African Fang Anthropomorphic Wood Heddle Pull

African Fang Anthropomorphic Wood Heddle Pulley, Gabon. The Fang people were victims of the large transatlantic and trans-Saharan slave trade between the 16th and 19th century. They were stereotyped a

Baule Heddle Pulley, Ivory Coast, with anthropomorphic animal head, incised decoration, 6 3/4". Lacking wheel. From the estate of Thomas Cavanaugh of Maine and Florida.

Central Africa, Cameroon/Gabon/Equatorial Guinea, Fang people (also Fan or Pahouin), ca. mid-20th century CE. A rare and beautifully patinated example of a byeri, a reliquary figure of an abstract for

**Originally Listed At $475** West Africa, Cote d'Ivoire, Senufo peoples, ca. first half of the 20th century CE. A fine gathering of 5 hand-carved wooden heddle pulleys with wide bifurcated bodies, st

West Africa, Ivory Coast, Guro people, ca. late 19th to early 20th century CE. A hand-carved wooden heddle pulley with a U-shaped band slender neck, and a stylized bird head with a downward curved bea

5 African Anthropomorphic Wood/Metal Masks, one possibly Indonesian, one likely songye kifwebe and others (JLOM7420/5)(MM) Dimensions: Wooden Masks: 38 x 12 x 7, 16 1/2 x 10 x 8 1/2, 28 1/2 x 14 x 4,

Africa, Ivory Coast, Côte d'Ivoire, Senufo, ca. early 20th century CE. A finely carved and incised hardwood pulley adorned with a characteristically elongated human head with elegant facial features,

African Carved Wood Heddle Pulley baule people, ivory coast. 20th century Height 7 1/2 inches Estimate $300-500

AN AFRICAN FANG PEOPLES WOOD ANCESTRAL RELIQUARY GUARDIAN FIGURE, OKAK GROUP, 20TH CENTURY, carved wood, the seated figure with stylized fearsome open mouth with extending tongue expression, he holds

African Anthropomorphic Painted Wooden Carved Mask, possibly Songye Kifwebe, geometric painted forms in elongated form (MALM7788)(MM) Dimensions: 32 x 6 x 10

African Fang Reliquary Wood Figure, Gabon. The Fang people were victims of the large transatlantic and trans-Saharan slave trade between the 16th and 19th century. They were stereotyped as cannibals b

5 African Fang Carved Wood Artifacts. Including 2 masks, 2 reliquary figures and a staff. Largest Size: 24" x 9" x 11" (61 x 23 x 28 cm). Note: This is a NO RESERVE auction. Bidding on all lots will s

African Koro Anthropomorphic Wood Cup Sculpture, Nigeria. Estimated more than 75 yrs old. African art is a term typically used for the art of Sub-Saharan Africa. A few of the most popular traditional

Carved wood figural heddle, 10 1/2"H. Wear consistent with age.

Large African anthropomorphic carved wood shield mask; of bull-like form; H: 50 1/2" (approx.)

Large African anthropomorphic carved wood shield mask; of bull-like form; H: 50 1/2" (approx.)

African Fang, Gabon Anthromorphic Wood Sculpture Mounted On A Lucite Base. Handmade Rusted Nails Or Spikes Are Visible Towards The Front Bottom And The Rear Bottom. The Fang people were victims of the

Pair of very large Baule Figural vintage carved wood Heddle Pulleys, with coxcomb hair 33 inches tall, some incised decoration.

African Fang Reliquary Carved Wood Figures (3) items including a male having brass eyes and bead work along the top, stone beads wrapped around the waste and metal rings wrapped around the arms and an

African Senufo or Fang carved wood figural door (20th Century) carved from solid plank having carved panels in center depicting human figures and lizards with repeating concentric circle patterns alon

Fang, Gabon, carved wood seated female statue with brass accents, 23"h x 5.75"w PROVENANCE:From the estate of Professor Philip Gould, New York

Large African Wood Fang Mask from the Cameroon Society. In Fang Tribes white is the color of the dead and this mask represents the deceased spirit that had returned among the living to protect them fr

African, Fang, Gabon, large wood mask with burlap headdress, 14"h x 7.5"w x 4"d PROVENANCE:From the estate of Professor Philip Gould, New York

Baga Elek, an anthropomorphic wood carving that combines elements and characteristics of a bird, a crocodile and a human; linear incisions and spattering of paint are meant to suggest stone, displayed