Fort Clark. Walker after Bodmer. Engraving orig HC

KARL BODMER (SWISS, 1809-1893) HISTORICAL ENGRAVING, titled "The Travellers Meeting with Minatarre Indians near Fort Clark", dated "1th, July 1842", Bodmer blindstamp underneath the publisher's name.

19th Century wood cut engraving, double page from an edition of "The Civil War In the United States". Retreat of the Confederate Garrison Commanded by General Drayton from Fort Walker During the Bomba

Carl Bodmer Steel Engravings of Sioux Indians. Carl Bodmer, Pinx. Ad. Nat., Engraved by Rawdon, Wright & Hatch. Lot of 3- * Horse Racing of Sioux Indians Near Fort Pierre * Indians Hunting The Bison *

After Karl Bodmer (1809-1893) Fort MacKenzie, c. 1842 Engraving with hand-coloring on wove paper, published Ackermann & Co., London, printed by Bougeard, with margins, framed. plate 16 x 21 1/4in (40.

BODMER, Karl (1809-1893), after Fort MacKenzie Engraving with hand-coloring, ca 19th-century, 5 1/2 x 7 1/2-inches, matted and framed (unexamined out of frame). This lot is located in Denver. Property

Clark Walker Angel Oil On Canvas Large oil on canvas original painting by Clark Walker, an artist in Montgomery, Alabama. The painting shows an angel with various fruit, on a black background. In good

Clark Walker Angel Oil On Canvas Large oil on canvas original painting by Clark Walker, an artist in Montgomery, Alabama. The painting shows an angel with various fruit, on a black background. In good

Bud Breen (Texas, 1927-2005), Fort Clark Commissary (Brackettville, Texas), oil on canvas sight: 18 x 24 in., frame: 21.5 x 27.5 in. €â€¹€â€¹€â€¹€â€¹€â€¹

Karl Bodmer (Swiss, 1809-1893). "Snags (Sunken Trees) on the Missouri" (Tableau VI from "Travels in the Interior of North America, 1832-1834"); Paris, Coblenz, and London: 1839-1843. A first edition,

Virginia and Florida. "Virginiae partis australis, et Floridae partis orientalis, interjacentiumque regionum nova descriptio". Orig. copperplate engraving, W. J. Blaeu, published by C. and J. Blaeu in

Details: BODMER, Karl (1809-1893). Mássika, Saki Indian. Wakusáee, Musquake Indian. Paris, Coblenz and London: [1839-1842]. Hand-colored aquatint engraving after Bodmer. Image size (including t

(American, 1901-1980). Wood engraving, ed. 50, initialed "HC" in block, pencil signed and dated "Howard Cook imp. 1936" lr, 9 3/4 x 7 in., framed

Karl Bodmer Published Original Hand Colored Engravings of Saukie Karl Bodmer Saukie and Fox Indians Travels Material: paper Size: 23 x 28 in. Frame: 31 x 36 in. If you would like to receive more detai

Karl Bodmer Published Original Hand Colored Engravings of Hunting Karl Bodmer Hunting of Grizzly Bear Travels Material: paper Size: 23 x 28 Frame: 31 x 36 in. If you would like to receive more detaile

Karl Bodmer Published Original Hand Colored Engravings Tombs of Assiniboin Indians on Trees Material: paper Size: Opening 16 3/4 x 14 in. Frame: 31 x 25 in. If you would like to receive more detailed

BODMER, Karl (1809-1893) Herd of Bisons (plate 40) From Travels in the Interior of North America, Coblenz, Paris, and London, 1839-1842 Aquatint engraving with hand-coloring, Bodmer blindstamp lower m

Karl Bodmer (Swiss/French, 1809-1893) , "Herd of Bison and Elk on the Upper Missouri", hand-colored engraving with aquatint, "CH Bodmer" blindstamp lower margin, from Maximilian, Prince of Wied's, Tra

Details: BODMER, Karl (1809-1893). Sih-Chidä & Mahchsi-Karehde. Mandan Indians. Paris, Coblenz and London: [1839-1842]. Hand-coloured aquatint engraving by Hürlimann after Bodmer, blindstamp. S

Second 4th of July Picnic College Station Texas 1974. Signed by Guy Clark, Steve Fromholz, & Jerry Jeff Walker. Was on display at the Country Music Hall of Fame in Nashville. From Ray Benson's persona

Interior of North America in the Years 1832-1834, Published by Akerman & Co., London, 1839-1843, plate 10 with Bodmer stamp. 17 x 22. Aquatint and engraving on woven paper. Engraved by Alex Manceau af

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

GOOD CROP, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 11 x 17 x 1 ½”. Provenance: Christie’s New York, December 2nd, 1988, lot 92; Based off examinat

ERIC EMERSON (Chelsea Girls) (FS.11.287), 1982, color screenprint on Somerset Satin White paper, signed and numbered H.C. (hors commerce) 23/24 in pencil, aside from the numbered edition 75 and 13 art

DYANSEN, The Black Panther (Walker 17), 1983, color screenprint, signed and numbered 28/75 in pencil, published by Mirage Editions with blind stamp lower right, image 36 x 24”, sheet 42 ½