Francisco de Goya, Print, ‘Grande hazaña! Con

Francisco de Goya (Spanish/French, 1746-1828), "Disparate Pobre, Plate 11 from Los Proverbios," etching and aquatint, image: 9.5"h x 13.75"w, overall (with frame): 17.25"h x 20.75"w

Francisco de Goya (Spanish, 1746-1828), "Ni Asi La Distingue," Plate 7, etching, plate mark: 7.75"h x 5.75"w, overall (with frame): 16.75"h x 15.75"w

Title: Antique Print - Francisco de Goya - Ya Van Desplumados - Los Caprichos Plate 20 Date: 19th Century Material: Paper Dimensions: 29 cm x 22 cm Description: Antique Print ”Ya van desplumados

Francisco de Goya (Spanish, 1746-1828), "Farmers," etching, marked "2" in upper left corner, with embossed crest lower left, overall (with frame): 20.75"h x 17.75"w

Francisco de Goya (Spanish, 1746-1828), "La Filiacion" pl. 57 from Los Caprichos, etching, unsigned, overall (with frame): 16"h x 12.5"w

after FRANCISCO DE GOYA (Spanish 1746-1828) AND EUGÈNE DELACROIX (French 1798–1863) A GROUP OF TWO PRINTS, Francisco De Goya, "Episodio del dos de Mayo 1808," etching on paper, 9 1/2" x 11 3

After Francisco de Goya (Spanish, 1746-1828), "Dios los Cria y Ellos se Juntan (from Los Proverbios)," etching with aquatint, unsigned, overall (unframed/matted): 16"h x 20"w. Provenance: Barclay Simp

DESCRIPTION: A Francisco Goya print of an etching titled:"Con Razon o Sin Ella". Originally leased by the consignor, then bought from the Brooklyn Museum Art Sales and Rental Gallery. Copy of invoices

A premium art print after Francisco Jose De Goya Y Lucientes (Spanish, French, 1746-1828) original oil painting on canvas, Portrait of Dona Isabel de Porcel, 1805. Location of original: National Galle

Francisco Jose De Goya Y LucientesFrance, Spain, (1746 - 1828)Con Razon o Sin Elladrypoint etching with aquatintverso label from the original includes title and artist name and "Original Ethcing

Francisco de Goya (Spanish, 1746-1828) 'Yo Lo Vi' Etching and Print Assortment (7) items including 1863, Francisco de Goya y Lucientes (Spanish, 1746-1828) 'Yo Lo Vi' etching and burnished aquatint on

Francisco de goya artwork is matted and ready for framing. Theres a letter on paper please check photos approximate size 15 x 11

Francisco de Goya y Lucientes (Spanish, 1746-1828) Donde va Mama, from Los Caprichos, 1892 engraving, plate 65 signed within print Plate 8 1/8 x 6 1/2 inches. Estimate $300-500 No condition issues to

Francisco de Goya y Lucientes (Spanish, 1746-1828) Ensayos, from Los Caprichos, 1892 engraving, plate 90 signed within print Plate 8 1/4 x 6v 1/4 inches. Estimate $300-500 No condition issues to note,

Three prints Etching Including two from La Tauromaquia: no. 35 "No se puede saber por que" and no. 40 "Algun partido saca" (sight 7 x 8-5/8 in.); plus a bullfighting scene marked "2" upper right and b

Francisco Jose De Goya, Spanish, 1746 to 1828, etching and drypoint on paper, Obsequio a El Maestro, from Los Caprichos, a set of 80 aquatint prints created by Goya in 1797 and 1798, and published as

The Prisoners is a series of three etchings by Francisco de Goya, depicting imprisoned men with indistinct faces, bound with leg irons in stress positions. The prints are not dated, but they are belie

Artist Name: Francisco Jose de Goya y Lucientes | Title of Art: (Plate Ten) Majas on a Balcony c.1810-15 | Medium: Fine Art Print | Unsigned & Unnumbered | Art Size: Approx 8 x 10 | Offered Unframed.

(lot of 2) After Francisco Jose de Goya y Lucientes (Spanish, 1746-1828) "El de la Rollona" and "Cual la descanonan" etchings and aquatints on paper, plate 3 and 21 from "Los Caprichos," unsigned, ove

Title: "Desparrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The rabble hamstring the bull with lances, sickles, banderillas and other arms)" plate 12 from "Tauromaquia", the

Francisco Corzas (Mexican, 1936–1983), Portrait de un Hombre con Barba, 1969, lithograph in colors, pencil signed and dated lower right, edition 32/110, image: 21"h x 17"w, overall (with frame): 30.

Los Caprichos, 1799 [Madrid, this set printed later], edition unknown (likely one of the earlier editions of the 1850s-60s), bound set of 80 etchings with aquatint on heavy, unwatermarked, wove paper

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828). "Portrait of Charles IV. Oil on canvas. Re-retouched. It presents repainting, old restorations and a Car

Francisco de Goya Y LucientesFuentetodos 1746 - 1828 Bordeaux, circleAchilles & HectorOil on canvas, relined30 x 47 cm (with frame 50 x 67 cm)The painting (30x47cm) in oil on canvas depicts an ambiguo