Japanese Woodblock Prints, Yoshitora, 19c

(lot of 3) Japanese woodblock prints: Shuneisai Hokuei (late Edo period, mid 19th century), two kabuki actor prints; together with Utagawa Yoshitora (1836-1882), depicting a battle scene, each with si

(lot of 2) Japanese woodblock prints, one by Nagashima Mosai (=Utagawa Yoshitora) active 1850-1870, depicting a scene from a classic literature,'Ashikagaginu no tezome Murasaki'; the other depicting t

(lot of 3) Japanese woodblock prints: Katsukawa Shunsen (1762-1830), early 19th century, of a courtesan in spring with cherry blossoms; Ichiyusai Kuniyoshi (1797-1861), of a young woman by the cherry

A surimono depicting a samurai on horseback, an example by Yoshitoro which is likely part of a triptych, and a woodblock print from Kunisada's "Kannon Reigen Ki" (The Stories about the Miracles by the

Japanese Woodblock Print 19C Measures 60" x 10" , Art 25" x 8".

Japanese Woodblock Print. Yoshitora. 14 1/2" x 10".

(lot of 3) Utagawa Hiroshige (Japanese 1797-1858) 19th century woodblock prints two from the '100 Famous Places of Edo' including 'Yoshiwara' and one from '36 Scenes of Toto' series largest print: app

(lot of 2) Utagawa Hiroshige (Japanese, 1797-1858), 19th century, "Toto Ichikokubashi Bridge" and "Musashi Koshigayazai" from the "36 views of Mt. Fuji" series, each with the signature, seals and titl

(Lot of 2) Utagawa Hiroshige (Japanese, 1797-1858), 'Shono' and 'Mitsuke' from the 'Famous Places of the 53 Stations', sight: 14"h x 9.5"w, frame: 20.7"h x 16.7"w; Provenance: The Estate of Ruth and J

(Lot of 2) Utagawa Hiroshige (Japanese, 1797-1858), 'Kakegawa' and 'Arai' from the 'Famous Places of the 53 Stations', sight: 14"h x 9.5"w, frame: 20.7"h x 16.7"w; Provenance: The Estate of Ruth and J

(lot of 2) Toyohara Kunichika (Japanese,1835-1900), 19th century, Kabuki woodblock prints: one depicting a geisha with a koto, the other a samurai with a katana sword, sight: 13.25"h x 9"w, frame: 23"

(lot of 2) Utagawa Hiroshige (Japanese, 1797-1858), 19th century, "Harima" and "Hoki", both from the "60-odds Famous Places" series, woodblock prints, with the signature and title, largest print: 14.7

(lot of 5) Utagawa Kuniyasu (Japanese, 1794–1832), 19th century, ten images from the kabuki play "Chishingura (Masterless Samurai)" series, woodblock prints, all with the signatures and seals, appro

(lot of 2) Utagawa Kunisada (=Toyokuni III, 1786-1864), 19th century, two from "New Year's Day Evening", both with signature and seal, sight: 14"h x 9.7"w, frame: 18.75"h x 14.5"w

(lot of 3) Gigado Ashiyuki (Japanese, active 1813-1833) kabuki woodblock prints, depicting samurai, each with the signature/seal, largest sight: 14.25"h x 9.75"w, frame19.75"h x 14.75"w

Toyohara Kunichika (Japanese, 1835-1900), Meiji period, #18 from the 'Genji 54 scenes' series, upper center with the title, lower right with the signature and seal, left margin with publisher's name,

Japanese Woodblock Print by Yoshitora Utagawa, 14" x 9 1/4", "Submerging Warrior".

Japanese woodblock print by Yoshitora Woodblock: 6" x 8" Frame: 11" x 13"

Toyohara Chikanobu (Japanese, 1838-1912), from "Ladies of Chiyoda Palace", woodblock print, 19th c, print: 13.5"h x 9"w, mat: 19"h x 13"w

(lot of 3) Japanese woodblock prints: Utagawa Hiroshige I (1797-1858) , #102 'Mino Wakanasugi Mikawajima' from the 'One Hundred Famous Places of Edo' series; Utagawa Hiroshige II (1826-1869), 'Shiojir

(lot of 2) Japanese woodblock triptych prints, 19th century: Ichiyusai Kuniyoshi (Japanese, 1798-1861), depicting the legendary warrior, Hachiro Minamoto no Tametomo and the women of the island; Gofut

(lot of 3) Japanese 19th century woodblock prints: Kikukawa Eizan (1787-1867), " Oshichi and Kichisaburo"; Utagawa Toyokuni (1769-1825) of two women by the pine tree; one depicting two traveling women

(lot of 2) Utagawa Kuniyoshi (1798-1861), "Ontake/Mitake Akushichibei Kagekiyo" from the "69 Stations of Kisokaido" seiries, woodblock print; together with Utagawa Kunisada III (= Takeuchi Eiji, 1848-

(lot of 2) Japanese woodblock prints: Utagawa Toyokuni (1786-1865), ' Gentoku visiting Komei in Snow Storm'; together with Tsukioka Yoshitoshi (1839-1892), from the 'One Hundred Aspects of the Moon',