ("Two Girls and a

Louis Icart (French 1888 - 1950) Leda & The Swan 1934 Colored Etching. Pencil signed lower right margin, blind stamp in lower left, marked Icart cty = NY= upper left edge, impression size is 20 x 31 i

(A) "Scheherezade", c. 1927. Work size (sight): 13 - 3/8" x 20 - 3/8". Marked in pencil "62." Framed and matted under the acrylic. Condition: Overall very good to excellent condition. Light tone foxin

Louis Icart (French 1888 - 1950) color Etching, hand signed lr, 14-1/2 x 16-1/2inches girl looking out the window

UNTITLED: Young girl fetching water, with black cat, drypoint etching printed in colours, with hand-tinting, signed in pencil lower right,

Don Juan. Etching on M. Robbe Fils paper. Signed lower right hand side. Blind windmill stamp and numbered 217 lower left-hand side. Part of the "red heel" series. Image size: 13 1/2 in x 20 in. (34 cm

Louis Icart, French (1888 - 1950) Color Etching "Destin de Femme" Signed Lower Right. The Great Dane Collection COA attached en verso. Measures 13" H x 9-3/8" W, fe measures 26" H x 22" W. Condition:

AFTER LOUIS ICART (French, 1888 - 1950). Under the Covers, Impression that first appeared in 1946. Framed. Not examined out of frame. - 7.25 x 5.5 inches; Frame: 22 x 18 inches

1927; aquatint and etching; signed lower right; Condition: with moisture damage to lower right of mat; 16 x 20 1/4 inches sight; 24 1/2 x 29 inches framed

"Woman with Two Pekingese Dogs"; 20th Century; Lithograph; 18.25" x 21.5"; Signed Lower Right (in plate); Framed (under glass).

Louis Icart, French (1888 - 1950) Color Etching "Destin de Femme" Signed Lower Right. The Great Dane Collection COA attached en verso. Measures 13" H x 9-3/8" W, fe measures 26" H x 22" W. Condition:

LOUIS ICART (French 1888–1950) "Can-Can" and "Sofa" Etching and aquatint. Sight: 16 5/8 x 25 3/8 inches. Sight: 18 1/8 x 26 3/8 inches; Frame: 26 5/8 x 34 1/2 inches. Signed l/r and estate stamped l

Louis Icart (French 1888-1950) "Thoroughbreds," or "Pur-Sang," 1938, etching, drypoint and aquatint, with handcoloring, signed in pencil,lower left, with windmill blindstamp, copyrighted in plate, mat

Louis Icart (French 1888-1950) "Leda and the Swan, " 1934, etching and aquatint with hand coloring, signed in pencil, lower right, with windmill blindstamp, copyrighted and dated in the plate, mated a