Prints, British School

(lot of 3) British School (19th century), Landscapes of England, engravings, largest overall (with frame): 15.75"h x 18.25"w

(lot of 4) British School (18th/19th century), "George II," "Maria Countess of Coventruy," "John Manners, Marquis of Graby, Commander in Chief," and "Sir Francis Burdette Bar," mezzotints, overall (wi

(lot of 2) British School (20th century), "A View from Oriel College Oxford," and "A View from the Pump Room, Bath," hand-colored engravings, each signed lower right indistinctly, overall (framed/each

British School (19th/20th century), "The Atlantic Royal Mail Steam Navigation Company's S.S. Anglia," engraving with color, sheet (unframed): 24"h x 34"w. Provenance: Estate of Joanna Barnes and Jack

Set of six British School sporting prints and mezzotints including The Portraiture of "Crab", "Lamprey", "White Horse", "The Famous Horse Older Partner", "Barbraham", and "Childers the Fleetest Horse

British, 20th century print and colors on paper depicting a concentration of pedestrians walking their dogs, passing on bikes, signed illegibly l.r. and numbered "49/200" l.l., 17 3/4" x 24 1/2" paper

(20th century) HMS Bellerophon, unsigned, watercolor on paper, sight 14-1/2 x 21-7/8 in.; Off Dover, chromolithograph, sight 10-7/8 x 15 in.; largest frame, 22-7/8 x 30-1/4 in. Provenance: Private Col

European and British School: A Miscellaneous Group of Prints Eight prints, various sizes, all unframed. Property Formerly in the Collection of Doris Gottlieb Brickner and Dr. Manuel Gottlieb

British School, 18th/19th Century Eight Framed Prints of Thoroughbreds and Jockeys Various artists and engravers, thoroughbreds identified in the plates. Engravings with hand coloring, sights sizes ap

(lot of 5) British School (20th century), Botanicals, engravings with hand-coloring, overall (largest): 21"h x 17"w

(lot of 4) British School (19th century), Hunting Scenes and Traveling Townsfolk, lithographs with hand coloring, all unsigned, largest overall (each/with frame): 22"h x 22.75"w

(lot of 2) British School (19th century), "The Marriage Ceremony of their Royal Highness the Prince & Princess of Wales," and "The Grand Procession from the Drawing Room to the Chapel Royal St. James,

(Lot of 2) British School (19th century), "The Fatal Stoop," and "Disgorging," from the series "Hawking," 1839, engravings with hand-coloring, published by I.W. Laird (London, England), overall (frame

(lot of 2) Eugene James Tily (British, 1870 -?), Portrait of Sophia Cuthbert, 1917, mezzotint, pencil signed lower right, published by Frost and Reed Ltd, and (British School, 20th century), Portrait

(lot of 2 groupings) British School (19th century), Assorted Scenes of King Henry VIII, King Henry IV, and others, engravings with ahnd-coloring, overall (framed with 3 prints each): 24.75"h x 13.25"w

(lot of 2) French School (19th century), "La Douane de Londres sur la Tamise," and British School (19th century), "A View of the Palace of Versailles Towards the Garden," hand-colored engravings, over

(lot of 2) British School (20th century), "The Fair Student" and "The Blossoms, " engravings after original works, title lines lower center, largest overall (each/framed): 17"h x 14"w

British School (19th century), Katoogastotte Bridge over the Mahavilla Ganga, Near Kandy Ceylon," 1859, lithograph, by C. O'Brien and F. Jones, published by London Day & Son, to the Queen, overall (fr

1) William Maitland (English, 1693-1757), "Bridewell", hand-colored engraving, 8" x 12 3/4" image size, 13 1/2" x 18 1/2" framed; 2) "Explanatory Key to the Grand Historical Print of the Coronation of

British School (18th century), "The North Prospect of Mountague House," from Britannia Illustrata, circa 1717, engraving, printed by James Simon, overall (with frame): 24"h x 28.5"w

British School (19th century), "Trinity House," lithograph with hand coloring, after painting by Thomas Rolandson, published by Ackermans Repository of Arts, London, 1809, overall (with frame): 12.25"

British, print taken from the 1846 Illustrated London News, depicting a birdseye view of the city of Dublin, 14 1/4" x 40 3/4" image size, 20 1/4" x 46 1/4" framed.

British School (18th century), "Transfer of East India Stock," engraving, published by Thomas Cornell, overall (with frame): 17.5"h x 14"w

British School (19th century), "A View of St. Mary's Church, All Saint's Church, the Conduit, Carfax Church in the University of Oxford," engraving with hand-coloring, printed in London for Rob Sayer,