Wiley, "Now There's That Blame Treaty", Aquatint

WILLIAM T. WILEY (American 1937 - 2021)Now Here’s That Blame Treaty - 1983Aquatint and drypoint etching Signed and dated lower right, editioned 28/50 lower leftContained in glazed frame over

(American, 1937-2021) Green Shoes, 1977, 19/25, signed lower right "Wm. T. Wiley 77", in plate "Goodbye Gabby I wasn't always nice to you, and now you're gone", etching and aquatint, plate 17-1/2 x 23

Blanche Mc Veigh (1895-1970) ''I Got Yo Chickens, Now We Renegotiate'' aquatint, ca. 1940, signed in plate only, very good condition. 10 x 8''

(American, 1937-2021) Green Shoes, 1977, 13/18, signed lower right "Wm. T. Wiley 77", etching and aquatint, plate 17-1/2 x 23-1/2 in., frame 24-3/4 x 32-3/4 in. Provenance: Private Collection

William T. Wiley (American, b. 1937) Green Shoes, 1977 etching and aquatint signed, dated, and annotated in pencil 17 5/8 x 23 1/4 inches.

HODGKIN, HOWARD. The Way We Live Now. By Susan Sontag. 6 folding or double-page hand-colored etchings with aquatint by Hodgkin. Small 4to, publisher's boards; hand-painted dust jacket with glassine ov

William T. Wiley (American, b. 1937) Eerie Grotto? Okini, 1982 woodcut in colors, soft-ground etching and aquatint signed, dated and numbered 63/200 in pencil 20 1/4 x 26 3/4 inches. This lot is locat

TITLE/CONTENT OF MAP: 'BRITISH NORTH AMERICA' The map shows the border between the United States and British North America (now Canada) as it was before the Oregon Treaty of 1846, and it shows what is

William T. Wiley (American, B. 1937) Beginning Passes. Etching and aquatint, pencil signed LR, dated 1976, and numbered III/XXV. Together with a Chicago Art Expo poster, after Wiley Plate: 13.75" x 10

Dusan Matic, Illustrated by Miro. Fata Morgana, Montpellier, 1976. With etching (now framed) 8 1/2" x 5 1/2" (plate) aquatint, numbered edition of 120 pencil signed lower right

Confederated Tribes & Bands Treaty of 1855 - Strangers on the land: A historiette of a longer story of the Yakima Indian nation efforts to survive against great odds by ed. Click (Now-Toaw-Look) Relnd

AUDUBON, John James (1785-1851). Hooping Crane, Plate 226. Whooping Crane, Grus americana Variant 1. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. Watermarked: J

Audubon, John James (1785-1851). Snowy Owl, Plate 121. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. Dimensions Comparable: Arader, 2015 - $198,250. James Audubon’s

AUDUBON, John James (1785 - 1851). Hooping Crane, Plate 226. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 1/4" x 38" sheet. Comparables: Arader Galleries, 2018 - $

AUDUBON, John James (1785 - 1851). Common American Swan, Plate 411. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 5/8" x 38 1/2" sheet, 37" x 49 3/4" framed. Compar

AUDUBON, John James (1785 - 1851). Fish Hawk or Osprey, Plate 81. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Arader

AUDUBON, John James (1785 - 1851). Carolina Parrot, Plate 26. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 24 1/2" sheet. Comparables: Arader Galleries, 201

AUDUBON, John James (1785 - 1851). Wood Ibis, Plate 216. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25" x 37 1/4" sheet. Comparables: Arader, 2015 - $136,640; Guern

KIDD, Joseph Bartholemew (1808-1889), after John James Audubon (1785 - 1851). The Baltimore Oriole. Oil on canvas. Ca. 1831-1833. 26" x 20 1/2" canvas, 30 1/2" x 25" framed. Provenance: Mrs. John Jame

Audubon, John James (1785-1851). Ivory-Billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 25 3/4” X 37 1/2” sheet, 37” X 49 1/2” framed

AUDUBON, John James (1785 - 1851). Ivory-billed Woodpecker, Plate 66. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 37 1/2" x 25" sheet, 45 1/4" x 32" framed. Comparab

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Kehinde Wiley The Gypsy Fortune-Teller 2007Jacquard tapestry in Merino wool and cotton 76 h × 102 w in (193 × 259 cm) The tapestry composition is based upon the Francois Boucher ta

Audubon, John James (1785-1851). Great Cinereous Owl, Plate 351. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38” x 25 1/4” sheet, 46” x 34” framed. Comparabl