M V Finlay (British, 19th Century) - View of Ely

Interior view with boy getting a haircut. Appears to be signed M.W. Langlin lower right. Dimensions: (Frame) H 26.5" x W 22.25", (Painting) H 21" x W 17" Condition: Painting recently varnished. Possib

George Thompson (British, 19th century), "View of English Countryside", oil on canvas, apparently unsigned. Landscape painting depicting small period rural village, possibly near Wallingford, Berkshir

James B. Fraser (British 19th c.)- "View of St John's Cathedral, Calcutta"- aquatint with hand-coloring by F C Lewis, published 1826, 10 3/4 x 16 3/4"

Major Henry Davis, Niagara Falls color lithograph, Major Henry Davis (British, 19th c.), "View of Terrapin Tower", publisher Thomas Mclean, London, 18"h x 23.75"w (sight), 24"h x 29.5"w (frame size),

oil on canvas, relined ; signed "John. Wood" lower right 21 x 26 1/2 in. (53.3 x 67.3 cm.), Frame: 26 1/2 x 32 in. (67.3 x 81.3 cm.)

M. Sykes (British, 19th Century) Cattle Watering. Oil on canvas, bearing signature lower right 33.5" x 44" Frame: 43" x 54"

G. Hunt, Temple Rangoon aquatint, George Hunt (British, 19th c.), "Inside View of the Gold Temple on the Terrace of the Great Dagon Pagoda at Rangoon", c.1825, 12"h x 15.75"w (sight), 18.25"h x 22"w (

British School, 19th century. "View of Switzerland"-circa 1840-1860, oil on canvas, inscribed on verso of stretcher with title above illegible signature, possibly reading "Samuel Fellows" and 1840 or

British Colonial School, Cape Town, 1837, British Colonial School (19th c.), View of the harbor, watercolor on paper, titled and dated lower center, no signature observed, matted and framed under glas

Meissen porcelain figurine of seated female, after the models by M.V. Acier, late 19th c., with #48 impressed and blue ink underglaze double sword Meissen stamp. Minot lace loss, overall very good as

M.K. FowlkesBritish, 19th-20th CenturyPortrait of a Young Girl in a Landscape Setting, 1891oil on canvassigned and dated lower left, gilt-framed.22 x 18 inches

J M Ducker Oil on Canvas (Jack M. Ducker/British, 19th/20th century), landscape with mill, signed lower right; used condition, wear/worn, craquelure, staining to matte, chips to frame, frame size meas

British School (19th century), "A View of St. Mary's Church, All Saint's Church, the Conduit, Carfax Church in the University of Oxford," engraving with hand-coloring, printed in London for Rob Sayer,

(lot of 2) French School (19th century), "La Douane de Londres sur la Tamise," and British School (19th century), "A View of the Palace of Versailles Towards the Garden," hand-colored engravings, over

British Topographical School, 19th century Views of Coonoor and Ootacamund, India each signed with initials 'E. L. G.', the first inscribed 'Glenview Coonoor 1858', the second 'Mount Stuart' and dated

Mostly Copper Plates, also Steel Engravings. Incl Derbyshire, Bucks, Wales, Wiltshire, London, Yorkshire. Examples by The Portfolio, Beauties of England and Wales, Westall, Cassell's Greater London, W

Steel Engravings. Incl Kent, Plymouth, Scotland, Dartmouth, London, Peterborough etc. Examples by Allom, Dugdale, Winkles, and others. Paper Size: Up to 12 x 9.5 inch (30 x 24cm) A few margin faults,

Engravings, Aquatint and Etchings. Examples by Langford, Westall, Samuel Ireland, Archer, The Portfolio, Grose, Britton, Finden, Dugdale and others. Paper Size: Up to 14 x 10 inch (36 x 25cm) Good con

Copper and Steel Engravings. Incl Wiltshire, Yorkshire, Staffordshire, Eden Dean, and Manchester. Examples by Fisher/Pickering, Bentley, Allom, Chambers and Beauties of England and Wales. Paper Size:

Manner of J. M. W. Turner, British School, 19th c., Stormy Seas with Wreckage and a Castle, oil on canvas, unsigned, prominent frame plaque, inventory label on verso. (HGIL6002) {TC} Dimensions: 12x16

WIlliam J. Leathem (British, Active Mid-19th C.) Harbor view with ships, signed lower right and dated 6/55, oil on board (11.75 x 17.5 inches). H:16.25 in., W: 21.75 in., D: 2.5 in.

WILLIAM WILLOUGHBY (BRITISH, ACTIVE SECOND QUARTER 19TH CENTURY) VIEW OF BOSTON, LINCOLNSHIRE, oil on canvas, a fine panoramic scene taken from the marketplace featuring the iconic "Boston Stump" chur

M. E. Berry, British, 19th/20th century. Two watercolor on paper landscapes. One depicts a figures in a small rowboat, the other with sheep along a country lane. The former monogrammed "MEB" lower rig

M.S. Church (American, 19th Century) A View of the Apennine's near Florence. Oil on canvas, after a Flemish painting in the Uffizi, inscribed and signed en verso 12.5" x 14.25" Frame: 15.5" x 17.5"